{"id":110561,"date":"2022-04-02T14:54:44","date_gmt":"2022-04-02T12:54:44","guid":{"rendered":"https:\/\/radiostargjilan.com\/web\/?p=110561"},"modified":"2022-04-02T14:54:44","modified_gmt":"2022-04-02T12:54:44","slug":"tregimet-e-muhamet-halilit-me-stil-terheqes-qe-kane-persosje-rrefimesh-te-kenaqshme-te-bukura-dhe-me-sharme","status":"publish","type":"post","link":"https:\/\/radiostargjilan.com\/web\/tregimet-e-muhamet-halilit-me-stil-terheqes-qe-kane-persosje-rrefimesh-te-kenaqshme-te-bukura-dhe-me-sharme\/","title":{"rendered":"Tregimet e Muhamet Halilit me stil t\u00ebrheq\u00ebs q\u00eb kan\u00eb p\u00ebrsosje rr\u00ebfimesh t\u00eb k\u00ebnaqshme t\u00eb bukura dhe me sharm\u00eb"},"content":{"rendered":"

Shkruan: Femi Halimi<\/p>\n

\/Muhamet HALILI \u2013 shkrimtar. Botimet \u2013 P\u00ebrmbledhjet me tregime: Fundi i Heshtjes, -2014, Djersa e Gurit, -2015, Nj\u00eb em\u00ebr nga Let\u00ebrnjoftimi. \u2013Tani, 2022. Mban Portalin e Lajmeve 2LONLINE.com, tanim\u00eb t\u00eb afirmuar\/<\/p>\n

Muhamet Halili, pronar drejtues i Portalit 2LONLINE, ka koh\u00eb q\u00eb edhe boton libra me tregime. K\u00ebto dit\u00eb nxori nga shtypi librin e tret\u00eb me tregime \u2013Nj\u00eb Em\u00ebr nga Let\u00ebrnjoftimi, shtypur nga Sht\u00ebpia Botuese \u201cBeqir Musliu\u201d n\u00eb Gjilan. Ky \u00ebsht\u00eb libri i tij i tret\u00eb me tregime, n\u00eb vazhdim\u00ebsi dhe p\u00ebrsiatje rrotull nj\u00eb teme t\u00eb p\u00ebrjetshme t\u00eb njeriut ton\u00eb t\u00eb k\u00ebtij vendi k\u00ebtu, po edhe t\u00eb atij t\u00eb shkepur n\u00ebp\u00ebr bot\u00eb.<\/p>\n

Gjuha dhe stili i ligj\u00ebrimit t\u00eb autorit jan\u00eb n\u00eb sh\u00ebrbim t\u00eb bartjes mitike mbinatyrore t\u00eb porosis\u00eb, q\u00eb \u00ebsht\u00eb natyra tjet\u00ebr e Lajmit, e q\u00eb vjen me p\u00ebrs\u00ebritje tregimesh, sa ka mund\u00ebsi kuptimi t\u00eb njeriut ton\u00eb tani. K\u00ebto tregime q\u00eb p\u00ebrb\u00ebjn\u00eb nj\u00eb tuf\u00eb t\u00eb k\u00ebndshme rr\u00ebfimesh me stil t\u00ebrheq\u00ebs, n\u00eb tregime t\u00eb shkurt\u00eb, sa dy \u2013tri skica p\u00ebr t\u00eb th\u00ebn\u00eb. Me r\u00ebnd\u00ebsi \u00ebsht\u00eb tregimi p\u00ebrbrenda, q\u00eb nuk \u00ebsht\u00eb n\u00eb var\u00ebsi me gjat\u00ebsin\u00eb e form\u00ebs, k\u00ebsaj t\u00eb dukshmes, por q\u00eb autori fuqish\u00ebm e nxjerr n\u00eb dukje tok me nevoj\u00ebn ton\u00eb kolektive p\u00ebr nj\u00eb rrug\u00eb q\u00eb duhet ta ecim.<\/p>\n

