{"id":19438,"date":"2018-06-19T07:48:32","date_gmt":"2018-06-19T07:48:32","guid":{"rendered":"http:\/\/radiostargjilan.com\/web\/?p=19438"},"modified":"2018-06-19T07:48:32","modified_gmt":"2018-06-19T07:48:32","slug":"agim-salihu","status":"publish","type":"post","link":"https:\/\/radiostargjilan.com\/web\/agim-salihu\/","title":{"rendered":"AGIM SALIHU"},"content":{"rendered":"

AGIM SALIHU
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(1951-)<\/p>\n

Lindi m\u00eb 26,maj 1951 n\u00eb Prishtin\u00eb.Shkoll\u00ebn fillore dhe t\u00eb mesmen e p\u00ebrfundoi n\u00eb Prishtin\u00eb.Fakultetin e Arteve Figurative dega e Grafik\u00ebs e mbaroi n\u00eb vitin 1997 n\u00eb Prishshtin\u00eb.Studimet pasdiplomike i mbaroi n\u00eb fakultetin e Arteve Figurative \u00a0n\u00eb Zagreb n\u00eb vitin 1979 \u00a0te Prof.Albert Kinert .Nga viti 1986 \u00ebsht\u00eb Profesor n\u00eb Fakultetin e Arteve n\u00eb Prishtin\u00eb n\u00eb deg\u00ebn e Dizajnit Grafik\u00eb ku ligj\u00ebron l\u00ebnd\u00ebn,Kaliografi me tipografi.N\u00eb vitin 1991 \u00a0isht\u00eb bursit i SH.B.A.Nga viti 1999-2001,fitoj\u00eb bur\u00ebs nga Franca me q\u00ebnd\u00ebrim dy vjeqar n\u00eb Grosseto, Toskan\u00eb ,Itali. M\u00eb 1984 n\u00eb nj\u00eb selekcion t\u00eb artist\u00ebve t\u00eb p\u00ebrzgjedhur evropian n\u00eb \u201cTrienalen e Grafik\u00ebs Evropiane\u201d n\u00eb Grado \u2013 Venezia, mori pjes\u00eb me artist\u00ebt me fam\u00eb bot\u00ebrore si\u201d Marino Marini, Fric \u00a0\u00cbotruba etj. \u00a0N\u00eb \u201cBienalin Internacional t\u00eb Grafik\u00ebs\u201d n\u00eb Lubjan\u00eb ishe pjes\u00eb me artist\u00ebt e njohur si: Robert \u00a0Raushenberg, Frank Stela etj. \u00cbsht\u00eb i p\u00ebrzgjedhur n\u00eb Monografit\u00eb \u201cArti Bashk\u00ebkohor i Kosov\u00ebs\u201d t\u00eb vitit 1988; Monografia \u201cArti Bashk\u00ebkohor i Kosov\u00ebs\u201d t\u00eb vitit 2000 dhe n\u00eb Monografin\u00eb \u201cKosova Feniks\u201d n\u00eb vitin 2005. An\u00ebtar\u00eb i Shoqat\u00ebs t\u00eb Artist\u00ebve Figurativ t\u00eb Kosov\u00ebs. An\u00ebtar\u00eb i Qendr\u00ebs Nd\u00ebrkomb\u00ebtare t\u00eb Grafik\u00ebs, Ljubljan\u00eb \u2013 Slloveni.Ekspozita p\u00ebrsonale mbi kat\u00ebrmbdhjet\u00eb nd\u00ebrsa kolektive mbi dyqind\u00eb.Veprimtaria Krijuese e Agim Salihut \u00ebsht\u00eb e pasur\u00eb dhe e lart\u00eb n\u00eb nivel\u00eb cil\u00ebsie sa i p\u00ebrket grafik\u00ebs dhe \u00a0Dizajnit.Temat t\u00eb cilat i ka vendos n\u00eb veprat e ti dhe ato jan\u00eb:\u2019\u2019Demi i Thyer\u2019\u2019,\u2019\u2019Demi i Rraskapitur\u2019\u2019,\u2019\u2019K\u00ebshtjella e Agonit\u2019\u2019,\u2019\u2019Kthimi n\u00eb Bjeshk\u00ebt e Nemura\u2019\u2019,\u2019\u2019Madona me Frute\u2019\u2019,\u2019\u2019Ver\u00eb me Frute\u2019\u2019,\u2019\u2019Demi i Kalt\u00ebrt\u2019\u2019,\u2019\u2019Nudo\u2019\u2019,\u2019\u2019Nostalgjia\u2019\u2019,\u2019\u2019M\u00ebngjesi