Teksti i autorit Ledian Gjeci, i v\u00ebn\u00eb n\u00eb sken\u00eb nga regjisori Ilir Bokshi, me nj\u00eb kast\u00eb t\u00eb konsiderueshme n\u00eb num\u00ebr, t\u00eb aktor\u00ebve nga tri teatro kredibile: Teatri Komb\u00ebtar Shqiptar (Tiran\u00eb); Teatri Shqiptar i Maqedonis\u00eb s\u00eb Veriut (Shkup) dhe Teatri Komb\u00ebtar i Kosov\u00ebs (Prishtin\u00eb), \u00ebsht\u00eb prezantuar n\u00eb nat\u00ebn e dyt\u00eb t\u00eb festivalit t\u00eb dram\u00ebs shqipe n\u00eb Gjilan \u201cTalia e Flak\u00ebs 2024\u201d.<\/p>\n
Numri i madh i publikut tradicional artdash\u00ebs, q\u00eb shfaq\u00ebn interesim p\u00ebr t\u00eb p\u00ebrcjell\u00eb hapjen zyrtare garuese t\u00eb festivalit t\u00eb dram\u00ebs, b\u00ebri q\u00eb shum\u00eb nga ta t\u00eb mos ia dalin t\u00eb sigurojn\u00eb nj\u00eb ul\u00ebse, p\u00ebr t\u2019u detyruar ta p\u00ebrcjellin at\u00eb n\u00eb k\u00ebmb\u00eb, e p\u00ebr t\u00eb mbajtur k\u00ebsisoji konstant interesimin p\u00ebr shfaqje, sikurse viteve t\u00eb m\u00ebparshme. <\/p>\n
Skena e ngjeshur me skenografi funksionale, me num\u00ebr t\u00eb madh t\u00eb aktor\u00ebve q\u00eb defilonin vazhdimisht e thuajse paralelisht n\u00eb t\u00eb njejt\u00ebn koh\u00eb, ishin ve\u00e7ori dalluese q\u00eb e karaterizonin shfaqjen \u201cSht\u00ebpia e Zotit\u201d.<\/p>\n
Her\u00eb – her\u00eb ngjarja eskalonte n\u00eb situata konfliktuoze dramatike, pasi rrjedha e tyre zhvillohej n\u00eb nj\u00eb lokal t\u00eb predestinuar p\u00ebr t\u00eb eskaluar e p\u00ebr t\u00eb dal\u00eb papandehur nga kontrolli!<\/p>\n
Subjekti narrativ i vepr\u00ebs s\u00eb autorit p\u00ebrshkruhet si n\u00eb vijim: – Gjat\u00eb nj\u00eb feste t\u00eb pazakont\u00eb, grabitet nj\u00eb sht\u00ebpi ku kultivoheshin e p\u00ebrpunoheshin deri n\u00eb faz\u00ebn finale, bim\u00eb narkotike. Ajo situat\u00eb shkaktonte huti t\u00eb pazakont\u00eb tek banor\u00ebt pasi nj\u00eb num\u00ebr syresh kishin lidhje biologjike e raporte familjare, nd\u00ebrsa t\u00eb tjer\u00ebt ishin personazhe t\u00eb infiltruara n\u00eb sht\u00ebpi, q\u00eb punonin p\u00ebr p\u00ebrfitime t\u00eb ndryshme dhe lidheshin nga interesa t\u00eb skajshme.<\/p>\n
Gjat\u00eb rrjedh\u00ebs s\u00eb shfaqjes, ngjarja pasohet me nj\u00eb kaos total dhe amulli te grupi i sht\u00ebpis\u00eb s\u00eb barit, pasi t\u00eb gjith\u00eb fillojn\u00eb t\u00eb dyshojn\u00eb tek nj\u00ebri-tjetri p\u00ebr tradh\u00ebti. Kjo situat\u00eb nj\u00ebherit sh\u00ebnonte kulmin e konfliktit dramatik, nd\u00ebrsa zbuloheshin gradulisht fsheht\u00ebsit\u00eb e aktiviteteve t\u00eb ndaluara, si dhe motivet e personazheve protagonist\u00eb n\u00eb shfaqje.<\/p>\n
E me kalimin e koh\u00ebs paraqitet nevoja si domosdoshm\u00ebri q\u00eb t\u00eb ndryshohet n\u00eb strategji vepruese, pasi aktiviteti aty nis t\u00eb zbulohet, ngase nuk mund t\u00eb mbahet sekret deri n\u00eb pafund\u00ebsi. Rrjedhimisht lind nevoja imediate p\u00ebr gjetjen e nj\u00eb vendi tjet\u00ebr t\u00eb fsheht\u00eb e t\u00eb sigurt\u00eb, ku do t\u00eb vazhdohej me kultivimin e bim\u00ebve narkotike q\u00eb sillnin fitime marramend\u00ebse.<\/p>\n
Dhe, papritmas, instinktivisht, dikush propozon nj\u00eb vend ideal e t\u00eb m\u00ebnjanuar, ku nuk hynte askush. Nj\u00eb vend t\u00eb p\u00ebrsosur p\u00ebr t\u00eb jetuar, e p\u00ebr t\u00eb vdekur \u2013 \u201cSht\u00ebpia e Zotit\u201d. Vend n\u00eb t\u00eb cilin do t\u00eb ndodhnin m\u00eb pas ngjarje e situata nga m\u00eb t\u00eb ndryshmet e m\u00eb t\u00eb jasht\u00ebzakonshmet.<\/p>\n
