E ideuar dhe konceptuar adekuate p\u00ebr nj\u00eb num\u00ebr t\u00eb kufizuar shikuesish, shfaqja “Burrneshat”, tekst i autorit Jeton Neziraj, me regji t\u00eb Erson Zymberit, e ka karakterizuar nat\u00ebn e kat\u00ebrt t\u00eb Festivalit t\u00eb Dram\u00ebs “Talia e Flak\u00ebs”, duke u prezantuar n\u00eb dy termine t\u00eb mbr\u00ebmjes, n\u00eb ora 18:00 dhe 20:00.<\/p>\n
Nga shum\u00eb ve\u00e7ori t\u00eb shfaqjes si t\u00ebr\u00ebsi “Burrneshat”, ajo q\u00eb e ka prekur skajshm\u00ebrisht k\u00ebrsh\u00ebrin\u00eb e shikuesve masiv gjilanas n\u00eb num\u00ebr, e t\u00eb d\u00ebshmuar sa e sa her\u00eb p\u00ebr nj\u00eb raport t\u00eb posa\u00e7\u00ebm e specifik me sken\u00ebn – padyshim se ka qen\u00eb tema e trajtuar, e cila, ashtu si\u00e7 edhe pritej q\u00eb do t\u00eb ndodhte, ka ngjallur debat t\u00eb gjat\u00eb
\npas p\u00ebrfundimit.<\/p>\n
Fabula e dram\u00ebs paraqet fenomenin e kahersh\u00ebm, ndon\u00ebse t\u00eb rrall\u00eb nd\u00ebr shtresat e caktuara t\u00eb shoq\u00ebris\u00eb shqiptare, ku “Burrneshat” p\u00ebrshkruhen si gra q\u00eb vendosin t\u00eb jetojn\u00eb si burra, duke evituar deri edhe raportet fizike p\u00ebr nj\u00eb jet\u00eb t\u00eb till\u00eb t\u00eb zgjedhur nga vet ato. Ato, p\u00ebr shkak t\u00eb vendosm\u00ebris\u00eb insistuese p\u00ebr at\u00eb lloj jete, si ‘kund\u00ebrshp\u00ebrblim’ t\u00eb atij vendimi t\u00eb skajsh\u00ebm natyral, e i cili nga nj\u00eb k\u00ebnv\u00ebshtrim fare indiferent mund t\u00eb p\u00ebrshkruhet edhe si vendim mazohist, n\u00eb baz\u00eb t\u00eb t\u00eb cilit vendim ato p\u00ebrfitojn\u00eb ca nga privilegjet q\u00eb u p\u00ebrkisnin vet\u00ebm burrave, si pjes\u00eb e tradit\u00ebs s\u00eb mish\u00ebruar e skalitur nd\u00ebr breza n\u00eb vet\u00ebdijen kolektive.<\/p>\n
N\u00eb fakt, sipas p\u00ebrshkrimit narrativ fillestar t\u00eb tem\u00ebs v\u00ebhet n\u00eb fokus fenomeni i burrneshave t\u00eb p\u00ebrbetuara shqiptare, si t\u00ebr\u00ebsisht kontradiktor krahas bot\u00ebkuptimeve, apo si nj\u00eb shikim i bot\u00ebs s\u00eb “emancipuar dhe civilizuar” krahas asaj “t\u00eb pacivilizuar”!