i Ofreut\u2019\u2019,\u2019\u2019Zgjimi i ofreut\u2019\u2019,\u2019\u2019Agimi, I,II,III,IV,V\u2019\u2019,\u2019\u2019Dritarja e Kalt\u00ebrt\u2019\u2019,\u2019\u2019Muzgu\u2019\u2019,\u2019\u2019Para Muzgut\u2019\u2019,\u2019\u2019Hyrja\u2019\u2019,\u2019\u2019Dritarja e Zez\u00eb\u2019\u2019,\u2019\u2019Dritarja\u2019\u2019.Agim Salihu i takon\u00eb gjenerat\u00ebs s\u00eb t\u00ebret t\u00eb krijusve pamor\u00eb n\u00eb arte pamore n\u00eb Kosov\u00eb.I takon\u00eb frym\u00ebs modern t\u00eb grafik\u00ebs n\u00eb Kosov\u00eb.Frymzimet e para t\u00eb artistit jan\u00eb nga; Albrecht Durer ( 1471- 1528 ),Katsushika \u00a0Hokusai ( 1760-1849 ),Gjelosh Gjokaj ( 1933- 2016 ),Pablo Picasso ( 1881-1973 ),Gazmend Leka (1953- ) etj.Aventura e ti krijuse kalo n\u00eb disa faza,t\u00eb reja si Realiz\u00ebm,e Bardha,e Kuqja, e kalt\u00ebrta,e zeza,okeri,etj.Ai dialogon me veprat e ti,duke ndryshuar stilin e vizatimit duke eksperimentuar n\u00eb t\u00eb gjitha teknikat e grafik\u00ebs,: Linogdhendje,Bak\u00ebrshkrim,akuatint\u00eb,mezotint\u00eb,litografi,etj.Jet\u00ebgjat\u00ebsia e veprimtaris\u00eb \u00ebsht\u00eb futur\u00eb n\u00eb priz\u00ebm t\u00eb historis\u00eb q\u00eb e pasqyron\u00eb artin figurativ\u00eb me l\u00ebvizjet konceptuale,ideore,estetike.Duke kalu n\u00eb nj\u00eb transformim\u00eb vepra e grafik\u00ebs njejt\u00eb si \u2018\u2019Zonjusha nga Avinjoni\u2019\u2019P.Picasso,q\u00eb b\u00ebri revulucion n\u00eb artin e Kubizmit.Si gjenerat\u00eb e par\u00eb e dal\u00eb nga Akademia e arteve Figurative n\u00eb Prishtn\u00eb.Agim Salihu,n\u00eb komunitetin artistike njohet edhe si vizatues mjaft\u00eb i talentuar.veprat e njohura si : \u2018\u2019Demi i Thyer\u2019\u2019dhe \u2018\u2019Demi i Raskapitur\u00eb\u2019\u2019 konsideroj q\u00eb jan\u00eb veprat e para q\u00eb jan\u00eb kushtuar \u00a0kafsh\u00ebve n\u00eb grafik\u00eb,dhe sit \u00eb tilla ato from\u00ebsojn bot\u00ebn dhe preukopimin e krijuesit \u00a0si \u2018\u2019Kat\u00ebr macat\u2019\u2019 e Picassos.Kush\u00eb mendon q\u00eb grafika \u00ebsht\u00eb nga brenda dekoruse e ka gabim\u00eb.N\u00ebse mitologjin\u00eb e kan\u00eb ngritur\u00eb \u00a0Grek\u00ebt dhe Romak\u00ebt edhe mund\u00eb ta ngrisim mitologjin artistike me krijuesit tan\u00eb,si M.Mulliqi,R.Ferri,XH.XHafa,Gj.Gjokaj,F.Krypa,H.Krasniqi,A.Salihu.Veprat si \u2018\u2019M\u00ebngjesi i Orfeut\u2019\u2019dhe \u2018\u2019Zgjimi i Orfeut \u2018\u2019 p\u00ebr krijuesin nuk jan\u00eb temat historike p\u00ebr t\u00eb hyr\u00eb n\u00eb histori.Ato i realizoi n\u00eb koh\u00ebn kur\u00eb ai e kalo edhe v\u00ebt k\u00ebt periudh\u00eb t\u00eb okupimit klasik\u00eb t\u00eb shqip\u00ebtarve n\u00eb kosov\u00eb dhe vet\u00eb luft\u00ebn e fundit t\u00eb vitit 1998\/ 99.Figuracion kokash\u00eb e nudo t\u00eb realizuar\u00eb \u00a0n\u00eb teknika t\u00eb ndryshme grafike.