E ve\u00e7anta tjet\u00ebr e shfaqjes ishte skenografia e ngjeshur, sikurse edhe harmonia nd\u00ebrvepruese mes personazheve n\u00eb sken\u00eb. Nd\u00ebrsa rrjedha e situatave rezultonte e natyrshme, p\u00ebrkund\u00ebr v\u00ebshtir\u00ebsive q\u00eb paraqiteshin her\u00eb-her\u00eb, si rrjedhoj\u00eb e skenave t\u00eb ngjeshura, e zhvillimeve dinamike dhe konfliktuoze t\u00eb imponuara nga vet ndodhit\u00eb dhe ngjarjet.<\/p>\n
P\u00ebrve\u00e7 loj\u00ebs s\u00eb dalluar t\u00eb kast\u00ebs s\u00eb aktor\u00ebve, n\u00eb t\u00ebr\u00ebsin\u00eb e struktur\u00ebs s\u00eb shfaqjes ka spikatur ve\u00e7an\u00ebrisht skenografia adekuate, e cila, ndon\u00ebse e ngjeshur, ishte adekuate dhe funksionale, nd\u00ebrsa muzika p\u00ebrb\u00ebnte nj\u00eb tjet\u00ebr ve\u00e7ori karakteristike q\u00eb e b\u00ebnte akoma m\u00eb josh\u00ebse shfaqjen, duke mbajtur \u201cpezull\u201d k\u00ebrsh\u00ebrin\u00eb e publikut prezent\u00eb.<\/p>\n
Shfaqja me titull intrigues \u201cSht\u00ebpia e Zotit\u201d, ishte e para e v\u00ebn\u00eb n\u00eb sken\u00ebn e Teatrit t\u00eb Qytetit t\u00eb Gjilanit, q\u00eb ka karakter garues, n\u00eb kuad\u00ebr t\u00eb festivalit t\u00eb dram\u00ebs \u201cTalia e Flak\u00ebs\u201d, nd\u00ebrsa \u00ebsht\u00eb e dyta shfaqje me radh\u00eb e prezantuar n\u00eb k\u00ebt\u00eb festival, pas shfaqjes nikoqire nj\u00eb dit\u00eb m\u00eb par\u00eb, e cila hapi edicion e ri t\u00eb festivalit por q\u00eb nuk hyn\u00eb n\u00eb konkurrenc\u00eb p\u00ebr ndonj\u00ebrin nga pes\u00eb \u00e7mimet e parapara.<\/p>\n
N\u00eb shfaqje jan\u00eb paraqitur aktor\u00eb nga tri ansamble t\u00eb teatrove komb\u00ebtare, si: Bujar Ahmeti, Krist Lleshi, Shk\u00eblzen Veseli, Ledion Zoi, Ligoraq Riza, Rafael Hoxhaj, Elia Zaharia, Abedin Alimi, Donald Shehu, Luli Bitri, Genti De\u00e7ka, Gentiana Ramadani dhe Beslidhje Byty\u00e7i.<\/p>\n
Skenografia mban autor\u00ebsin\u00eb e skenografit Bekim Kor\u00e7a, koreografia \u00ebsht\u00eb realizuar nga Robert Nuha, kostumografia nga Njomza Luci, nd\u00ebrsa muzika \u00ebsht\u00eb adaptuar nga Endri Sina.<\/p>\n
N\u00eb nat\u00ebn e tret\u00eb t\u00eb festivalit t\u00eb dram\u00ebs \u201cTalia Flak\u00ebs\u201d, m\u00eb 25 janar, para artdash\u00ebsve prezantohet shfaqja \u201cGrafitet\u201d nga Teatri i Preshev\u00ebs, me autor e regjisor, Naser Shatrolli.\u200b<\/p>\n","protected":false},"excerpt":{"rendered":"
Teksti i autorit Ledian Gjeci, i v\u00ebn\u00eb n\u00eb sken\u00eb nga regjisori Ilir Bokshi, me nj\u00eb kast\u00eb t\u00eb konsiderueshme n\u00eb num\u00ebr, t\u00eb aktor\u00ebve nga tri teatro kredibile: Teatri Komb\u00ebtar Shqiptar (Tiran\u00eb); Teatri Shqiptar i Maqedonis\u00eb s\u00eb Veriut (Shkup) dhe Teatri Komb\u00ebtar i Kosov\u00ebs (Prishtin\u00eb), \u00ebsht\u00eb prezantuar n\u00eb nat\u00ebn e dyt\u00eb t\u00eb festivalit t\u00eb dram\u00ebs shqipe n\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":165674,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-165673","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/165673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=165673"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/165673\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/165674"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=165673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=165673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=165673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}