{"id":186541,"date":"2024-11-30T22:23:03","date_gmt":"2024-11-30T21:23:03","guid":{"rendered":"https:\/\/radiostargjilan.com\/web\/?p=186541"},"modified":"2024-11-30T22:23:03","modified_gmt":"2024-11-30T21:23:03","slug":"perfundoi-projekti-eduart-me-ligjerata-e-vizita-ne-zonat-rurale","status":"publish","type":"post","link":"https:\/\/radiostargjilan.com\/web\/perfundoi-projekti-eduart-me-ligjerata-e-vizita-ne-zonat-rurale\/","title":{"rendered":"P\u00ebrfundoi projekti EDUART me ligj\u00ebrata e vizita n\u00eb zonat rurale"},"content":{"rendered":"

N\u00eb kuad\u00ebr t\u00eb projektit individual \u201cEduart\u201d, t\u00eb sociologut Avni Rudakut, t\u00eb p\u00ebrkrahur nga Ministria p\u00ebr Kultur\u00eb, Rini dhe Sport e Republik\u00ebs s\u00eb Kosov\u00ebs, sot ka vazhduar projekti me ligj\u00ebrata t\u00eb tjera rreth trash\u00ebgimis\u00eb kulturore dhe historike t\u00eb Gjilanit, dhe m\u00eb pas, me vizita t\u00eb organizuara n\u00eb m\u00ebnyr\u00eb grupore, n\u00eb zonat rurale, n\u00eb objektet e trash\u00ebgimis\u00eb kulturore n\u00eb P\u00ebrlepnic\u00eb e Kmetoc, nj\u00ebra me kthim n\u00eb shekullin XIX, e tjetra rivizit\u00eb n\u00eb historin\u00eb e shekullit XIV.<\/p>\n

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Shkodran Ramadani, sociolog, diskutoi mbi tem\u00ebn \u201cFushatat e nd\u00ebrgjegj\u00ebsimit p\u00ebr ruajtjen e trash\u00ebgimis\u00eb kulturore\u201d, duke v\u00ebn\u00eb theksin te mitologjia dhe filozofia q\u00eb q\u00ebndron pas ankthit mbi p\u00ebrkohshm\u00ebrin\u00eb dhe nevoj\u00ebn p\u00ebr ruajtjen e objekteve kulturore-historike, p\u00ebr shkak se ato nuk jan\u00eb vet\u00ebm objekte, por jan\u00eb projeksione dhe introjeksione, ku n\u00eb procesin e par\u00eb ne transferojm\u00eb ndjenja, kujtime t\u00eb p\u00ebrbashk\u00ebta e vuajtjet n\u00eb objekte dhe n\u00eb procesin e dyt\u00eb, i integrojm\u00eb ato brenda nesh. Ramadani p\u00ebrmendi edhe strategjit\u00eb e shumta n\u00eb ruajtjen e trash\u00ebgimis\u00eb kulturore, m\u00ebnyrat kreative t\u00eb nd\u00ebrgjegj\u00ebsimit p\u00ebr trash\u00ebgimi, p\u00ebrdorimin e medieve sociale, p\u00ebrdorimin e hashtagut dhe platformave t\u00eb tjera televizive, konkurseve kreative, dokumentar\u00ebve, filmave, serialeve dhe mjeteve t\u00eb tjera audio-vizuele q\u00eb sot jan\u00eb n\u00eb dispozicion t\u00eb t\u00eb gjith\u00ebve.<\/p>\n