But\u00ebsia e tekstit dhe m\u00ebnyra e p\u00ebrcjelljes s\u00eb lutjes n\u00eb ligj\u00ebrim p\u00ebr kthim t\u00eb njer\u00ebzve b\u00ebn q\u00eb tregimet t\u00eb duken t\u00eb leht\u00eb dhe t\u00eb thjesht\u00eb tejet mase. N\u00eb t\u00eb v\u00ebrtet\u00eb n\u00eb t\u00ebr\u00eb shtrirjen e tregimeve hetohet, sikur nga larg\u00ebsi e madhe me teleskop, nj\u00eb njoll\u00eb e dukshme drite n\u00eb qiell t\u00eb paarritsh\u00ebm p\u00ebr jet\u00eb ton\u00eb, por q\u00eb tregimi e mund\u00ebson k\u00ebt\u00eb. Fuqia e artit n\u00eb let\u00ebrsi \u00ebsht\u00eb absolute, prandaj arti n\u00eb k\u00ebt\u00eb \u00ebsht\u00eb nj\u00eb me fuqin\u00eb e krijimit universal t\u00eb logosit, t\u00eb parit e t\u00eb fundit, t\u00eb gjith\u00ebpushtetsh\u00ebm n\u00eb gjith\u00e7ka.<\/p>\n

Let\u00ebrsia tek ne ka arrit nivele t\u00eb lakmueshme edhe n\u00eb nivel bot\u00ebror, anise jemi popull i vog\u00ebl dhe me k\u00ebt\u00eb edhe informata p\u00ebr neve n\u00eb bot\u00eb shkon gjithmon\u00eb e vog\u00ebl. M\u00ebsimi dhe dituria por n\u00eb fush\u00ebn e artit letrar kan\u00eb edhe tek ne tanim\u00eb arritje t\u00eb lakmueshme krahasuar edhe me arritjet n\u00eb bot\u00eb.<\/p>\n

Edhe n\u00eb k\u00ebt\u00eb tekst t\u00eb autorit Muhamet Halili ka nj\u00eb p\u00ebrsosje t\u00eb rr\u00ebfimit t\u00eb k\u00ebnaqshme, me metodat letrare t\u00eb teoris\u00eb s\u00eb let\u00ebrsis\u00eb dhe t\u00eb artit. Ka mandej lidhje koherente me rrethanat e popullit ton\u00eb dhe kushtet n\u00eb t\u00eb cilat jeton e gjall\u00ebron populli yn\u00eb p\u00ebrball\u00eb dhe p\u00ebrkrah t\u00eb tjer\u00ebve. N\u00eb di\u00e7ka rr\u00ebfimi i k\u00ebtij autori ngjan me idet\u00eb estetike njoh\u00ebse t\u00eb realist\u00ebve t\u00eb m\u00ebdhenj t\u00eb bot\u00ebs, po me disa ka ngjashm\u00ebri me romantik\u00ebt. N\u00eb stil dhe p\u00ebrshkrim estetik ngjan shum\u00eb me Bodlerin n\u00eb forma t\u00eb simbolizmit. Ka ngjashm\u00ebri eseistike edhe me Oskar Vajldin anglez dhe me Enrik Maria Rilk\u00ebn gjerman, n\u00eb p\u00ebrzgjedhjen e temave dhe t\u00eb p\u00ebrfundimeve gjykuese, q\u00eb ngjajn\u00eb n\u00eb realiz\u00ebm por q\u00eb kan\u00eb vazhdim\u00ebsi tjet\u00ebr arti t\u00eb mbijetes\u00ebs me dinjitet me \u00e7do kusht.<\/p>\n

N\u00eb p\u00ebrzgjedhjen e temave dhe n\u00eb stile p\u00ebrshkrimesh subjektive i afrohet nj\u00eb p\u00ebrshkrimi teknik tek Filip Tomaso avangardist, po me zgjatje emotive dikund nga fundi i tregimeve edhe me Majakovskin, q\u00eb k\u00ebndonte, me q\u00ebllim t\u00eb kalimit prej rr\u00ebfimit n\u00eb k\u00ebng\u00eb, q\u00eb donte t\u00eb thonte ngritje mbinatyrore t\u00eb ngjarjeve, -gjegj\u00ebsisht t\u00eb personazheve, n\u00eb dhembjet e tyre t\u00eb ngush\u00ebllueshme vet\u00ebm nga autor\u00ebt, si k\u00ebta q\u00eb dinin t\u00eb k\u00ebndonin plag\u00ebt e heshtjet t\u2019i b\u00ebnin t\u00eb d\u00ebgjueshme e t\u00eb prekshme p\u00ebr t\u00eb gjith\u00eb t\u00eb gjall\u00ebt.<\/p>\n

