N\u00eb Sall\u00ebn e Vog\u00ebl t\u00eb Teatrit t\u00eb Gjilanit, n\u00eb kuad\u00ebr t\u00eb Festivalit t\u00eb Dram\u00ebs Komb\u00ebtare \u201eTalia e Flak\u00ebs 2025\u201c \u00ebsht\u00eb mbajtur \u201cTalia Diskutimi 2025\u201d, n\u00eb t\u00eb cil\u00ebn me tem\u00ebn \u201cDramaturgjia shqiptare dhe teatri kosovar n\u00eb raport me at\u00eb nd\u00ebrkomb\u00ebtar\u201d ka folur Alban Beqiraj, tem\u00eb e cila ka ngjall\u00eb interesim te audienca, t\u00eb cil\u00ebt m\u00eb pas edhe vet\u00eb jan\u00eb ky\u00e7ur n\u00eb nj\u00eb bashk\u00ebbisedim p\u00ebr teatrin dikur, sot dhe kahet e tij n\u00eb t\u00eb nes\u00ebrmen.<\/p>\n
Alban Beqiraj, q\u00eb ka studiuar p\u00ebr regji teatri dhe shkenca intermediale n\u00eb Kosov\u00eb dhe Austri nga viti 2018, bashk\u00ebthemelues i organizat\u00ebs \u201cStralli\u201d dhe festivalit t\u00eb artit \u201cN\u00ebn braza t\u00eb koh\u00ebs\u201d n\u00eb Kosov\u00eb. Ai \u00ebsht\u00eb regjisor dhe bashk\u00ebpun\u00ebtor n\u00eb projekte e shfaqje t\u00eb ndryshme teatrore, n\u00eb Prishtin\u00eb dhe Vjen\u00eb.<\/p>\n
N\u00eb \u201cTalia Diskutimi 2025\u201d, ai ka trajtuar tem\u00ebn \u201cDramaturgjia shqiptare dhe teatri kosovar n\u00eb raport me at\u00eb nd\u00ebrkomb\u00ebtar\u201d dhe me shembuj t\u00eb ndrysh\u00ebm nga dramaturgjia bot\u00ebrore, kosovare dhe ajo e Shqip\u00ebris\u00eb ai kryesisht \u00ebsht\u00eb fokusuar tek transformimet dramatike, duke folur edhe p\u00ebr r\u00ebnd\u00ebsin\u00eb e k\u00ebtyre transformimeve n\u00eb krijimtarin\u00eb skenike t\u00eb hap\u00ebsirave shqiptare, por edhe n\u00eb strategjit\u00eb dhe perspektivat e t\u00eb shkruarit skenik, gjegj\u00ebsisht t\u00eb prodhimit skenik.<\/p>\n
Duke p\u00ebrdorur shembuj nga dramaturgjia bot\u00ebrore, ai ka th\u00ebn\u00eb se ngjarjet n\u00eb Kosov\u00eb kan\u00eb ndikuar te autor\u00eb t\u00eb huaj p\u00ebr t\u00eb b\u00ebr\u00eb shfaqje, duke marr\u00eb si shembull debatin q\u00eb n\u00eb Gjermani q\u00eb kishin nxitur sulmet ajrore t\u00eb NATO-s n\u00eb Kosov\u00eb, gj\u00eb e cila kishte ngjall\u00eb dilema n\u00eb Gjermani, p\u00ebr dhe kund\u00ebr dhe q\u00eb kjo i kishte sh\u00ebrbyer autorit gjerman Christoph Schlingensief p\u00ebr t\u00eb realizuar shfaqjen \u2013 performanc\u00eb \u201cDeutschlandsuche\u201d (1999), \u201cKampe pa kufij\u201d (1999), q\u00eb ishin drama me tem\u00eb nga lufta n\u00eb Kosov\u00eb. Beqiraj m\u00eb pas ka p\u00ebrmendur edhe autor\u00ebt Robert \u00cbilson \u2013 \u201cEinstein on the beach\u201d, por edhe autor\u00ebt kosovar\u00eb si Bekim Lumi \u2013 \u201c\u00c7ifti martesor\u201d t\u00eb Eug\u00e8ne Ionesco me nj\u00eb p\u00ebrvoj\u00eb t\u00eb lart\u00eb estetike. Shembuj si Michael Thailheim \u201cEmilia Galotti\u201d t\u00eb Lesingut kan\u00eb b\u00ebr\u00eb q\u00eb Beqiraj t\u00eb ngre paralele n\u00eb mes t\u00eb res\u00eb dhe t\u00eb vjetr\u00ebs n\u00eb teat\u00ebr, duke