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Bedrije Shurdhani, artizane me p\u00ebrvoj\u00eb disavje\u00e7are, shpjegoi pun\u00ebn e kasnak\u00ebve, q\u00ebndisjeve tradicionale me motive komb\u00ebtare, duke apeluar p\u00ebr ruajtjen e trash\u00ebgimis\u00eb kulturore, materiale e shpirt\u00ebrore, duke ua bartur p\u00ebrvoj\u00ebn e saj gjeneratave t\u00eb reja rreth kasnak\u00ebve. \u201cFatkeq\u00ebsisht, interesimi i t\u00eb rinjve dhe t\u00eb rejave \u00ebsht\u00eb p\u00ebr t\u2019i bler\u00eb kasnak\u00ebt, por jo edhe p\u00ebr ta m\u00ebsuar mjeshtrin\u00eb e tyre. Shpesh t\u00eb rinjt\u00eb m\u00eb thon\u00eb: qysh po ke nerva?!, duke aluduar n\u00eb humbjen e durimit t\u00eb tyre p\u00ebr koncentrim t\u00eb gjat\u00eb n\u00eb nj\u00eb mjeshtri t\u00eb till\u00eb tradicionale, por un\u00eb apeloj t\u2019i ruajm\u00eb vlerat e trash\u00ebgimis\u00eb kulturore, materiale e shpirt\u00ebrore. Brezi yn\u00eb ka shum\u00eb interesim t\u2019ua l\u00eb artizanatin brezit t\u00eb ri\u201d \u2013 vazhdoi Shurdhani, duke ndar\u00eb shum\u00eb p\u00ebrvoja me kasnak\u00eb, mbi 45 vjet.<\/p>\n

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G\u00ebzim Kastrati, IT dhe ekspert i certifikuar nd\u00ebrkomb\u00ebtar n\u00eb fush\u00ebn e siguris\u00eb kibernetike, n\u00ebnvizoi r\u00ebnd\u00ebsin\u00eb e inteligjenc\u00ebs artificiale n\u00eb art e trash\u00ebgimi kulturore, duke sjell\u00eb para t\u00eb rinjve e t\u00eb rejave t\u00eb shumic\u00ebs shqiptare e komunitetit serb, turk e rom, p\u00ebrdorimin kreativ t\u00eb inteligjenc\u00ebs artificiale edhe n\u00eb fotografit\u00eb e trash\u00ebgimis\u00eb kulturore, duke sjell\u00eb shembuj e praktika t\u00eb shum\u00ebllojshme. Kastrati q\u00eb n\u00eb hyrje t\u00eb ligj\u00ebrat\u00ebs tregoi shkurtimisht mekanizmin se si funksionon inteligjenca artificiale, historin\u00eb e fillimit t\u00eb projektit nga vitet e \u201950-ta t\u00eb shek. XX e deri m\u00eb sot, limitet dhe sfidat e p\u00ebrdorimit, breng\u00ebn p\u00ebr informata t\u00eb paverifikuara e lajme t\u00eb superzhvilluara e t\u00eb rrejshme, n\u00ebse nuk p\u00ebrdoret n\u00eb m\u00ebnyr\u00ebn e duhur. Kastrati tregoi edhe shum\u00eb shembuj t\u00eb makinave t\u00eb inteligjenc\u00ebs artificiale, n\u00eb krijimin e p\u00ebrmbajtjeve vizuale p\u00ebrmes k\u00ebrkesave me tekst, por edhe transformimin e imazheve var\u00ebsisht nga stilet e deritashme t\u00eb artist\u00ebve pamor\u00eb. Kastrati ofroi shembuj t\u00eb transformimit pamor t\u00eb sht\u00ebpis\u00eb tradicionale t\u00eb Muhamer Shabanit n\u00eb P\u00ebrlepnic\u00eb dhe Kish\u00ebn e Varvar\u00ebs n\u00eb Kmetoc, duke l\u00ebn\u00eb mbresa t\u00eb pashlyeshme te pjes\u00ebmarr\u00ebsit e rinj n\u00eb Eduart.<\/p>\n

