Shkruan: Sherafedin KADRIU<\/p>\n
TREGIMET E KARANTIN\u00cbS<\/p>\n
( Muhamet Halili: NJ\u00cb EM\u00cbR NGA LET\u00cbRNJOFTIMI, lib\u00ebr me tregime, editoi Sht\u00ebpia botuese BEQIR MUSLIU, 2022 )<\/p>\n
Rruga krijuese e shkrimtar\u00ebve nuk \u00ebsht\u00eb e nj\u00ebjt\u00eb, sidomos p\u00ebr procesin dhe gjinin\u00eb e krijimtaris\u00eb letrare. Tashm\u00eb \u00ebsht\u00eb konstatuar se problemet me t\u00eb cilat kacafyten ata q\u00eb merren me proz\u00ebn jan\u00eb t\u00eb nj\u00eb natyre tjet\u00ebr, krahasuar me poezin\u00eb. M\u00eb t\u00eb v\u00ebshtira gjithsesi. Muhamet Halili, q\u00eb n\u00eb filles\u00eb t\u00eb krijimtaris\u00eb s\u00eb tij \u00ebsht\u00eb marr\u00eb me tregimin, pa u frik\u00ebsuar fare p\u00ebr rrug\u00ebn n\u00ebp\u00ebr t\u00eb cil\u00ebn do t\u00eb ec\u00ebn.
\nPo u k\u00ebqyr\u00eb nga kjo pamje krijimtaria artistike e k\u00ebtij shkrimtari, kritika do t\u00eb dij\u00eb t\u2019i rizbuloj\u00eb ndryshe tregimet e tija, t\u00eb cilat paraqesin fabula t\u00eb krijuara me shkatht\u00ebsi e me shp\u00ebrnd\u00ebrrim t\u00eb leht\u00eb, mbase \u2013 paksa energjik. Muhameti e di se tregimet kall\u00ebzohen, prandaj ka b\u00ebr\u00eb shum\u00eb q\u00eb poetika e proz\u00ebs s\u00eb tij ta ngreh\u00eb kandarin e vlerave krijuese, t\u00eb cilat fatmir\u00ebsisht po mir\u00ebpriten nga lexuesi. K\u00ebshtu mund t\u00eb thuhet p\u00ebr t\u00eb tri veprat me tregime t\u00eb k\u00ebtij autori: Fundi i Heshtjes (2014), Djersa e gurit (2015) dhe Nj\u00eb em\u00ebr nga let\u00ebrnjoftimi (2022), t\u00eb cilat kan\u00eb vlera t\u00eb patjet\u00ebrsueshme.
\nEdhe pse n\u00eb librin tret\u00eb ndodhen 5 tregime t\u00eb cilat jan\u00eb p\u00ebrfshir\u00eb n\u00eb v\u00ebshtrimin ton\u00eb (Orgazma lider\u00ebsh, Orgjit\u00eb n\u00eb sht\u00ebpin\u00eb boj\u00ebkafe, Monologu i hajnit, Avokati i rasteve t\u00eb humbura dhe Vizitori), fjal\u00ebn e kemi p\u00ebr tregime t\u00eb publikuara n\u00eb faqen e FB, t\u00eb cilat i em\u00ebrtuam jo krejt arbitrarisht Tregime t\u00eb karantin\u00ebs, sepse erdh\u00ebn mu n\u00eb at\u00eb periudh\u00eb pron\u00ebsie t\u00eb stresit e t\u00eb trishtimit, duke komunikuar me lexuesin, t\u00eb cilit i fal\u00ebn guxim e dashuri \u2026
\nK\u00ebtu nis rr\u00ebfimi p\u00ebr tregimet e Muhametit, sepse ve\u00e7 leximit, \u00ebsht\u00eb edhe nj\u00eb debat i k\u00ebndsh\u00ebm q\u00eb po i p\u00ebrcjell\u00eb k\u00ebto kall\u00ebzime estetike. Nj\u00eb karakteristik\u00eb interesante, jo e par\u00eb ndonj\u00ebher\u00eb. Dhe, nuk \u00ebsht\u00eb me r\u00ebnd\u00ebsi n\u00ebse debati zhvillohet nga profesionist\u00eb t\u00eb fush\u00ebs, \u2013 mjafton q\u00eb debati po b\u00ebhet nga lexuesi, mu at\u00ebher\u00eb kur debatet p\u00ebr let\u00ebrsin\u00eb jan\u00eb t\u00eb rralla.