Gotfrid Ben ishte ekspresionist, p\u00ebrfaq\u00ebsues autoritativ i ekspresionizmit nga drejtimi modernist i koh\u00ebs m\u00eb t\u00eb re, si dhe me dadaiz\u00ebm postni\u00e7ean, t\u00eb mbiekzistenc\u00ebs n\u00eb nj\u00eb hiq pa mund\u00ebsi njohjeje t\u00eb zgjidhjes a t\u00eb shpres\u00ebs, si q\u00eb e p\u00ebrjet\u00ebson besimi shpres\u00ebn e Shp\u00ebtimit nga Zoti. Mendimi ni\u00e7ean erdhi e gufoi n\u00eb vendet urbane gjermane me shumic\u00eb, ku p\u00ebr koh\u00eb t\u00eb gjat\u00eb kishte vlim e kaos ekonomik e tregtar por ku rriteshin mund\u00ebsit\u00eb p\u00ebr fitime e jet\u00eb t\u00eb njer\u00ebzishme, por ku humbej arsyeja njer\u00ebzore dhe ku njeriu i ri duhej t\u00eb arratisej dosido, si q\u00eb e shpjegoi m\u00eb von\u00eb Erik From tek libri \u201cArratisja nga liria\u201d<\/p>\n

Arratisja tek autori social kalon nga kuptimi normal i fjal\u00ebs n\u00eb kund\u00ebrveprim, ku njeriu kupton se kishte dashur gabim dik\u00ebnd q\u00eb nuk e donte dashurin\u00eb e respektin e tij dhe ku p\u00ebr m\u00eb tep\u00ebr konsiderohej ky q\u00eb donte, armik dhe i denj\u00eb p\u00ebr ndjekje e zhdukje. Besimi se veprat e mira dhe dashuria e madhe na shp\u00ebtojn\u00eb dhe na japin paq\u00eb e njer\u00ebzi na mashtron n\u00eb koh\u00ebn m\u00eb t\u00eb re, sipas autor\u00ebve t\u00eb drejtimeve postmoderniste dhe t\u00eb simbolizmit q\u00eb z\u00ebvend\u00ebson figur\u00ebn dhe personazhin. Me k\u00ebt\u00eb me koh\u00eb edhe rr\u00ebshqiti dadaizmi tek format sociale t\u00eb ashpra dhe me radikalizmi politik banal t\u00eb ideve deri n\u00eb s\u00ebmtim, q\u00eb u mbiquajt nadrealiz\u00ebm.<\/p>\n

Kjo m\u00ebnyr\u00eb rr\u00ebfimi dhe m\u00ebsimi m\u00eb von\u00eb u aplikua doracak i shpejt\u00eb p\u00ebr q\u00ebllime praktike n\u00eb em\u00ebr t\u00eb nj\u00eb di\u00e7kaje si \u201cpsikoanaliz\u00eb\u201d, q\u00eb m\u00eb von\u00eb me Frojdin, Xhojsin, e t\u00eb tjer\u00eb, b\u00ebn\u00eb p\u00ebrrall\u00eb gjith\u00eb m\u00ebnyr\u00ebn e deriat\u00ebhershme t\u00eb rr\u00ebfimit dhe q\u00eb b\u00ebn\u00eb t\u00eb mundshme kalimin nga rr\u00ebfimi real ideor e m\u00ebsimor, artistik e me porosi njer\u00ebzore, -n\u00eb nj\u00eb bot\u00eb t\u00eb err\u00ebt t\u00eb munges\u00ebs s\u00eb plot\u00eb t\u00eb drit\u00ebs s\u00eb lajmeve e esemes\u00ebve p\u00ebr shpirtin dhe zemr\u00ebn.<\/p>\n