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Pas p\u00ebrfundimit t\u00eb ligj\u00ebratave n\u00eb sall\u00ebn e Universitetit t\u00eb Gjilanit, fjal\u00ebn e mori n\u00eb transportin e organizuar falas p\u00ebr pjes\u00ebmarr\u00ebsit, guida n\u00eb zon\u00ebn rurale, bjeshkatari i njohur nga Shoq\u00ebria Bjeshkatare \u201cMaja\u201d, Agim Kajtazi, duke informuar pjes\u00ebmarr\u00ebsit p\u00ebr vizit\u00ebn pas p\u00ebrfundimit t\u00eb ligj\u00ebratave, p\u00ebr dy vendet e trash\u00ebgimis\u00eb kulturore n\u00eb Gjilan, vizit\u00ebn te Sht\u00ebpia e Muhamer Shabanit, e dekad\u00ebs s\u00eb fundit t\u00eb shek. XIX dhe Kish\u00ebn Varvara n\u00eb Kmetoc, e shek. XIV. <\/p>\n

M\u00eb pas, t\u00eb gjith\u00eb pjesmarr\u00ebsit, u ndal\u00ebn te Sht\u00ebpia e Muhamer Shabanit n\u00eb P\u00ebrlepnic\u00eb. \u201cSht\u00ebpia \u00ebsht\u00eb nd\u00ebrtuar n\u00eb dekad\u00ebn e fundit t\u00eb shek. XIX, pik\u00ebrisht m\u00eb 1880. \u00cbsht\u00eb e vendosur n\u00eb vend t\u00eb rrafsh\u00ebt dhe ka vlera historike, arkitekturale, artistike e estetike. \u00cbsht\u00eb nd\u00ebrtes\u00eb me karakter banimi familjar e q\u00eb n\u00eb vetvete p\u00ebrmban elemente shqiptare. Sipas t\u00eb dh\u00ebnave t\u00eb familjar\u00ebve, sht\u00ebpia \u00ebsht\u00eb nd\u00ebrtuar nga Shaban Aga, st\u00ebrgjyshi i Muhamerit, i cili ishte djali i Ahmetit q\u00eb gjat\u00eb periudh\u00ebs s\u00eb sundimit osman kishte sh\u00ebrbyer si spahi. Sht\u00ebpin\u00eb e kan\u00eb punuar 5 apo 6 mjesht\u00ebr, t\u00eb cil\u00ebt kan\u00eb qen\u00eb nga Vraja\u201d \u2013 citoi informacionin nga databaza e trash\u00ebgimis\u00eb kulturore t\u00eb Kosov\u00ebs, guida Kajtazi, duke informuar m\u00eb gjer\u00ebsisht pjes\u00ebmarr\u00ebsit gjat\u00eb vizit\u00ebs jasht\u00eb dhe brenda sht\u00ebpis\u00eb t\u00eb Shabanit, edhe me holl\u00ebsi t\u00eb tjera p\u00ebr k\u00ebt\u00eb objekt t\u00eb ve\u00e7ant\u00eb. Sami e Bardh Shabani, familjar\u00eb t\u00eb af\u00ebrm t\u00eb Muhamerit, mikprit\u00ebn vizitor\u00ebt nga t\u00eb gjitha komunitetet etnike, duke ua hapur dyert edhe p\u00ebr vizit\u00eb brenda sht\u00ebpis\u00eb dhe ofruan shum\u00eb informacione shtes\u00eb rreth historikut t\u00eb sht\u00ebpis\u00eb, investimit t\u00eb vet\u00ebm nga vet\u00eb familja Shabani n\u00eb m\u00ebrgim dhe munges\u00ebn e mb\u00ebshtetjes institucionale p\u00ebr sht\u00ebpin\u00eb.