\nArsyesh\u00ebm, shtrohet pyetja: \u00c7far\u00eb i karakterizon k\u00ebto krijime q\u00eb t\u00eb jen\u00eb t\u00eb dashura p\u00ebr lexuesin, q\u00eb lexohen kur s\u2019lexohet?!
\nPo. \u00cbsht\u00eb m\u00ebnyra e rr\u00ebfimit t\u00eb ngjarjes, thurja e saj, ai konflikt i leht\u00eb, gjuha dhe strukturimi i saj, p\u00ebrmbajtja e ngjarjes etj, q\u00eb e kan\u00eb b\u00ebr\u00eb t\u00eb d\u00ebshiruesh\u00ebm nj\u00eb tregim t\u00eb till\u00eb p\u00ebr lexuesin e pandemis\u00eb.
\nJam krejt\u00ebsisht i bindur se p\u00ebrvoja e mir\u00eb e komunikimit nd\u00ebrmjet shkrimtarit dhe lexuesit do t\u00eb vazhdoj\u00eb me apo pa karantin\u00eb, \u2013 tregimet e Muhametit do t\u2019i kemi n\u00eb tryez\u00ebn e m\u00ebngjesit\u2026 p\u00ebr t\u2019iu rikthyer atyre s\u00ebrish n\u00eb sofr\u00ebn e mbr\u00ebmjes.<\/p>\n
Thell\u00ebsi komunikimi apo trajtim thjesht\u00ebsie<\/p>\n
Ngjarja e tregimeve t\u00eb k\u00ebtij autori, n\u00eb shikim t\u00eb par\u00eb, \u00ebsht\u00eb e thjesht\u00eb. Po v\u00ebshtruar mir\u00eb e mir\u00eb, ajo merr trajt\u00eb komplekse n\u00ebp\u00ebrmjet historis\u00eb s\u00eb rr\u00ebfimit poetik. Nga e kaluara merr vet\u00ebm aq sa i duhet p\u00ebr ta pleksur me t\u00eb sotmen moderne q\u00eb paraqet nj\u00eb form\u00ebsim psikologjik, social, filozofik e etik, ndonj\u00ebher\u00eb t\u00eb kapur nga tradita e keqe e shp\u00ebrfaqur si me tam-tame n\u00eb struktur\u00ebn tematike dhe ideore, si\u00e7 ndodh me tregimin Maria. Nj\u00eb tregim q\u00eb nis me problemin e shkollimit t\u00eb femr\u00ebs, e q\u00eb sot \u00ebsht\u00eb i kap\u00ebrcyer. Nuk paraqitet si dukuri, s\u00eb paku. Si rast po, po p\u00ebr k\u00ebt\u00eb arsye rastet nuk trajtohen n\u00eb let\u00ebrsi sepse paraqesin varf\u00ebri poetike.
\nN\u00eb at\u00eb prolog z\u00eb fill tema q\u00eb \u00ebsht\u00eb krejt tjet\u00ebr, \u2013 dashuria e dy t\u00eb rinjve, bashk\u00eb me momentet q\u00eb shum\u00ebfishoheshin n\u00eb livadhin e fryr\u00eb plot me lule, si gjoksi i saj q\u00eb p\u00ebrngjante me ballonin e fryr\u00eb nga heliumi. Ndoshta titulli i tregimit t\u00eb prin p\u00ebr tjet\u00ebrkah\u2026 se titujt jan\u00eb si dukja t\u00ebrheq\u00ebse n\u00eb filles\u00eb\u2026
\nT\u00ebr\u00ebsisht, tregimet kan\u00eb nj\u00eb rrjedh spontane, paksa lirike. Nuk durojn\u00eb asnj\u00eb nd\u00ebrhyrje, as edhe nga autori. Ndoshta p\u00ebr k\u00ebt\u00eb, shkrimtari rri larg rrjedh\u00ebs dhe ngjarjes q\u00eb rrjedh me at\u00eb konfliktin krejt\u00ebsisht t\u00eb leht\u00eb. Nj\u00eb konflikt q\u00eb vall\u00ebzon me nj\u00eb muzik\u00eb lyre t\u00eb p\u00ebrzgjedhur, ku veprojn\u00eb personazhe nga m\u00eb t\u00eb ndryshmit, t\u00eb cil\u00ebt ne i njohim intimisht, edhe pse nuk dim\u00eb shum\u00eb gj\u00ebra p\u00ebr