Pas gjasht\u00eb dit\u00ebsh intensive me prezantime t\u00eb shfaqjeve t\u00eb ardhura nga trupa teatrale t\u00eb ndryshme nga Kosova, Shqip\u00ebria e Maqedonia e Veriut, mbyllet pjesa garuese e festivalit t\u00eb dram\u00ebs shqipe “Talia e Flak\u00ebs 2023”.<\/p>\n
Nj\u00eb num\u00ebr i madh artdash\u00ebsish kan\u00eb defiluar p\u00ebr gjasht\u00eb dit\u00ebve me radh\u00eb, nga 23 deri m\u00eb 28 janar, n\u00eb Teatrin e Qytetit t\u00eb Gjilanit, ku \u00ebsht\u00eb mbajtur festivali “Talia e Flak\u00ebs 2023”, n\u00eb administrim t\u00eb OJQ “Varg e Vi”, n\u00ebn patronatin e Zyr\u00ebs s\u00eb Kryetarit t\u00eb Komun\u00ebs, Alban Hyseni.<\/p>\n
Dhjet\u00ebra mysafir\u00eb, artist\u00eb, mbase edhe qindra t\u00eb till\u00eb, kan\u00eb marr\u00eb pjes\u00eb drejtp\u00ebrdrejt\u00eb n\u00ebp\u00ebr shfaqje, p\u00ebrfshir\u00eb aktor\u00eb, regjisor\u00eb, skenograf\u00eb e kostumograf\u00eb, por edhe pjes\u00ebtar\u00eb tjer\u00eb teknik – ndri\u00e7ues, por edhe autor\u00eb t\u00eb dramave apo tekstshkrues.<\/p>\n
Ata kan\u00eb defiluar n\u00eb Teatrin e Qytetit t\u00eb Gjilanit, duke ofruar “prurje unike skenike”, t\u00eb realizuara gjat\u00eb vitit t\u00eb fundit, p\u00ebrfshir\u00eb edhe shfaqje-premier\u00eb, si\u00e7 ishte ajo e Fadil Hysaj “Fausti”, prodhim i tri teatrove nga tri qytete t\u00eb Kosov\u00ebs.<\/p>\n
N\u00eb nat\u00ebn e fundit t\u00eb festivalit t\u00eb dram\u00ebs “Talia e Flak\u00ebs 2023”, \u00ebsht\u00eb prezantuar shfaqja e Trup\u00ebs s\u00eb Teatrit Eksperimental “Kujtim Spahivogli” nga Tirana, me titull “Pak Pakt”, dhe me aurtor, Ledian Gje\u00e7i.<\/p>\n
N\u00eb k\u00ebt\u00eb shfaqje t\u00eb shkruar e inskenuar nga vet Ledian Gje\u00e7i jan\u00eb nd\u00ebrthurur probleme t\u00eb shoq\u00ebris\u00eb n\u00eb transicion, ku “ikja” e t\u00eb rinjve \u00ebsht\u00eb b\u00ebr\u00eb imperativ i p\u00ebrditshm\u00ebris\u00eb n\u00eb k\u00ebrkim t\u00eb nj\u00eb jet\u00eb m\u00eb t\u00eb mir\u00eb n\u00ebp\u00ebr vendet e treta.<\/p>\n
N\u00eb esenc\u00eb shfaqja \u00ebsht\u00eb nj\u00eb komedi e zez\u00eb, ku dy t\u00eb rinj\u00eb t\u00eb shkolluar mir\u00eb, por thell\u00ebsisht t\u00eb varf\u00ebr e t\u00eb mbytur n\u00eb borxhe, kapen n\u00eb flagranc\u00eb nga policia n\u00eb periudh\u00ebn e kulmit t\u00eb pandemis\u00eb, duke tentuar t\u00eb ikin jasht\u00eb shtetit n\u00eb m\u00ebnyr\u00eb ilegale.<\/p>\n
