\u201cDredhit\u00eb e Patukut\u201d, shfaqja e p\u00ebrkthyer nga Gjergj Fishta, e realizuar nga Kushtrim Bekteshi me teatrin e Tetov\u00ebs, \u00ebsht\u00eb prezantuar n\u00eb nat\u00ebn e kat\u00ebr t\u00eb festivalit t\u00eb dram\u00ebs \u201cTalia e Flak\u00ebs 2025\u201d.<\/p>\n
Fillimisht duhet v\u00ebn\u00eb n\u00eb spikam\u00eb faktin se teatri i Tetov\u00ebs e ka d\u00ebshmuar me sukses pun\u00ebn serioze e t\u00eb p\u00ebrkushtuar q\u00eb po b\u00ebn\u00eb, pasi realizimi i nj\u00eb shfaqje aq t\u00eb v\u00ebshtir\u00eb k\u00ebrkon mund t\u00eb madh e njohuri t\u00eb thella p\u00ebr autorin, Gjergj Fishta, e m\u00eb pas edhe p\u00ebr Molierin, nga i cili Fishta mori l\u00ebnd\u00ebn-motivin.<\/p>\n
\u201cDredhit\u00eb e Patokut\u201d, \u00ebsht\u00eb komedi e holl\u00eb e cila sikur t\u00eb gudulis\u00eb gjat\u00eb t\u00ebr\u00eb koh\u00ebs, por t\u00eb mban\u00eb t\u00eb v\u00ebmendsh\u00ebm p\u00ebr domosdon\u00eb e qet\u00ebsis\u00eb p\u00ebr t\u00eb kapur detajet, t\u00eb cilat i hasim t\u00eb lidhura e t\u00eb nd\u00ebrvarura gjat\u00eb t\u00ebr\u00eb rrjedh\u00ebs s\u00eb shfaqjes.<\/p>\n
E shkruar mes viteve 1910 deri 1913 nga Gjergj Fishta, komedia \u201cDredhit\u00eb e Patukut\u201d duket t\u00eb ket\u00eb qen\u00eb nj\u00eb inspirim sfidues p\u00ebr regjisorin Kushtrim Bekteshi, i cili e ka gjetur nj\u00eb m\u00ebnyr\u00eb t\u00eb tij t\u00eb ve\u00e7ant\u00eb p\u00ebr ta rikthyer at\u00eb t\u00eb plot\u00eb para shikuesve.<\/p>\n
Prologu<\/p>\n
Nga prologu i shfaqjes kuptohet se vepra e Fisht\u00ebs \u00ebsht\u00eb konsideruar e zhdukur p\u00ebr m\u00eb shum\u00eb se 50 vjet, nd\u00ebrsa e vetmja kopje \u201ce mbijetuar\u201d, \u00ebsht\u00eb ruajtur e fshehur n\u00ebn d\u00ebrrasat e dyshemes\u00eb n\u00eb sht\u00ebpin\u00eb e zot\u00ebri Luigj Bab\u00ebs. K\u00ebsisoji i ka shp\u00ebtuar zhdukjes gjat\u00eb periudh\u00ebs s\u00eb err\u00ebt komuniste n\u00eb Shqip\u00ebri, kur Gjergj Fishta ishte i ndaluar dhe librat e tij ishin anatemuar, dhe digjeshin, nd\u00ebrsa secili q\u00eb ato i ruante, rrezikonte t\u00eb burgosej! <\/p>\n
Poashtu, shikuesi e kupton n\u00eb prolog se para plot\u00eb nj\u00eb \u00e7erek shekulli, djali i Luigj Baba, Gjovalini, e ka nxjerr nga posht\u00eb dyshemes\u00eb, komedin\u00eb, t\u00eb cil\u00ebn e ka dor\u00ebzuar n\u00eb bibliotek\u00ebn fran\u00e7eskane n\u00eb Shkod\u00ebr. <\/p>\n
Komedia \u201cDredhit\u00eb e Patukut\u201d, derisa ka qen\u00eb gjall\u00eb Gjergj Fishta, \u00ebsht\u00eb luajtur nga prift\u00ebrinjt\u00eb dhe shum\u00eb grupe amatore t\u00eb asaj kohe. <\/p>\n