ta. Secilin prej tyre e njohim ndryshe nga tjetri, sepse secili prej tyre jeton e vepron sipas form\u00ebsimit t\u00eb tij, mu aty ku takohemi, aty ku miq\u00ebsohemi, aty ku urrehemi (Tregimi Supa e ftoht\u00eb, vithet e nxehta dhe vaji i ullirit). Orgjit\u00eb n\u00eb sht\u00ebpin\u00eb boj\u00ebkafe, n\u00eb an\u00ebn tjet\u00ebr, nj\u00eb prej tregimeve jo p\u00ebr t\u2019u trishtuar se u m\u00ebsuam nga \u00e7\u2019shohim e d\u00ebgjojm\u00eb se si po e z\u00ebm\u00eb e po e tejkalojm\u00eb Evrop\u00ebn. Jo n\u00eb dije, jo\u2026
\nQe, ajo ndarja prej modelesh interesante t\u00eb asaj klientele q\u00eb p\u00ebrmbyllet me hijet prej mishi e gjaku, ndon\u00ebse gjunj\u00ebkuq\u00ebt p\u00ebrb\u00ebjn\u00eb pal\u00ebn q\u00eb nuk peshon. Dhe, n\u00eb k\u00ebt\u00eb mes, nuk e dim\u00eb n\u00ebse studenti v\u00ebrtet p\u00ebrfaq\u00ebson nj\u00eb idealist t\u00eb pap\u00ebrmir\u00ebsuesh\u00ebm, apo er\u00ebrat e ndryshimit fryjn\u00eb n\u00ebn hukam\u00ebn e zjarrit shpirt\u00ebror t\u00eb atij q\u00eb vazhdon ta ket\u00eb thirrjen \u201c kryengrit\u00ebs!!!\u201d.
\nMundet, edhe nj\u00ebra edhe tjetra!!!
\nTregimi Hor\u00eb p\u00ebr metafor\u00eb ka n\u00eb plan dy \u00e7\u00ebshtje t\u00eb ngritura dhe t\u00eb lidhura mes vete. Nevoj\u00ebn p\u00ebr financa n\u00eb k\u00ebt\u00eb zallahi antivlerash t\u00eb dala n\u00eb sip\u00ebrfaqe, por q\u00eb tentojn\u00eb t\u00eb b\u00ebhen vlera n\u00ebp\u00ebrmjet financash t\u00eb majme.
\nDhe \u00ebsht\u00eb nj\u00eb e v\u00ebrtet\u00eb q\u00eb besohet, e sprovuar gjithsesi: Financat jan\u00eb te ata q\u00eb nuk kan\u00eb vlera kulturore, jo te t\u00eb gjith\u00eb, t\u00eb merremi vesh se nuk po i presim gj\u00ebrat si me thik\u00eb. Disave prej tyre sesi iu teket q\u00eb edhe n\u00eb fush\u00ebn e krijimtaris\u00eb artistike duhet t\u00eb b\u00ebjn\u00eb em\u00ebr, se n\u00eb k\u00ebt\u00eb fush\u00eb b\u00ebhet emri i mir\u00eb! Dikur mendohej ndryshe: emri i mir\u00eb mund t\u00eb b\u00ebhej duke financuar botimin e krijuesve t\u00eb ndrysh\u00ebm letrar\u00eb. Q\u00eb nga paslufta u tejkalua ajo mend\u00ebsi e mir\u00eb, fatkeq\u00ebsisht\u2026
\nDhe gjejn\u00eb hartues e shkrues. I till\u00eb \u00ebsht\u00eb personazhi yn\u00eb, rr\u00ebfimtari i sinqert\u00eb, q\u00eb p\u00ebr mjete financiare shkruan poezi p\u00ebr Malushin, q\u00eb ta b\u00ebj\u00eb poet, de! Se edhe Malushi e di q\u00eb vet nuk b\u00ebhet dot poet. I duhet dikush, se p\u00ebr para, puna m\u00eb e vog\u00ebl: Malushi ka para si mut!, shprehet rr\u00ebfimtari. Ky \u00ebsht\u00eb ai krahasimi kronologjik q\u00eb n\u00eb pamje t\u00eb par\u00eb nuk del i q\u00eblluar, ama nga k\u00ebqyrja e dyt\u00eb shp\u00ebrfaq arsyesh\u00ebm bashk\u00eb me p\u00ebrmbajtjen nervozen jo t\u00eb tepruar!