\nKy fenomen jo rrall\u00eb \u00ebsht\u00eb shfryt\u00ebzuar edhe nga medie nd\u00ebrkomb\u00ebtare, sikurse edhe nga hulumtuesit e fushave t\u00eb antropologjis\u00eb, sociologjis\u00eb, etnografis\u00eb etj.<\/p>\n
Nj\u00eb lloj intimiteti q\u00eb k\u00ebtyre “burrneshave” u ka garantuar akti i t\u00eb kthyerit n\u00eb “burrnesh\u00eb”, krejt p\u00ebrnj\u00ebher\u00eb u \u00ebsht\u00eb ekspozuar mediave dhe publikut, i cili nuk u ka sjellur ndonj\u00eb p\u00ebrfitim atyre, p\u00ebrkundrazi, n\u00eb shum\u00eb raste jan\u00eb portretizuar n\u00eb drit\u00ebn e primitivizmit dhe si \u2018relikte\u2019 t\u00eb nj\u00eb shoq\u00ebrie skajshm\u00ebrisht patriarkale. Nd\u00ebrsa n\u00eb an\u00ebn tjet\u00ebr, p\u00ebr shum\u00eb nga ato gra, t\u00eb vishesh si burr\u00eb dhe t\u00eb b\u00ebhesh “burrnesh\u00eb” ka qen\u00eb nj\u00eb akt emancipues. Ato e lidhnin sipas k\u00ebt\u00eb akt me iden\u00eb e \u201cliris\u00eb\u201d. <\/p>\n
M\u00eb tej, fabula e dram\u00ebs, e rrjedhimisht edhe shfaqjes s\u00eb realizuar, p\u00ebrshkruan fokusin e antropologes angleze Edith, pas vizit\u00ebs n\u00eb veriun e Shqip\u00ebris\u00eb, ku takohet me Sose-n, nj\u00ebr\u00ebn nga pak burrneshat e mbetura shqiptare. T\u00eb dyja, pastaj udh\u00ebtojn\u00eb n\u00eb Lond\u00ebr, n\u00eb nj\u00eb seri t\u00eb prezantimeve publike n\u00eb London University. Gjat\u00eb asaj vizite, Sose b\u00ebhet pjes\u00eb e nj\u00eb “Queer Performance” q\u00eb \u00ebsht\u00eb duke u p\u00ebrgatitur nga Julian, i cili \u00ebsht\u00eb nj\u00eb drag-queen e njohur e Londr\u00ebs. P\u00ebr Sosen takimi me nj\u00eb kultur\u00eb kaq t\u00eb huaj b\u00ebhet \u00e7\u00ebshtje ekzistenciale.<\/p>\n
Shfaqja ka shkaktuar reagime e debate t\u00eb ndryshme, nj\u00eb pjes\u00eb e t\u00eb cilave jan\u00eb fokusuar specifikisht n\u00eb kontekstin e orvatjeve p\u00ebr t\u00eb ndri\u00e7uar fenomenin si t\u00ebr\u00ebsi nga aspekti p\u00ebrmbajt\u00ebsor, kurse nj\u00eb pjes\u00eb e panelist\u00ebve kan\u00eb insistuar p\u00ebr t\u00eb ndri\u00e7uar aspekte tjera, qoft\u00eb duke u fokusuar n\u00eb loj\u00ebn e aktor\u00ebve, \u00e7asjen regjisoriale ndaj fenomenit, situatave t\u00eb krijuara, mizanksen\u00ebs etj, sikurse edhe n\u00eb lidhje me nj\u00eb s\u00ebr\u00eb \u00e7\u00ebshtjesh tjera, ku gati-gati secili nga ta, n\u00eb nj\u00eb m\u00ebnyr\u00eb apo tjet\u00ebr p\u00ebrfundonte diskutimin duke u rikthyer tek tema e tekstit dramatik, apo her\u00eb-her\u00eb edhe tek shfaqja e inskenuar.<\/p>\n
Pa dyshim se kontributi i secilit nga pjes\u00ebmarr\u00ebsit n\u00eb diskutim, e ka b\u00ebr\u00eb shfaqjen m\u00eb t\u00eb qart\u00eb e m\u00eb t\u00eb af\u00ebrt me publikun prezent\u00eb n\u00eb pjes\u00ebn e debateve, e cila \u00ebsht\u00eb karakteristik\u00eb specifike e mbase edhe unike e sken\u00ebs s\u00eb “Talia-s…”. <\/p>\n