Shpresa e tyre e vetme shkat\u00ebrrohet totalisht, por p\u00ebr fat e koincidenc\u00eb vjen dikush dhe u ofron nj\u00eb pakt, me t\u00eb cilin ata mund t\u00eb dalin nga burgu e mund t\u00eb p\u00ebrfitojn\u00eb dokumente n\u00eb \u00e7do shtet evropian. Porse, ama paraprakisht, ata detyrimisht duhet t\u00eb deklarohen publikisht sikur jan\u00eb “Gay”, me pretekst se atje ku do t\u00eb vejn\u00eb \u00e7mohet p\u00ebrcaktimi seksual si e drejt\u00eb fundamentale.<\/p>\n
P\u00ebr shfaqjen n\u00eb fund u debatua si zakonisht, nd\u00ebrsa kishte vler\u00ebsime t\u00eb ndryshme, t\u00eb cilat e pasqyruan edhe nj\u00eb her\u00eb r\u00ebnd\u00ebsin\u00eb e patjet\u00ebrsueshme t\u00eb mendimit e vler\u00ebsimit kritik, n\u00eb debatet e udh\u00ebhequra me p\u00ebrpikm\u00ebri nga Liridon\u00eb Mehmeti, vler\u00ebsime e debate ato t\u00eb cilat erdh\u00ebn si imperativ p\u00ebr teatrin, si dhe patjet\u00ebrsueshm\u00ebri e domosdoshme artistike-skenike.<\/p>\n
Kishte mendime nga panelist\u00eb q\u00eb diskutuan p\u00ebrmbajtjen; kishte nga ata q\u00eb u fokusuan te tema, apo edhe te ideja; t\u00eb tjer\u00eb panelist\u00eb fol\u00ebn p\u00ebr loj\u00ebn e aktor\u00ebve apo \u00e7asjen regjisoriale, sikurse realizimin e t\u00ebr\u00ebsish\u00ebm skenik t\u00eb shfaqjes. Por pati edhe t\u00eb till\u00eb q\u00eb kritikuan epilogun apo fundin e shfaqjes, vet\u00ebvrasjen apo varjen n\u00eb litar t\u00eb djaloshit, t\u00eb cilin akt e cil\u00ebsuan jo mjaftuesh\u00ebm t\u00eb arsyetuar e t\u00eb pamotivuar skenikisht, si ide q\u00eb ka mundur t\u00eb shmanget me nj\u00eb gjetje m\u00eb ndryshe brenda logjikes dramatike, gjegj\u00ebsisht vdekjes se personazhit.<\/p>\n
Padyshim se nj\u00eb kontribut t\u00eb ve\u00e7ant\u00eb me opinione e sqarime gjat\u00eb t\u00ebr\u00eb festivalit t\u00eb dram\u00ebs ka dh\u00ebn\u00eb sociologia Trina Hoti, e cila s\u00ebrish foli p\u00ebr shfaqjen me fokus n\u00eb rrafshin sociologjik, duke konstatuar shp\u00ebrfaqjen e disa problematikave p\u00ebrnj\u00ebher\u00eb, t\u00eb cilat shkaktojn\u00eb situata t\u00eb tilla tragjike, si pasoj\u00eb e problemeve t\u00eb theksuara me t\u00eb cilat p\u00ebrballet sistemi sh\u00ebndet\u00ebsor, ai i drejt\u00ebsis\u00eb, por edhe fushave tjera t\u00eb hallk\u00ebs institucionale. Nd\u00ebrsa studiuesja Trina <\/p>\n
Hoti vuri n\u00eb pah edhe rolin e mediave q\u00eb jo rrall\u00eb shkaktojn\u00eb probleme t\u00eb paimagjinueshme, si pasoj\u00eb e pasqyrimeve joreale e joprofesionale.<\/p>\n