\n\u00c7\u00ebshtje tjet\u00ebr me r\u00ebnd\u00ebsi n\u00eb k\u00ebt\u00eb tregim \u00ebsht\u00eb problemi seksual q\u00eb vjen si pasoj\u00eb e financave mangut. Dhe rr\u00ebfimtari nuk p\u00ebrton q\u00eb n\u00eb sken\u00ebn e kureshtjes ta v\u00eb gruan e tij bashk\u00eb me situat\u00ebn psikologjike t\u00eb pendshkruesve q\u00eb ta b\u00ebjn\u00eb librin p\u00ebr para.
\nPo morali?,- do t\u00eb pyesni ju.
\nMorali ka koh\u00eb q\u00eb ka vdekur! \u2013 do t\u00eb p\u00ebrs\u00ebrisin t\u00eb tjer\u00ebt. Ka vdekur bashk\u00eb me gruan e personazhit t\u00eb tregimit q\u00eb \u00ebsht\u00eb gruaja e cilitdo krijues q\u00eb \u00ebsht\u00eb futur n\u00eb borxhe dhe s\u2019e b\u00ebn nj\u00eb dit\u00eb n\u00eb detin e flladitsh\u00ebm gjat\u00eb ver\u00ebs val\u00eb t\u00eb nxeht\u00eb. Jan\u00eb edhe nj\u00eb varg pagesash q\u00eb duhet t\u00eb b\u00ebhen, e mjete financiare nuk ka.
\nShikoni po kompleks di t\u00eb jet\u00eb tregimi q\u00eb ne e konsiderojm\u00eb p\u00ebr t\u00eb leht\u00eb, p\u00ebr t\u00eb thjesht\u00eb pra. P\u00ebr k\u00ebt\u00eb arsye shkrimi duhet lexuar disa here nga kritiku para se t\u00eb ket\u00eb filluar interpretimin, para gjykimit medoemos.
\nJo vet\u00ebm n\u00eb k\u00ebt\u00eb tregim ironia \u00ebsht\u00eb ulur k\u00ebmb\u00ebkryq, pa e kaluar mas\u00ebn e figur\u00ebs medoemos. M\u00eb mir\u00eb i rri shit\u00ebsit se bler\u00ebsit t\u00eb vlerave kulturore artistike e poetike, me patjet\u00ebr. Sepse shit\u00ebsit b\u00ebjn\u00eb dy m\u00ebkate: shesin vlera dhe b\u00ebhen \u201chor\u00eb p\u00ebr metafor\u00eb\u201d, nd\u00ebrsa bler\u00ebsit numerikisht b\u00ebjn\u00eb vet\u00ebm nj\u00eb t\u00eb keqe: blejn\u00eb vlera q\u00eb nuk i kan\u00eb!
\nIronia nuk zhvillohet m\u00eb tutje. Nuk ngjitet n\u00eb shkall\u00ebn e sarkazmit. Ajo bashk\u00eb me t\u00eb bukur\u00ebn n\u00eb art dhe t\u00eb sh\u00ebmtuar\u00ebn n\u00eb realitet, b\u00ebn jet\u00eb brenda tekstit letrar, disi nj\u00ebfar\u00eb nj\u00ebjt\u00ebsimi i t\u00eb v\u00ebrtet\u00ebs s\u00eb fakteve me t\u00eb v\u00ebrtet\u00ebn imagjinatave, se nuk \u00ebsht\u00eb as e kritikut, e as e lexuesit t\u00eb k\u00ebrkoj\u00eb ngjarje p\u00ebrtej tekstit letrar.
\nPo \u00e7\u2019faj ka kritiku n\u00ebse ndonj\u00ebri nga lexuesit e tregimeve t\u00eb Muhametit ka shfaqur teken tendencioze q\u00eb n\u00eb rinin\u00eb e tij, q\u00eb me \u00e7far\u00ebdo kushti t\u00eb jet\u00eb i pari. Teke rasti e \u00e7asti. Se pati koh\u00eb t\u00eb sprovohej, sa t\u00eb duash. Kush nuk pati rast e koh\u00eb nga shqiptar\u00ebt se? Po pas luft\u00ebs fush\u00ebbetej\u00ebn e jet\u00ebs e gjeti n\u00eb kronologjin\u00eb etimologjike t\u00eb shqiptar\u00ebve p\u00ebrtej shtetit t\u00eb ri.