th\u00ebn\u00eb se edhe n\u00eb Kosov\u00eb Jeton Beqiraj kishte b\u00ebr\u00eb nj\u00eb shfaqje mbi at\u00eb se si neve na shohin t\u00eb huajt, kurse tek transferimet dramatike ka p\u00ebrmendur edhe shfaqjen e Erson Zymberit \u201cT\u00eb vdekurit mbajn\u00eb zi p\u00ebr atdheun\u201d me motive t\u00eb shkrimtarit Beqir Musliu, shfaqje e cila flet p\u00ebr historin\u00eb ton\u00eb e n\u00eb t\u00eb cil\u00ebn nga kat\u00ebr tekste \u00ebsht\u00eb krijuar nj\u00eb tekst n\u00eb vete.<\/p>\n
Alban Beqiraj, ka marr\u00eb edhe shembuj t\u00eb tjer\u00eb nga dramaturgjia bot\u00ebrore me situata t\u00eb p\u00ebrditshme, duke shtuar se transferime t\u00eb tilla jan\u00eb b\u00ebr\u00eb edhe n\u00eb Teatrin e Kosov\u00ebs, duke th\u00ebn\u00eb se avantazh i transferimeve \u00ebsht\u00eb reduktimi i skenave. Beqiraj ka folur edhe p\u00ebr monodram\u00ebn si refleksion dhe si shembull ka marr\u00eb shfaqjen \u201cFausti prej Tirane\u201d.<\/p>\n
Gjithsesi se Beqiraj \u00ebsht\u00eb ndal\u00eb edhe te tendencat e reja dramatike, kurse n\u00eb debatin q\u00eb \u00ebsht\u00eb hapur m\u00eb pas jan\u00eb ky\u00e7ur bashk\u00ebbisedues si Adriana Tolka e Rajmonda Bulku, aktore nga Tirana, drejtori i Teatrit Eksperimental nga Tirana, kritiku Avni Rudaku e aktori Avni Shkodra, ku n\u00eb k\u00ebt\u00eb debat \u00ebsht\u00eb v\u00ebn\u00eb n\u00eb pah se mungon \u00e7el\u00ebsi i t\u00ebrheqjes s\u00eb publikut, pastaj mungon intriga q\u00eb e t\u00ebrheq shikuesin dhe se tregimi \u00ebsht\u00eb esenca e teatrit dhe u ra n\u00eb ujdi se ne nuk q\u00ebndrojm\u00eb aq mir\u00eb me dramaturgjin\u00eb komb\u00ebtare dhe se teatri duhet t\u00eb jet\u00eb i kuptuesh\u00ebm nga t\u00eb gjith\u00eb e jo vet\u00ebm nga nj\u00eb shtres\u00eb e spektator\u00ebve.<\/p>\n","protected":false},"excerpt":{"rendered":"
N\u00eb Sall\u00ebn e Vog\u00ebl t\u00eb Teatrit t\u00eb Gjilanit, n\u00eb kuad\u00ebr t\u00eb Festivalit t\u00eb Dram\u00ebs Komb\u00ebtare \u201eTalia e Flak\u00ebs 2025\u201c \u00ebsht\u00eb mbajtur \u201cTalia Diskutimi 2025\u201d, n\u00eb t\u00eb cil\u00ebn me tem\u00ebn \u201cDramaturgjia shqiptare dhe teatri kosovar n\u00eb raport me at\u00eb nd\u00ebrkomb\u00ebtar\u201d ka folur Alban Beqiraj, tem\u00eb e cila ka ngjall\u00eb interesim te audienca, t\u00eb cil\u00ebt m\u00eb pas […]<\/p>\n","protected":false},"author":1,"featured_media":192919,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-192918","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/192918","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=192918"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/192918\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/192919"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=192918"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=192918"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=192918"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}