P\u00ebr k\u00ebt\u00eb shfaqje q\u00eb p\u00ebrmbylli k\u00ebt\u00eb edicion t\u00eb “Talia e Flak\u00ebs…”, kan\u00eb folur edhe panelist\u00eb tjer\u00eb, si Muhamet Halili q\u00eb ve\u00e7oi loj\u00ebn e aktor\u00ebve, Hysen Kqiku e Avni Rudaku q\u00eb u fokusuan te p\u00ebrmbajtja por edhe aspekte tjera t\u00eb shfaqjes.<\/p>\n
Krejt n\u00eb mbyllje t\u00eb tij, kritiku i teatrit Josif Papagjoni, i b\u00ebri nj\u00eb rezyme t\u00eb thukt\u00eb rrjedh\u00ebs s\u00eb festivalit “Talia e Flak\u00ebs 2023”.<\/p>\n
Sipas tij, ky edicion ka sh\u00ebnuar nj\u00eb r\u00ebnie t\u00eb interesimit nga ana e panelist\u00ebve, krahasuar me edicionet e m\u00ebhershme kur numri i tyre ishte duksh\u00ebm m\u00eb i madh, sikurse q\u00eb ishin m\u00eb t\u00eb thella e m\u00eb p\u00ebrmbajt\u00ebsore gjykimet e vler\u00ebsimet kritike, p\u00ebrfshir\u00eb prezenc\u00ebn shum\u00eb m\u00eb masive, si n\u00eb panel ashtu edhe n\u00eb pjes\u00ebmarrjen e publikut.<\/p>\n
Papagjoni vler\u00ebsoi tipologjin\u00eb e prurjeve t\u00eb ndryshme e t\u00eb larmishme skenike t\u00eb shfaqjeve, duke n\u00ebnvizuar se pik\u00ebrisht tipologjia e ve\u00e7ant\u00eb ishte ajo q\u00eb e ka karakterizuar k\u00ebt\u00eb edicion: – Shfaqja e par\u00eb, “Fausti”, me tekst e regji t\u00eb Fadil Hysaj, tha se ve\u00e7ohej me ansamblin e num\u00ebrt t\u00eb aktor\u00ebve pjes\u00ebmarr\u00ebs n\u00eb t\u00eb, por edhe p\u00ebrkushtimin shum\u00eb t\u00eb madh p\u00ebr realizimin e saj deri n\u00eb finalizim. Nd\u00ebrsa shfaqjen “Nyjat”, e ka vler\u00ebsuar si t\u00eb realizuar n\u00eb t\u00ebr\u00ebsi, duke shprehur rezerva n\u00eb lidhje me protretizimin e varfanjakut si personazh idealist, i cili sipas tij, nuk korrespodon me mend\u00ebsin\u00eb ton\u00eb, ngase idealet e m\u00ebdha i kan\u00eb mbrojtur njer\u00ebzit me vet\u00ebdije t\u00eb lart\u00eb e p\u00ebrfaq\u00ebsuese p\u00ebr kombin, jo t\u00eb till\u00ebt si lloji i varfanjakut.<\/p>\n
Te shfaqja e nat\u00ebs s\u00eb tret\u00eb, “Toka e shpirtrave t\u00eb trazuar”, Papagjoni ka ve\u00e7uar g\u00ebrshetimin e tekstit, imazheve, skenografis\u00eb, mizansken\u00ebs e korreografis\u00eb, q\u00eb erdh\u00ebn para artdash\u00ebsve si nj\u00eb simbolik\u00eb stilistike, apo metafor\u00eb teatrore. Aty tha se \u00ebsht\u00eb arritur t\u00eb harmonizohet komunikimi i nd\u00ebrsjell\u00eb mes loj\u00ebs s\u00eb aktor\u00ebve n\u00eb raport koherent me korreografin\u00eb, por edhe muzik\u00ebn, ku k\u00ebng\u00ebt lirike e operistike, her\u00eb-her\u00eb jan\u00eb nd\u00ebrfutur n\u00ebp\u00ebr skena si gjetje adekuate.