\nNj\u00eb nga tregimet e bukura t\u00eb Muhametit \u00ebsht\u00eb tregimi Premiera. Nj\u00eb stil lirik n\u00eb proz\u00eb. Nj\u00eb stil i till\u00eb i strukturuar q\u00eb e b\u00ebn t\u00eb leht\u00eb tregimin pa e lodhur lexuesin. Secili pastaj gjen at\u00eb q\u00eb do n\u00eb tregim. Dikush dashurin\u00eb, e dikush aktin, ndonj\u00ebri edhe hallin p\u00ebr rrog\u00eb, e tjetri lavdin\u00eb p\u00ebr seksin e nj\u00eb nate t\u00eb kaluar\u2026N\u00eb k\u00ebt\u00eb tregim sensi erotik \u00ebsht\u00eb aty, por pse nuk shkon m\u00eb tutje do t\u00eb pyeste lexuesi\u2026Sepse kjo \u00ebsht\u00eb m\u00ebnyra e rr\u00ebfimit dhe e trajtimit t\u00eb manovrave t\u00eb dashuris\u00eb. Rr\u00ebfimtari nuk do t\u00eb na tregoj\u00eb m\u00eb shum\u00eb p\u00ebr aktin e dashuris\u00eb. K\u00ebshtu ndodh edhe te tregimi Kur tundet mjellma. N\u00ebse Kafka e Xhojsi nuk e zbulojn\u00eb seksualitetin si terren t\u00eb loj\u00ebs s\u00eb p\u00ebrcaktuar\u2026, por si realitet edhe banal, edhe t\u00eb r\u00ebnd\u00ebsish\u00ebm, t\u00eb secilit prej nesh, at\u00ebher\u00eb as Muhameti nuk ka pse frik\u00ebsohet q\u00eb ta arrij\u00eb k\u00ebt\u00eb shkall\u00eb shp\u00ebrfaqjeje, se \u00e7\u2019\u00ebsht\u00eb e v\u00ebrteta, ka sens poetik.
\nTregimi poetik Mir\u00ebm\u00ebngjesi sjell p\u00ebrshkrim detajesh erotike. Leht\u00ebsisht kureshtja merr udh\u00ebn poetike: Rrath\u00ebt valore t\u00eb ujit krijoheshin vetvetiu edhe kur ajo q\u00ebndronte e qet\u00eb. I p\u00eblqente kur e prekte vetveten n\u00ebn uj\u00eb. Bashk\u00eb me trupin e saj, digjej edhe uji! Metafor\u00eb p\u00ebrrallore\u2026do t\u00eb thoshim. Nj\u00eb djegie e but\u00eb q\u00eb vjen e p\u00ebrmblidhet n\u00eb disa pyetje pa p\u00ebrgjigje:
\nPo \u00e7far\u00eb po ndodh? \u00c7\u2019ishin ato re? Pse po i hiqej zabullima asaj but\u00ebsie fem\u00ebrore?
\nNuk ka p\u00ebrgjigje, jo. Tashm\u00eb mendja ka ikur thell\u00ebsive imagjinative\u2026
\nZ\u00ebri i pasqyr\u00ebs sjell nj\u00eb rr\u00ebfim pasionesh t\u00eb zjarrta n\u00ebn diktatin e s\u00eb d\u00ebshiruar\u00ebs. Pasioni p\u00ebrball\u00eb arsyeshm\u00ebris\u00eb. Karakteristik\u00eb shum\u00eb t\u00eb r\u00ebnd\u00ebsishme paraqet rr\u00ebfimi i form\u00ebsuar q\u00eb p\u00ebrplot\u00ebsohet nga fjalori i p\u00ebrzgjedhur, medoemos i nj\u00eb gjuhe letrare, dhe ngjizjes s\u00eb saj me vet\u00eb ngjarjen. I beson atij stili sepse i beson m\u00ebnyr\u00ebs s\u00eb rr\u00ebfimit t\u00eb autorit.