Nuk kishte m\u00eb kush kujt\u00eb t\u2019i shkruante, -thuhej me simbolik\u00eb ironie n\u00eb publikun e tronditur nga autor\u00ebt e rinj, q\u00eb psikoanaliz\u00ebn e v\u00ebnin n\u00eb vend t\u00eb tregimit dhe diturin\u00eb e fsheht\u00eb n\u00eb vend t\u00eb asaj tradicionale t\u00eb dukshme e t\u00eb prekshme. Metodat e reja n\u00eb art e let\u00ebrsi u b\u00ebn\u00eb nj\u00eb bot\u00eb e t\u00ebr\u00eb e protest\u00ebs por q\u00eb nuk kishte askush q\u00eb t\u00eb tregonte se a kishte shpres\u00eb p\u00ebr t\u00eb dal\u00eb nga terri si dhe nuk pranoheshin k\u00ebshillat dhe diturit\u00eb e shum\u00eb t\u00eb diturve q\u00eb tregonin p\u00ebr nj\u00eb udh\u00eb t\u00eb v\u00ebrtet\u00eb t\u00eb drejt\u00eb q\u00eb \u00e7onte drejt\u00eb \u00e7lirimit dhe liris\u00eb.<\/p>\n

Fromi e transmetoi me metod\u00eb sociologjike \u00e7lirimin dhe lirin\u00eb p\u00ebrmes arratisjes, mir\u00ebpo n\u00eb domene t\u00eb let\u00ebrsis\u00eb mbet\u00ebn drejtime t\u00eb ndryshme, ku secili autor me metod\u00eb t\u00eb lir\u00eb dhe me stil edhe m\u00eb t\u00eb lir\u00eb rr\u00ebfeu dhe rr\u00ebfen edhe sot e k\u00ebsaj dite, sipas mendjes s\u00eb vet, -rolin e artit letrar tek njeriu.<\/p>\n

Me k\u00ebt\u00eb edhe autori yn\u00eb i respektuar, Muhamet Halili, ka koh\u00eb q\u00eb ec\u00eb nj\u00eb udhe t\u00eb njohur m\u00eb tani, t\u00eb bartjes s\u00eb tregimit deri tek lexuesi. Metodat dhe stilet me t\u00eb cilat e b\u00ebn k\u00ebt\u00eb, jan\u00eb bukuria e tregimeve, e nd\u00ebrtimeve t\u00eb brendshme t\u00eb tyre, si dhe e rr\u00ebfimeve me sharm\u00eb, deri tek p\u00ebrfundimet q\u00eb p\u00ebrmbajn\u00eb m\u00ebsime p\u00ebr neve.<\/p>\n

Roli i artit letrar \u00ebsht\u00eb mu ky, -q\u00eb n\u00ebp\u00ebrmjet sh\u00ebmb\u00eblltyr\u00ebs dhe simbolizimit, t\u00eb na udh\u00ebzoj\u00eb me z\u00ebrin e nd\u00ebrgjegjes dhe arsyes drejt nj\u00eb udhe t\u00eb v\u00ebrtet\u00eb jet\u00ebsore e t\u00eb \u00e7lirimit nga t\u00eb k\u00ebqijat e ngarkesat e k\u00ebsaj bote, q\u00eb na r\u00ebndojn\u00eb, sa t\u00eb q\u00ebndrojm\u00eb ne indiferent ndaj tyre.<\/p>\n

Gjith\u00eb sh\u00ebmb\u00eblltyra e tre librave m\u00eb vjen n\u00eb dukje tek tregimi n\u00eb librin e fundit \u201cNj\u00eb em\u00ebr nga let\u00ebrnjoftimi\u201d, -tregimi i par\u00eb i librit, -\u201c\u00cbndrra e nj\u00eb sorre\u201d!<\/p>\n

Personazhet e k\u00ebtij tregimi jan\u00eb, -nj\u00eb profesor i koh\u00ebs, nj\u00eb pun\u00ebtor sigurimi n\u00eb pushtetin e at\u00ebhersh\u00ebm me shefin e vet, nj\u00eb f\u00ebmij\u00eb vajz\u00eb n\u00eb adoleshenc\u00eb, bij\u00eb e profesorit.<\/p>\n