Nd\u00ebrsa realizimi skenik nga Teatri i Tetov\u00ebs, me regjisor Kushtrim Bekteshi, \u00ebsht\u00eb i pari dhe i vetmi realizim deri m\u00eb tani, i k\u00ebsaj vepre dramatike, dhe si e till\u00eb edhe shfaqja \u00ebsht\u00eb realizuar p\u00ebr her\u00eb t\u00eb par\u00eb n\u00eb nj\u00eb teat\u00ebr profesionist, n\u00eb at\u00eb t\u00eb Tetov\u00ebs.<\/p>\n
\u201cDredhit\u00eb e Patokut\u201d d\u00ebshmon qart\u00ebsisht p\u00ebr pun\u00ebn e madhe e t\u00eb guximshme t\u00eb regjisorit p\u00ebr ta v\u00ebn\u00eb n\u00eb sken\u00eb, pasi teksti mjaft kompleks si dhe karakteret e personazheve q\u00eb i gjejm\u00eb aty, jan\u00eb tejet t\u00eb v\u00ebshtira p\u00ebr t\u2019u realizuar n\u00eb nivel t\u00eb lart\u00eb skenik\/artistik!<\/p>\n
Duke e ditur se Molieri shquhet p\u00ebr karakteret e personazheve, sidomos n\u00eb komedin\u00eb m\u00eb t\u00eb njohur t\u00eb dramaturgjis\u00eb bot\u00ebrore, \u201cKoprraci\u201d, ku p\u00ebrmes figur\u00ebs s\u00eb Harpagonit demaskon fuqin\u00eb shkat\u00ebrruese t\u00eb paras\u00eb, tek \u201cDredhit\u00eb e Skapinit\u201d, prej nga u tha se Fishta ka marr\u00eb l\u00ebnd\u00ebn burimore p\u00ebr \u201cDredhit\u00eb e Patokut\u201d t\u00eb tij, gjejm\u00eb nj\u00eb m\u00ebnyr\u00eb tjet\u00ebr t\u00eb koprracis\u00eb s\u00eb v\u00ebn\u00eb n\u00eb spikam\u00eb: at\u00eb t\u00eb zhvatjes mjesht\u00ebrore t\u00eb f\u00ebmij\u00ebve nga baballar\u00ebt e pasur dhe nj\u00ebkoh\u00ebsisht koprrac\u00eb!<\/p>\n
Pra, koprracia e t\u00eb moshuarve, jeta e shthurur e t\u00eb rinjve, miq\u00ebsia dhe intriga jan\u00eb temat kryesore q\u00eb trajton kjo komedi, e cila integron me mjesht\u00ebri tradit\u00ebn shqiptare me komedin\u00eb italiane.<\/p>\n
N\u00eb shfaqje \u2018commedia dell\u2019arte\u2019 \u00ebsht\u00eb mbar\u00ebshtruar e parafrazuar n\u00eb stilin e aktrimit dhe nd\u00ebrtimin e karaktereve, n\u00eb skenografin\u00eb e shfaqjes nga Betim Zeqiri, e po ashtu edhe n\u00eb kostumografin\u00eb e realizuar nga Emira Ymeri, ku \u00ebsht\u00eb kombinuar kostumi tradicional shqiptar me mod\u00ebn qytetare shkodrane t\u00eb fillimit t\u00eb shekullit t\u00eb XX-t\u00eb.
\nGjuha e komedis\u00eb s\u00eb Fisht\u00ebs e ruan shpreh\u00ebsin\u00eb e origjinalit. Ajo \u00ebsht\u00eb dialektore dhe me ndikime e nd\u00ebrhyrje t\u00eb regjistrit bisedor t\u00eb koh\u00ebs, ku bien n\u00eb sy p\u00ebrdorimi i arkaizmave, turqizmave, huazimeve t\u00eb tjera n\u00eb funksion t\u00eb karakterizimit t\u00eb personazheve dhe t\u00eb rritjes s\u00eb komicitetit t\u00eb tyre.