\nTregimi tjet\u00ebr Librashit\u00ebsja ka mbaruar pas tre yll\u00ebzave q\u00eb sjellin nj\u00eb pjes\u00eb shkrimi si epilog, pa pasur nevoj\u00eb q\u00eb rr\u00ebfimtari t\u00eb ofroj\u00eb di\u00e7ka t\u00eb tep\u00ebrt n\u00eb rr\u00ebfimin e tij. Bashk\u00eb me t\u00eb, ka dhe nj\u00eb karakteristik\u00eb tjet\u00ebr q\u00eb del t\u00eb jet\u00eb tregimi pa at\u00eb konfliktin e bujsh\u00ebm klasik, mu n\u00eb p\u00ebrditshm\u00ebrin\u00eb e shp\u00ebrfaqjes s\u00eb problemeve sociologjike dhe p\u00ebrciptazi psikologjike ndonj\u00ebher\u00eb.
\nNd\u00ebrsa, Monologu i hajnit nj\u00ebmend lexohen leht\u00eb p\u00ebr m\u00ebnyr\u00ebn e thurjes q\u00eb ka, megjithat\u00eb rrjedha e problemeve kompleksohet. Nuk \u00ebsht\u00eb me r\u00ebnd\u00ebsi se kujt do t\u2019i qepemi p\u00ebr ta th\u00ebn\u00eb t\u00eb v\u00ebrtet\u00ebn, hajnit apo autorit, se ka nga lexuesit q\u00eb duan t\u00eb luajn\u00eb ndonj\u00ebher\u00eb kur thon\u00eb pa z\u00eb: autori paraqet di\u00e7ka nga p\u00ebrvoja e tij se nuk do t\u00eb dinte t\u2019i shp\u00ebrfaqte k\u00ebto probleme kaq t\u00eb gjalla!!!
\nAvokati i rasteve t\u00eb humbura \u00ebsht\u00eb nga ato rr\u00ebfimet q\u00eb konsiderohen t\u00eb men\u00e7ura e q\u00eb lehtas, n\u00ebp\u00ebrmjet dram\u00ebs individuale zb\u00ebrthejn\u00eb dram\u00ebn kolektive. Ndryshe nuk mund t\u00eb leht\u00ebsohej v\u00ebrtitja e m\u00ebsimdh\u00ebn\u00ebsve, mbetja pa paga, ani pse ishin pun\u00ebsuar me konkurs t\u00eb rregullt.
\nDuket se tregimi Vizitori, \u00ebsht\u00eb krejt ndryshe nga \u00e7\u2019mund t\u00eb prisnim prej k\u00ebtij autori. Ky tregim del nga leht\u00ebsia e paraqitjes lirike t\u00eb ngjarjes. P\u00ebrpjekjet p\u00ebr t\u00eb aktualizuar e angazhuar vet\u00ebdijesimin p\u00ebr s\u00ebmundjen, kur t\u00eb gjith\u00eb jan\u00eb t\u00eb pasigurt p\u00ebr jet\u00ebn, at\u00ebher\u00eb sa vlen disiplina p\u00ebr dit\u00ebt e ardhme? Vet\u00ebm ngjyrat luajn\u00eb para mendjes s\u00eb tij, jo para syve. Ata jan\u00eb mbyllur p\u00ebr t\u00eb mos u hapur aq leht\u00eb.
\nTregimet e k\u00ebsaj periudhe, q\u00eb i em\u00ebrtuam me shkas Tregime t\u00eb karantin\u00ebs, mund t\u00eb gjykohen si t\u00eb flladitsh\u00ebm n\u00eb at\u00eb ngrohje t\u00eb lart\u00eb psikologjike e t\u00eb trisht\u00eb p\u00ebr njer\u00ebzimin\u2026
\nTregime q\u00eb mund t\u00eb mund\u00ebsojn\u00eb nj\u00eb v\u00ebllim letrar shum\u00eb t\u00eb suksessh\u00ebm, sidomos p\u00ebr sjelljen e shtjellimeve aktuale t\u00eb veprimeve e mendimeve, t\u00eb cilat nxisin meditime e gjykime p\u00ebr to. Jan\u00eb shprehje estetike q\u00eb burojn\u00eb nga p\u00ebrvoja intelektuale q\u00eb disponon autori.<\/p>\n
Poetizimi i gjuh\u00ebs<\/p>\n
P\u00ebr fund nj\u00eb p\u00ebrzgjedhje p\u00ebrshkrimesh pjes\u00ebsh poetike t\u00eb disa prej tregimeve:<\/p>\n
Fytyra e saj, q\u00eb p\u00ebrngjante n\u00eb nj\u00eb lule aguli\u00e7e, e b\u00ebnte t\u00eb sapodal\u00eb nga nj\u00eb roman i mbushur me fantazi, e shtati i saj filiz, i derdhej si nj\u00eb bukuri delikate n\u00ebn \u00e7ad\u00ebr e mes librave. M\u00eb pak shiste e m\u00eb shum\u00eb lexonte. Edhe tani kishte nj\u00eb lib\u00ebr n\u00eb dor\u00eb me t\u00eb cil\u00ebn ishte pushtuar.