Pun\u00ebtori i sigurimit portretizohet me fuqi pakufi t\u00eb pushtetit, por q\u00eb fuqizohet edhe m\u00eb nga shefi i tij p\u00ebr vepra krimi \u2013sepse ashtu ishte kushti p\u00ebr pun\u00eb n\u00eb at\u00eb sh\u00ebrbim at\u00ebher\u00eb, me theks ndaj popullit shqiptar. Ky entuziast i sigurimit shtet\u00ebror ka nj\u00eb thirrje n\u00eb sh\u00ebrbim \u2013\u201cC\u00ebrni\u201d \u2013i ziu\u201d, po q\u00eb korrespondon larg me ngjarjen historike t\u00eb Boro Vukmiroviqit q\u00eb kishte po t\u00eb nj\u00ebjt\u00ebn thirrje logo p\u00ebr pun\u00eb e sh\u00ebrbim, po sepse ishte nj\u00ebmend i zeshk\u00ebt ai nga fytyra.<\/p>\n

Dialogu n\u00eb mes \u201cC\u00ebrnit\u201d e shefit tregon marr\u00ebdh\u00ebniet e shefit me sh\u00ebrb\u00ebtorin, q\u00eb ishin aq t\u00eb r\u00ebnda, ve\u00e7mas nga pik\u00ebpamja nd\u00ebrnacionale, ku sh\u00ebrb\u00ebtori \u2013q\u00eb ishte shqiptar, -duhej t\u00eb ruante serb\u00ebt me \u00e7do kusht dhe t\u00eb d\u00ebmtonte shqiptar\u00ebt, sepse ajo ishte politik\u00eb afatgjate, -p\u00ebr heqjen e popullat\u00ebs shqiptare nga k\u00ebto toka t\u00eb tij. Sigurimci i ri e dinte por hesht\u00ebte sepse kishte nevoj\u00eb p\u00ebr pun\u00eb dhe p\u00ebr jet\u00eb t\u00eb mir\u00eb, anise ishte edhe ai shqiptar, sikur ata q\u00eb do t\u00eb d\u00ebmtonte prishte, me k\u00ebrkes\u00eb t\u00eb armikut t\u00eb tij, q\u00eb e kishte p\u00ebr \u00e7astin shef dhe t\u00eb vetin!\u2026<\/p>\n

K\u00ebto marr\u00ebdh\u00ebnie i p\u00ebrkujton autori n\u00eb tregim por pa i p\u00ebrmend\u00eb, pasi i konsideron banale dhe t\u00eb panevojshme p\u00ebr pjes\u00eb t\u00eb tregimit. Thjesht\u00eb, tregimi fikson nj\u00eb rast t\u00eb till\u00eb dhe p\u00ebrfundimin, i cili \u00ebsht\u00eb paksa realist, p\u00ebr dallim nga rr\u00ebfimi eseistik. Nj\u00eb tregim por ky, ka struktur\u00eb mjaft t\u00eb rregullt dhe pasuri artistike t\u00eb lakmueshme. Autori e nxjerr nga err\u00ebsira dhe e fikson k\u00ebt\u00eb ngjarje t\u00eb trisht\u00eb, q\u00eb \u00ebsht\u00eb n\u00eb psik\u00ebn dhe kujtimin e \u00e7do shqiptari n\u00eb k\u00ebt\u00eb an\u00eb, n\u00eb cil\u00ebndo pozit\u00eb t\u00eb ket\u00eb qen\u00eb ato koh\u00eb. Edhe niveli artistik i nd\u00ebrtimit \u00ebsht\u00eb mjaft i k\u00ebnaqsh\u00ebm. \u00c7do an\u00eb e tregimit ka matje t\u00eb sakt\u00eb dhe pjes\u00ebt kan\u00eb marr\u00ebdh\u00ebnie t\u00eb barabart\u00eb n\u00eb mes vete deri n\u00eb p\u00ebrfundim.<\/p>\n

Dimenzionet e karaktereve dhe fuqia e tyre n\u00eb k\u00ebt\u00eb lib\u00ebr n\u00eb krahasim me personazhet e autor\u00ebve bot\u00ebror\u00eb mund t\u00eb b\u00ebhen n\u00ebp\u00ebrmjet krahasimeve, q\u00eb mund\u00ebsojn\u00eb figurat.<\/p>\n