Nd\u00ebrsa nj\u00eb p\u00ebrshkrim mbase p\u00ebrgjith\u00ebsues p\u00ebr shfaqjen dhe vet tekstin dramatik, por edhe p\u00ebr loj\u00ebs e aktor\u00ebve, p\u00ebrfshir\u00eb struktur\u00ebn e shfaqjes, muzik\u00ebn e skenografin\u00eb, i ka dh\u00ebn\u00eb kritiku, Josif Papagjoni.<\/p>\n
Papagjoni ka b\u00ebr\u00eb m\u00eb shum\u00eb sesa nj\u00eb her\u00eb tratativ\u00eb p\u00ebr t\u00eb sakt\u00ebsuar iden\u00eb fundamentale universela teatrale se drama e personazhit apo personazheve, apo edhe sarkazmi e humori i holl\u00eb, si te tragjedia e drama si gjini letrare, ashtu edhe te komedia, nuk kan\u00eb ndryshuar asnj\u00ebher\u00eb q\u00eb nga fillet, madje nga aktualiteti yn\u00eb p\u00ebrgjat\u00eb t\u00ebr\u00eb rrjedh\u00ebs s\u00eb historis\u00eb s\u00eb krijimtaris\u00eb deri tek drama antike.<\/p>\n
N\u00eb fakt, sipas p\u00ebrshkrimit t\u00eb m\u00ebpastajm\u00eb nga autori Jeton Neziraj, u m\u00ebsua se drama fillimisht \u00ebsht\u00eb shkruajtur dhe inskenuar p\u00ebr nj\u00eb audienc\u00eb krejt\u00ebsisht tjet\u00ebr, n\u00eb Bern t\u00eb Zvicr\u00ebs, n\u00eb maj t\u00eb vitit 2018, nd\u00ebrsa p\u00ebr rrjedh\u00ebn e realizimit skenik t\u00eb saj foli regjisori Erson Zymberaj, i cili mban\u00eb “vul\u00ebn” e autorsis\u00eb s\u00eb sken\u00ebs.
\nShfaqja “Burrneshat” \u00ebsht\u00eb produksioni i par\u00eb n\u00eb gjuh\u00ebn shqipe i k\u00ebsaj drame. M\u00eb par\u00eb ajo \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb sken\u00eb n\u00eb gjermanisht, n\u00eb Zvic\u00ebr, si nj\u00eb bashk\u00ebprodhim i “Forever Production’s”, “Schlachthaus Theater” Bern, Theater \u00ebinkel\u00ebiese Z\u00fcrich”, “Kleintheater” Luzern dhe “Kellertheater \u00ebinterthur”.<\/p>\n
N\u00eb mbr\u00ebmjen e pest\u00eb, n\u00eb festivalin “Talia e Flak\u00ebs” prezantohet shfaqja “Babai dhe babai”, nga Teatri “Integra” me regji t\u00eb Kushtrim Koliqi, nd\u00ebrsa “Talia e Flak\u00ebs” p\u00ebrmbyllet m\u00eb 28 janar me shfaqjen e Teatrit Komb\u00ebtar Eksperimental “Kujtim Spahivogli” nga Tirana.<\/p>\n","protected":false},"excerpt":{"rendered":"
E ideuar dhe konceptuar adekuate p\u00ebr nj\u00eb num\u00ebr t\u00eb kufizuar shikuesish, shfaqja “Burrneshat”, tekst i autorit Jeton Neziraj, me regji t\u00eb Erson Zymberit, e ka karakterizuar nat\u00ebn e kat\u00ebrt t\u00eb Festivalit t\u00eb Dram\u00ebs “Talia e Flak\u00ebs”, duke u prezantuar n\u00eb dy termine t\u00eb mbr\u00ebmjes, n\u00eb ora 18:00 dhe 20:00. Nga shum\u00eb ve\u00e7ori t\u00eb shfaqjes si […]<\/p>\n","protected":false},"author":1,"featured_media":140145,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-140144","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/140144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=140144"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/140144\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/140145"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=140144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=140144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=140144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}