\nNuk e di cila histori e kishte mb\u00ebrthyer aq shum\u00eb, por shihej ashiqare se po k\u00ebnaqej. Kufjet n\u00eb vesh dhe l\u00ebvizja e nga nj\u00ebhershme e trupit n\u00eb form\u00eb ritmi ishin d\u00ebshmi se leximin po ia shoq\u00ebronte ndonj\u00eb melodi e leht\u00eb..!
\n\u2026
\nDhe kur kjo thuhet nga t\u00eb dyt\u00eb, i lirohet rruga puthjes s\u00eb zjarrt\u00eb, q\u00eb edhe diellin n\u00eb at\u00eb moment e b\u00ebn\u00eb t\u00eb ket\u00eb nevoj\u00eb p\u00ebr \u00e7ad\u00ebr hijeje\u2026! (Librashit\u00ebsja)<\/p>\n
U ngrit ngadal\u00eb nga i lumi shtrat. Trupi u la i lir\u00eb edhe nga ajo pak pesh\u00eb e t\u00eb brendshmeve, me t\u00eb cilat e kishte z\u00ebn\u00eb gjumi, dhe doli lirsh\u00ebm n\u00eb ballkon p\u00ebr ta p\u00ebrqafuar nj\u00eb dit\u00eb t\u00eb bukur jete.
\nMe shikim kah ai qiell nj\u00ebngjyr\u00ebsh dhe duke e shkrepur nj\u00eb buz\u00ebqeshje t\u00eb sinqert\u00eb, nga goja i doli nj\u00eb \u201cMir\u00ebm\u00ebngjesi!\u201d.
\n\u2026
\nK\u00ebmb\u00ebzbathur t\u00eb shkelte mbi bar i p\u00eblqente shum\u00eb, por edhe barit q\u00eb po zgjohej nxituesh\u00ebm p\u00ebrpjet\u00eb, i p\u00eblqenin shputat e saja.
\n(Mir\u00ebm\u00ebngjesi)<\/p>\n
Ani se kishte t\u00eb veshur nj\u00eb k\u00ebmish\u00eb nate, \u00ebndrrat e kishin shkujdesur, sa q\u00eb nj\u00ebra cic\u00eb e eksituar i kishte dal t\u00ebr\u00ebsisht jasht\u00eb. Qeshi me veten kur instinktivisht, n\u00eb vend se ta fuste at\u00eb n\u00ebn k\u00ebmish\u00eb, dora i shkoi te tjetra, p\u00ebr ta nxjerr\u00eb jasht\u00eb, ani se k\u00ebt\u00eb e b\u00ebri me pak v\u00ebshtir\u00ebsi pasi nj\u00eb fije peri e kishte bllokuar ca vrim\u00ebn e kops\u00ebs, e cila i b\u00ebri naze gjat\u00eb zb\u00ebrthimit.
\n(Z\u00ebri i pasqyr\u00ebs)<\/p>\n","protected":false},"excerpt":{"rendered":"
Shkruan: Sherafedin KADRIU TREGIMET E KARANTIN\u00cbS ( Muhamet Halili: NJ\u00cb EM\u00cbR NGA LET\u00cbRNJOFTIMI, lib\u00ebr me tregime, editoi Sht\u00ebpia botuese BEQIR MUSLIU, 2022 ) Rruga krijuese e shkrimtar\u00ebve nuk \u00ebsht\u00eb e nj\u00ebjt\u00eb, sidomos p\u00ebr procesin dhe gjinin\u00eb e krijimtaris\u00eb letrare. Tashm\u00eb \u00ebsht\u00eb konstatuar se problemet me t\u00eb cilat kacafyten ata q\u00eb merren me proz\u00ebn jan\u00eb t\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":121219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-121218","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/121218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=121218"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/121218\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/121219"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=121218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=121218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=121218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}