\nM\u00eb pas, vizita vazhdoi n\u00eb fshatin Kmetoc, ku pjes\u00ebmarr\u00ebsit vazhduan disa metra n\u00eb k\u00ebmb\u00eb, p\u00ebr t\u00eb par\u00eb nga af\u00ebr g\u00ebrmadhat e Kish\u00ebs s\u00eb Sh\u00ebn Dhimitrit, ose Kish\u00ebs Varvara, duke p\u00ebrjetuar ecjen n\u00eb natyr\u00eb me riga shiu e d\u00ebbore. \u201cKisha Varvara e Kmetocit, gjendet n\u00eb verilindje t\u00eb fshatit Kmetoc dhe \u00ebsht\u00eb datuar si kish\u00eb e shekullit XIV. Mbetjet d\u00ebshmojn\u00eb p\u00ebr ekzistenc\u00ebn e manastirit. Thuhet se n\u00eb fillim kisha e manastirit i \u00ebsht\u00eb p\u00ebrkushtuar Sh\u00ebn Dhimitrit e m\u00eb von\u00eb Sh\u00ebn Varvar\u00ebs. Fasada e kish\u00ebs \u00ebsht\u00eb trajtuar me gur\u00eb t\u00eb p\u00ebrpunuar, me nj\u00eb dekorim t\u00eb ve\u00e7ant\u00eb me tulla dyshe. Enterieri i kish\u00ebs ka qen\u00eb i pikturuar me afreske nga shekulli XIV, por q\u00eb tani m\u00eb nuk ekzistojn\u00eb. N\u00eb vitet 60 t\u00eb shekullit XX disa pjes\u00eb t\u00eb kish\u00ebs jan\u00eb konservuar. Tani kisha ka mbetur si rr\u00ebnoj\u00eb dhe sh\u00ebrben vet\u00ebm p\u00ebr sh\u00ebrbesa fetare n\u00eb dit\u00ebt e ve\u00e7anta\u201d \u2013 vazhdoi guida Kajtazi, p\u00ebr t\u00eb informuar edhe m\u00eb shum\u00eb pjes\u00ebmarr\u00ebsit me k\u00ebt\u00eb objekt t\u00eb r\u00ebnd\u00ebsis\u00eb s\u00eb ve\u00e7ant\u00eb kulturore dhe historike.
\nProjekti EDUART ka rezultuar mjaft i suksessh\u00ebm, duke u organizuar ligj\u00ebrata, sesione diskutimi dhe vizita n\u00eb zonat urbane dhe rurale t\u00eb Rajonit t\u00eb Gjilanit, me pjes\u00ebmarr\u00ebs t\u00eb rinj e t\u00eb reja nga t\u00eb gjitha komunitetet, n\u00ebn udh\u00ebheqjen e koordinatorit t\u00eb vullnetar\u00ebve, Ardit Jah\u00ebs, dhe duke u angazhuar n\u00eb projekt, edhe p\u00ebrkthyesi Enver Sadiku, p\u00ebr gjuh\u00ebn serbe, dhe Blerina Morina, si p\u00ebrkthyese n\u00eb gjuh\u00ebn turke. Shkrepjet fotografike t\u00eb gjith\u00eb projektit EDUART, u realizuan nga studio fotografike e Ylfete Fazliut.<\/p>\n","protected":false},"excerpt":{"rendered":"

N\u00eb kuad\u00ebr t\u00eb projektit individual \u201cEduart\u201d, t\u00eb sociologut Avni Rudakut, t\u00eb p\u00ebrkrahur nga Ministria p\u00ebr Kultur\u00eb, Rini dhe Sport e Republik\u00ebs s\u00eb Kosov\u00ebs, sot ka vazhduar projekti me ligj\u00ebrata t\u00eb tjera rreth trash\u00ebgimis\u00eb kulturore dhe historike t\u00eb Gjilanit, dhe m\u00eb pas, me vizita t\u00eb organizuara n\u00eb m\u00ebnyr\u00eb grupore, n\u00eb zonat rurale, n\u00eb objektet e trash\u00ebgimis\u00eb […]<\/p>\n","protected":false},"author":1,"featured_media":186577,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-186541","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/186541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=186541"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/186541\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/186577"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=186541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=186541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=186541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}