\nShfaqjen e nat\u00ebs s\u00eb kat\u00ebrt “Burrneshta”, Papagjoni e ka vler\u00ebsuar si nj\u00eb tentativ\u00eb p\u00ebr t\u00eb ofruar p\u00ebr publikun nj\u00eb pasqyrim ndri\u00e7ues lidhur me nj\u00eb zakon t\u00eb m\u00ebhersh\u00ebm antropologjik tashm\u00eb t\u00eb cil\u00ebsuar si “t\u00eb vdekur”.<\/p>\n
Kritiku Josif Papagjoni foli edhe p\u00ebr shfaqjen e nat\u00ebs s\u00eb pest\u00eb, “Babai dhe Babai”, nga Teatri “Integra”, t\u00eb cil\u00ebn e vler\u00ebsoi fare t\u00eb ve\u00e7ant\u00eb, ve\u00e7mas loj\u00ebn e aktoreve dhe rrjedh\u00ebn natyrale e t\u00eb leht\u00eb komunikuese t\u00eb shfaqjes me publikun.<\/p>\n
Prezantimin e shfaqjes s\u00eb fundit, t\u00eb ardhur nga teatri eksperimental “Kujtim Spahivogli”, “Pak Pakt”, J. Papagjoni e cil\u00ebsoi mbres\u00ebl\u00ebn\u00ebse n\u00eb shum\u00eb aspekte por q\u00eb kishte hap\u00ebsirat e saj t\u00eb caktuara ku mund t\u00eb kritikohej.<\/p>\n
Festivali i Dram\u00ebs “Talia e Flak\u00ebs 2023” s\u00eb shpejti pritet t’i prezantoj an\u00ebtar\u00ebt e juris\u00eb vler\u00ebsuese, t\u00eb cil\u00ebt nuk jan\u00eb publikuar p\u00ebr arsye profesionale.<\/p>\n
N\u00eb fakt kjo \u00e7asje mbetet p\u00ebr t’u vler\u00ebsuar. N\u00eb mos jo p\u00ebr di\u00e7 tjet\u00ebr, at\u00ebher\u00eb s\u00eb paku p\u00ebr shkak t\u00eb patjet\u00ebrsueshm\u00ebris\u00eb s\u00eb ruajtjes s\u00eb autonomis\u00eb vler\u00ebsuese profesionale t\u00eb ak\u00ebcilit an\u00ebtar, e t\u00eb cil\u00ebt mbase k\u00ebt\u00eb her\u00eb do ta ken\u00eb nj\u00eb barr\u00eb t\u00eb r\u00ebnd\u00eb, dhe nj\u00eb sprov\u00eb t\u00eb r\u00ebnd\u00ebsishme para vetes, pasi jehona e Manifestimit “Flaka e Janarit” imponon domsdon\u00eb e p\u00ebrgjegj\u00ebsis\u00eb s\u00eb lart\u00eb t\u00eb vler\u00ebsimi t\u00eb besuesh\u00ebm, e aq m\u00eb shum\u00eb festivali i dram\u00ebs “Talia e Flak\u00ebs”, si nj\u00ebri nga festivalit q\u00eb ruan primatin elitar n\u00eb “panteonin” e sken\u00ebs teatrale shqiptare, madje p\u00ebr shum\u00eb arsye.<\/p>\n
Rezultatet e juris\u00eb do t\u00eb shpallen n\u00eb Gala Mbr\u00ebmjen e parapar\u00eb t\u00eb mbahet n\u00eb resorin impresiv t\u00eb Restaurant “Planeti”, m\u00eb 31 janar, kur do t\u00eb shpallen edhe vendimet tjera n\u00ebp\u00ebr shtyllat p\u00ebrkat\u00ebse, sipas rrjedh\u00ebs kontinuele, duke filluar nga “Peneli i Flak\u00ebs”, “Talia e Flak\u00ebs”, “Pena e Flak\u00ebs” e deri te “Fest Flaka”.<\/p>\n","protected":false},"excerpt":{"rendered":"
Pas gjasht\u00eb dit\u00ebsh intensive me prezantime t\u00eb shfaqjeve t\u00eb ardhura nga trupa teatrale t\u00eb ndryshme nga Kosova, Shqip\u00ebria e Maqedonia e Veriut, mbyllet pjesa garuese e festivalit t\u00eb dram\u00ebs shqipe “Talia e Flak\u00ebs 2023”. Nj\u00eb num\u00ebr i madh artdash\u00ebsish kan\u00eb defiluar p\u00ebr gjasht\u00eb dit\u00ebve me radh\u00eb, nga 23 deri m\u00eb 28 janar, n\u00eb Teatrin e […]<\/p>\n","protected":false},"author":1,"featured_media":140395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-140394","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/140394","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=140394"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/140394\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/140395"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=140394"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=140394"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=140394"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}