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\nFg 1) \u2018\u2019K\u00ebshtjella e Agronit \u2019\u2019(tek e kombinuar ) shtyp i thell\u00eb \u00a076x57cm viti 1979,fondi ( 0694 ).Nj\u00ebra nd\u00ebr kryeveprat e e Grafikut\u00eb A.Salihu nj\u00eb vep\u00ebr q\u00eb ka sfond\u00eb t\u00eb zez\u00eb m\u00eb gjasht\u00eb figururina t\u00eb formave dhe karaktereve t\u00eb ndryshme t\u00eb cilat jan\u00eb pothuaj t\u00eb ngjitura n\u00eb mes\u00eb vete dhe dy portrete lart\u00eb \u00a0q\u00eb nga ana e majt\u00eb vreh\u00ebt figura e mbretit Agron.Kthimi i t\u00eb kaluar\u00ebs n\u00eb vepra arti ndoshta \u00ebsht\u00eb i domosdosh\u00ebm edhe p\u00ebr krijuesit t\u00eb tjer\u00eb duke e sh\u00ebnd\u00ebrru n\u00eb ni\u00eb nivel tjet\u00ebr m\u00ebnyr\u00ebn e pun\u00ebs duke e ruajtur\u00eb thelbin e stitlit krijues\u00eb.Gdhendje ,gravura,vinjeta,tek\u00ebstura,tone,efekte,realiz\u00ebm mistik\u00eb zgjatje kokash\u00eb,emocione ,studim\u00eb portretesh\u00eb,me kontraste t\u00eb teksturave me drit\u00eb hije t\u00eb nj\u00eb k\u00ebshtjelle mesjetare edhe m\u00eb tutje,ku prespektiva nuk \u00ebsht\u00eb interesim i krijuesit ajo m\u00eb shum\u00eb I takon t\u00eb s\u00eb kaluar\u00ebs dy probleme shtjellon Agimi.Ngjyr\u00ebn e past\u00ebr n\u00eb sfon\u00eb dhe strukturat grafike t\u00eb shkoll\u00ebs Neo klasiciste q\u00eb e tejkalon Rokokon,nuk l\u00ebvizin jan\u00eb statike ato m\u00eb shum\u00eb evokoh\u00ebn si kompozicion krijim linear pa nd\u00ebrtim t\u00eb planev\u00eb vepr\u00ebn e nd\u00ebrton m\u00eb dy elemente figurative si kontrasti dhe figuracioni q\u00eb ndan\u00eb kompozicionin n\u00eb dysh\u00eb dhe luan\u00eb bukur\u00eb me format gjeometrike t\u00eb cilat nuk defionh\u00ebn \u00a0me vija t\u00eb theksuara ,e bardha tregon koloritin\u00eb e cila harmonizohet me figurat n\u00eb mes\u00eb vete.Mbulimi i trupave t\u00eb p\u00ebrsonazhev\u00eb jan\u00eb mistike n\u00eb esenc\u00eb q\u00eb e humb\u00eb motivin t\u00eb k\u00ebthimit t\u00eb nj\u00eb engjulli n\u00eb k\u00ebshtjell\u00eb.N\u00eb vija ngja\u00eb me A.Durer vet\u00ebm se i kufizon ato brenda formave t\u00eb figur\u00ebs dhe portretit.