\nPa dyshim q\u00eb kjo vep\u00ebr e Fisht\u00ebs ka ngritur debate t\u00eb shum\u00ebta: n\u00ebse ai (Fishta) e pasuron Molierin p\u00ebrmes dram\u00ebs \u201cDredhit\u00eb e Patokut\u201d, n\u00eb variantin e tij t\u00eb p\u00ebrkthimit, apo vet\u00ebm e adapton n\u00eb nj\u00eb mjedis t\u00eb caktuar ballkanik, t\u00eb cilave debate, regjisori Kushtrim Bekteshi duket se u ka dh\u00ebn\u00eb nj\u00eb p\u00ebrgjigje si shpjegim, para s\u00eb gjithash me guximin regjisorial p\u00ebr t\u00eb v\u00ebn\u00eb n\u00eb sken\u00eb nj\u00eb vep\u00ebr t\u00eb k\u00ebtij lloji, e aq m\u00eb par\u00eb me nj\u00eb ansamb\u00ebl si ai i Tetov\u00ebs, ku gjuha si mjeti kryesor\u00eb i komunikimit, kuptohet me v\u00ebshtir\u00ebsi n\u00eb rajone t\u00eb ndryshme t\u00eb gjeografis\u00eb shqiptare!
\nShfaqja e mbr\u00ebmjes s\u00eb kat\u00ebrt t\u00eb festivalit t\u00eb dram\u00ebs shqipe \u201cTalia e Flak\u00ebs 2025\u201d, \u201cDredhit\u00eb e Patukut\u201c, ka d\u00ebshmuar se k\u00ebt\u00eb edicion ka pasur prurje t\u00eb k\u00ebnaqshme realizuese nga teatro t\u00eb ndryshme, si ai i Gjakov\u00ebs, teatri i Ferizajit, si dhe teatri \u201cIntegra\u201d nga Prishtina, t\u00eb cilat jan\u00eb prezantuar deri m\u00eb tani. Nd\u00ebrsa, t\u00eb diel\u00ebn (sot) dhe gjat\u00eb dy dit\u00ebve n\u00eb vijim do t\u00eb prezantohen edhe tri shfaqje tjera p\u00ebr ta b\u00ebr\u00eb k\u00ebsisoji pun\u00ebn e juris\u00eb vler\u00ebsuese mjaft t\u00eb v\u00ebshtir\u00eb n\u00eb p\u00ebrcaktimin p\u00ebr \u00e7mimet e parapara, pasi si t\u00eb tilla, \u00e7mimet e festivalit t\u00eb dram\u00ebs shqipe \u201cTalia e Flak\u00ebs\u201d kan\u00eb qen\u00eb dhe vazhdojn\u00eb t\u00eb mbeten nj\u00eb lloj \u201clegjitimimi\u201d artistik i krijimtaris\u00eb teatrale n\u00eb mbar\u00eb hap\u00ebsir\u00ebn shqiptare.
\nT\u00eb diel\u00ebn, m\u00eb 26 janar do t\u00eb prezantohet ansambli i Teatrit Komb\u00ebtar Eksperimental \u201cKujtim Spahivogli\u201d \u2013 Tiran\u00eb me shfaqjen \u201cLule Sajza\u201d, me tekst e regji nga Endrit Cela.
\nM\u00eb pas, m\u00eb 27 dhe 28 janar do t\u00eb prezantohen dy shfaqje: \u201cKrejona\u201d, nga teatri \u201cBekim Fehmiu\u201d – Prizren, si dhe shfaqja \u201cJam un\u00eb ajo\u201d nga produksioni \u201cBON\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"
\u201cDredhit\u00eb e Patukut\u201d, shfaqja e p\u00ebrkthyer nga Gjergj Fishta, e realizuar nga Kushtrim Bekteshi me teatrin e Tetov\u00ebs, \u00ebsht\u00eb prezantuar n\u00eb nat\u00ebn e kat\u00ebr t\u00eb festivalit t\u00eb dram\u00ebs \u201cTalia e Flak\u00ebs 2025\u201d. Fillimisht duhet v\u00ebn\u00eb n\u00eb spikam\u00eb faktin se teatri i Tetov\u00ebs e ka d\u00ebshmuar me sukses pun\u00ebn serioze e t\u00eb p\u00ebrkushtuar q\u00eb po b\u00ebn\u00eb, […]<\/p>\n","protected":false},"author":1,"featured_media":192849,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-192848","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/192848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=192848"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/192848\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/192849"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=192848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=192848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=192848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}