Nj\u00eb personazh i Taras Bulb\u00ebs ka dimensione miliona her\u00eb m\u00eb shum\u00eb; nj\u00eb Perl Bak nd\u00ebrton marr\u00ebdh\u00ebniet gjigante diplomatike nd\u00ebrmjet Kin\u00ebs e SHBA \u2013ve tek Toka e Eg\u00ebr; nj\u00eb Tolstoj me Luft\u00ebn e Paq\u00ebn m\u00ebson p\u00ebr luft\u00ebn q\u00eb nuk duhet t\u00eb ndodh\u00eb kurr\u00eb; kurse nj\u00eb Ernesto Sabato na m\u00ebson tek \u201cTuneli\u201d p\u00ebr dashurin\u00eb n\u00eb Mosh\u00eb t\u00eb Shtyr\u00eb, q\u00eb \u00ebsht\u00eb e nj\u00ebjt\u00eb sikur n\u00eb rini, por q\u00eb vret, q\u00eb t\u00eb dy personazhet, \u2013 jo p\u00ebr shkak t\u00eb karaktereve dhe psikomave, por p\u00ebr shkak t\u00eb mosh\u00ebs. Vrasjen e Maris\u00eb tek Tuneli i Sabatos zakonisht e paraqesin krim t\u00eb piktorit, q\u00eb ishte prototipi i vet\u00eb Sabatos, por autori n\u00eb t\u00eb v\u00ebrtet\u00eb na m\u00ebsoi se dashuria n\u00eb mosh\u00eb t\u00eb shtyr\u00eb vret dhe ky le t\u00eb jet\u00eb m\u00ebsim nga autori sepse ai deshi k\u00ebshtu, q\u00eb mbet edhe n\u00eb p\u00ebrmasa bot\u00ebrore m\u00ebsim dhe p\u00ebr \u00e7ka edhe u b\u00eb i njohur Sabato n\u00eb bot\u00eb!<\/p>\n

Autori yn\u00eb k\u00ebshtu, Muhamet Halili, ka ecur mjaft, e ka p\u00ebrshkuar koh\u00eb e jet\u00eb t\u00eb vet n\u00eb krijimtari, q\u00eb \u00ebsht\u00eb dhunti prej Zotit p\u00ebr njeriun, e q\u00eb po t\u00eb ishte i nj\u00eb kombi tjet\u00ebr kahmot do t\u00eb ishte i popullarizuar dhe milioner! K\u00ebshtu them sepse tek t\u00eb tjer\u00ebt n\u00ebse nj\u00eb autor ka nj\u00eb shkrim me vler\u00eb p\u00ebr shtyp, i pranohet dhe i paguhet shum\u00eb shtrenjt\u00eb, -p\u00ebr dallim k\u00ebtu tek ne, ku nj\u00eb autor duhet me parat\u00eb e veta ta paguan shtypin, e ku p\u00ebr m\u00eb tep\u00ebr shumica e autor\u00ebve as nuk kan\u00eb me se t\u00eb paguajn\u00eb, -kurse ku shtypjet b\u00ebhen nga donacionet e subvencionet komunale, ministrore, a nga ndonj\u00eb dashamir i rastit p\u00ebr dikend, zakonisht, -por q\u00eb kjo nuk qe kurr\u00eb d\u00ebshp\u00ebrim p\u00ebr krijuesit tan\u00eb \u2013dhe kjo \u00ebsht\u00eb puna m\u00eb e mira tek ne!..<\/p>\n

I urojm\u00eb autorit botime t\u00eb tjera dhe suksese n\u00eb pun\u00eb e n\u00eb angazhim!<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Shkruan: Femi Halimi \/Muhamet HALILI \u2013 shkrimtar. Botimet \u2013 P\u00ebrmbledhjet me tregime: Fundi i Heshtjes, -2014, Djersa e Gurit, -2015, Nj\u00eb em\u00ebr nga Let\u00ebrnjoftimi. \u2013Tani, 2022. Mban Portalin e Lajmeve 2LONLINE.com, tanim\u00eb t\u00eb afirmuar\/ Muhamet Halili, pronar drejtues i Portalit 2LONLINE, ka koh\u00eb q\u00eb edhe boton libra me tregime. K\u00ebto dit\u00eb nxori nga shtypi librin […]<\/p>\n","protected":false},"author":1,"featured_media":110563,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-110561","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-opinion"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/110561","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=110561"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/110561\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/110563"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=110561"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=110561"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=110561"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}