Festivali i dram\u00ebs \u201cTalia e Flak\u00ebs 2024\u201d, n\u00eb nat\u00ebn e tret\u00eb konkurruese, ka sjellur shfaqjen e teatrit t\u00eb Preshev\u00ebs \u201cGrafitet\u201d, me regjisor, Naser Shatrolli.<\/p>\n
Bazuar n\u00eb tekstin e autorit Mehmet Kraja, t\u00eb shnd\u00ebrruar e v\u00ebn\u00eb n\u00eb sken\u00eb me kujdes nga Trupa Teatrale e Preshev\u00ebs, para publikut \u00ebsht\u00eb shp\u00ebrfaqur konflikti dramatik n\u00eb mes t\u00eb rezistenc\u00ebs paq\u00ebsore, rezistenc\u00ebs s\u00eb armatosur dhe kolaboracionist\u00ebve t\u00eb regjimit jugosllav, t\u00eb periudh\u00ebs s\u00eb fundit t\u00eb viteve 90-t\u00eb, si dhe me p\u00ebrplasje t\u00eb vazhdueshme para dhe gjat\u00eb luft\u00ebs n\u00eb Kosov\u00eb. <\/p>\n
Autori p\u00ebrshkruan gjendjen reale p\u00ebrmes personazheve t\u00eb tij n\u00eb nj\u00eb pallat n\u00eb kryeqytet, nd\u00ebrsa v\u00eb n\u00eb spikam\u00eb fatet komike e tragjike t\u00eb pasojave t\u00eb luft\u00ebs, n\u00eb periudh\u00ebn e menj\u00ebhershme t\u00eb pasluft\u00ebs n\u00eb Kosov\u00eb, sakt\u00ebsisht n\u00eb kryeqytet \u2013 Prishtin\u00eb.<\/p>\n
Sipas rrjedh\u00ebs s\u00eb ngjarjeve, grafitet n\u00eb pjes\u00eb t\u00eb ndryshme t\u00eb objektit t\u00eb banimit, gj\u00ebgj\u00ebsisht mbi der\u00ebn e sht\u00ebpis\u00eb, jan\u00eb paraqitur si mjete mashtruese q\u00eb i paraprijn\u00eb mashtrimit t\u00eb secilit ”pushtues” mbi t\u00eb mashtruarit e pushtuar, n\u00ebp\u00ebr periudha e etapa t\u00eb r\u00ebnd\u00ebsishme komb\u00ebtare. <\/p>\n
Dy jan\u00eb personazhe kryesore n\u00eb mbar\u00ebshtrimin e dram\u00ebs s\u00eb Kraj\u00ebs; Halimi, i njohur n\u00eb mjedisin lokal si \u201cintelektuali me tipare durimtare\u201d, dhe Banushi q\u00eb zgjedh\u00eb rolin e spiunit, p\u00ebr t\u00eb dep\u00ebrtuar diktatura dhe presioni psikologjik n\u00eb oaz\u00ebn e trungut t\u00eb elit\u00ebs shqiptare. <\/p>\n
N\u00eb fakt, Kraja ka vendosur nj\u00eb karakter mish\u00ebrimi t\u00eb personazhit vart\u00ebs q\u00eb p\u00ebrkulet e p\u00ebrulet para secilit pushtet, e q\u00eb \u00ebsht\u00eb kulmi i ironis\u00eb, nd\u00ebrsa si karakter prej frikacaku, ngelet \u201cbrisk shartues\u201d n\u00eb k\u00ebmb\u00ebt e kultit t\u00eb n\u00ebnshtrimit, n\u00eb raport me secilin pushtet. <\/p>\n
Shfaqja \u00ebsht\u00eb produkt teatror bashk\u00ebkohor, i send\u00ebrtuar mbi logun e shenjave, figurave, simboleve dhe imazheve, t\u00eb cilat p\u00ebrcaktojn\u00eb stilin, zhanrin, frym\u00ebn dhe iden\u00eb brenda nj\u00eb norme t\u00eb kuruar estetike.<\/p>\n
Autori me guxim t\u00eb theksuar ka prekur tema t\u00eb nxehta t\u00eb cilat e kan\u00eb p\u00ebrshkruar aty-k\u00ebtu klim\u00ebn konfliktuoze politike, duke v\u00ebn\u00eb n\u00eb spikam\u00eb elemente stilistike, figura e variacione t\u00eb ndryshme estetike e filozofike, n\u00eb ambientin e pasluft\u00ebs q\u00eb m\u00ebtonte t\u00eb qart\u00ebsonte b\u00ebmat e individ\u00ebve gjat\u00eb okupimit.
\nShfaqja fillimisht duket se l\u00eb p\u00ebr t\u00eb d\u00ebshiruar n\u00eb sensin e dinamik\u00ebs dhe tempo-ritmit, por q\u00eb me kalimin e koh\u00ebs intensifikohet natyrsh\u00ebm pasi vie n\u00eb shprehje \u2018dora e st\u00ebrvitur\u2019 e regjisorit Shatrolli p\u00ebr ta p\u00ebrshpejtuar dhe sforcuar interaktivitetin nd\u00ebrveprues t\u00eb protagonist\u00ebve, e p\u00ebr t\u00eb l\u00ebn\u00eb n\u00eb plan t\u00eb dyt\u00eb stihin\u00eb fillestare, nd\u00ebrsa b\u00ebn\u00eb p\u00ebr vete natyrsh\u00ebm publikun kurreshtar, q\u00eb pret me padurim p\u00ebr t\u00eb pa sa m\u00eb par\u00eb epilogun e shum\u00ebpritur gjat\u00eb shfaqjes!
\nKulmi i shfaqjes arrihet kur kuptohet se t\u00eb gjitha k\u00ebrc\u00ebnimet p\u00ebr nd\u00ebrrimin e grafiteve mund t\u00eb ken\u00eb qen\u00eb g\u00ebnjeshtra dhe se liria e shpresa kallen dhe digjen si revolt\u00eb ndaj jetes\u00ebs n\u00ebn k\u00ebrc\u00ebnim.
\nShfaqja \u201cGrafitet\u201d, sipas vepr\u00ebs omonime t\u00eb Kraj\u00ebs, \u00ebsht\u00eb produkt teatror bashk\u00ebkohor, e send\u00ebrtuar mbi logun e shenjave, figurave, simboleve dhe imazheve, t\u00eb cilat p\u00ebrcaktojn\u00eb stilin, zhanrin, frym\u00ebn dhe iden\u00eb brenda nj\u00eb norme t\u00eb kuruar estetike\u201d.
\nN\u00eb shfaqje ka spikatur loja e aktor\u00ebve, Valon Nuhiu, Gjelb\u00ebrim Emini, Gani Veseli e Artan Ibishi, sikurse edhe stili i regjisorit Shatrolli dhe stafit p\u00ebrcjell\u00ebs, me asistente n\u00eb regji, Afeida Boriqi, skenografi t\u00eb Flutura Dedinjes dhe muzik\u00eb t\u00eb p\u00ebrzgjedhur nga Sk\u00ebnder Halimi.
\nRegjisori Ekrem Sopi, tha se \u201cGrafitet\u201d ishte shfaqje tipike e Naser Shatrollit dhe teatrit t\u00eb tij. \u201cNj\u00eb dram\u00eb psikologjike e cila b\u00ebnte p\u00ebrshtypje, pasi ting\u00ebllonte kumbuesh\u00ebm shqip dhe me gusto t\u00eb lart\u00eb\u201d. Sipas tij aktor\u00ebt funksiononin mir\u00eb, ve\u00e7mas b\u00ebnte p\u00ebrshtypje loja e Valon Nuhiu, edhe pse kishte detyr\u00ebn m\u00eb t\u00eb r\u00ebnd\u00eb \u201cmbi supe\u201d. Muzika piketonte fuqish\u00ebm momentet p\u00ebrkat\u00ebse, nd\u00ebrsa skenografia, tha se ishte tamam teatrale.
\nFestivali i Dram\u00ebs \u201cTalia e Flak\u00ebs\u201d, t\u00eb premten vijon konkurrenc\u00ebn garuese me prezantimin e shfaqjes \u201cHana po fluturon\u201d, prodhim i teatrit \u201cAdriana\u201d nga Ferizaji, p\u00ebr t\u2019u pasuar me dy prezantime t\u00eb m\u00eb pastajme nga Prishtina: Shfaqjet \u201cArbri\u201d, prodhim i teatrit \u201cOda\u201d dhe \u201cClub Albania\u201d, e realizuar nga Teatri Komb\u00ebtar i Kosov\u00ebs.<\/p>\n","protected":false},"excerpt":{"rendered":"
Festivali i dram\u00ebs \u201cTalia e Flak\u00ebs 2024\u201d, n\u00eb nat\u00ebn e tret\u00eb konkurruese, ka sjellur shfaqjen e teatrit t\u00eb Preshev\u00ebs \u201cGrafitet\u201d, me regjisor, Naser Shatrolli. Bazuar n\u00eb tekstin e autorit Mehmet Kraja, t\u00eb shnd\u00ebrruar e v\u00ebn\u00eb n\u00eb sken\u00eb me kujdes nga Trupa Teatrale e Preshev\u00ebs, para publikut \u00ebsht\u00eb shp\u00ebrfaqur konflikti dramatik n\u00eb mes t\u00eb rezistenc\u00ebs paq\u00ebsore, […]<\/p>\n","protected":false},"author":1,"featured_media":165742,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-165741","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/165741","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=165741"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/165741\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/165742"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=165741"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=165741"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=165741"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}