\nFg2)\u2019\u2019Ver\u00eb me Frute \u2018\u2019tek \u00a0e Kombinuar shtyp i thell\u00eb,100x70cm,viti1994.Potezat,tonet,tekstura,ngjyragrafike,p\u00ebrpunimi i materjalit,trek\u00ebnd\u00ebshi,dhia,madona,ver\u00eb me frute,sy n\u00eb form t\u00eb gjetheve jan\u00eb vet\u00ebm nj\u00eb sasi e vlerave t\u00eb konceptuara n\u00eb vizatim\u00eb e q\u00eb t\u00eb gjdhendura me teknik\u00ebn e acidit n\u00eb Pllak\u00eb t\u00eb zingut,e materjalizojn\u00eb si kompozicion figurative dhe lidhin\u00eb tem\u00ebn me p\u00ebrmbajtjen,dy figura \u00a0nj\u00ebra simbolizon edhe koh\u00ebn edhe kafsh\u00ebn siq \u00ebsht\u00eb dhia por e saterizon me figur\u00ebn e njeriut duke nge dolli p\u00ebr donj\u00eb fest\u00eb apo edhe p\u00ebr nj\u00eb takim t\u00eb par\u00eb ,buzqeshaj cinike e glorifikon dhin\u00eb ajo ka trup njeriu e kok\u00eb dhie frymzim i piktur\u00ebs Egjiptiane,dhe madona si em\u00ebr lidh\u00ebt me pikturat nga renesanca deri te dit\u00ebt e sotit.N\u00eb qend\u00ebr shkall\u00ebzohet figuracioni e b\u00ebn m\u00eb t\u00eb bukur\u00eb dhe artistike t\u00eb gjith\u00eb kompozicionin n\u00eb grafik\u00eb vijat t\u00eb thyera kat\u00ebror\u00eb dhe forma gjeometrike e \u00a0kthejn\u00eb krijuesin n\u00eb tavolin\u00ebn e piktorve t\u00eb fomave kubistike.Nudo figura e madon\u00ebs pran nj\u00eb bashk\u00ebbisedimi me nj\u00eb dhi e cila dialogon me nj\u00eb metod\u00eb q\u00eb nuk kuptoh\u00ebn mes tyre t\u00eb gjitha t\u00eb ndara n\u00eb hijezim\u00eb t\u00eb formave trupore pa plane dhe pa prespektiv\u00eb.
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\n1) Galeria e arteve e Kosov\u00ebs (Koleksioni 0694 ),shtypi\u2019\u2019.Grafoprint\u2019\u2019,Prishtin\u00eb,2010,fq32
\n2) Galeria e arteve e Kosov\u00ebs ( Arti Bashk\u00ebkohor\u00eb I Kosov\u00ebs ) shtypi \u2018\u2019Velar \u2018\u2019Bergamo,itali,2000,fq190.
\n3) Galeria e arteve e Kosov\u00ebs ( Ekspozit\u00eb P\u00ebrsonale ) shtypi \u2018\u2019Viprint\u2019\u2019,Prishtin\u00eb,2012,fq61
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\nFg3 )\u2019\u2019Demi i Kalt\u00ebrt \u2018\u2019tek e kombinuar dhe shtyp i thell\u00eb,100x70cm,viti1994.N\u00ebse i referomi stilit t\u00eb vizatimit n\u00eb grafik\u00eb kjo vep\u00ebr \u00ebsht\u00eb frym\u00ebzim nga Pablo Picasso q\u00eb ngjan\u00eb me vepr\u00ebn \u2018\u2019Demi\u2019\u2019jo qe ka realize Pikaso porn \u00eb p\u00ebrgjith\u00ebsi m\u00eb shum\u00eb \u00ebsht\u00eb e p\u00ebraf\u00ebrt me stilin e realizimit figirativ sepse kemi edhe krijues t\u00eb tjer\u00eb q\u00eb kan realizuar vepra me kafsh\u00eb t\u00eb ndryshme mjaft\u00eb mir\u00eb.Krijuesi jon\u00eb e ngadal\u00ebson gjuh\u00ebn figurative e ngrin\u00eb edhe e pastaj ajo futet te veprat estetike \u00a0t\u00eb imazheve t\u00eb fotografis\u00eb dixhitale.Vendosja e kompozicionit figurative ne disa elemente gjeometrike e b\u00ebn m\u00eb origjinal\u00eb trajtes\u00ebn e figurave dhe stilit t\u00eb nd\u00ebrtimit t\u00eb veprave t\u00eb artit duke paraqit m\u00ebnyr\u00ebn e shprehj\u00ebs s\u00eb teknik\u00ebs se pastelit t\u00eb yndyr\u00ebsh\u00ebm n\u00eb grafikat e Agim Salihut,n\u00eb nd\u00ebrtimin e toneve shum\u00eb pak fut\u00eb ngjyr\u00eb ajo \u00ebsht\u00eb n\u00eb trajt t\u00eb akuarelit apo edhe copa t\u00eb hijezimit t\u00eb konturave sitoshtypit q\u00eb g\u00ebrsh\u00ebton mjat\u00eb mir\u00eb teknikat e aplikuara n\u00eb grafik\u00eb,teknikisht\u00eb mjat\u00eb t\u00eb larta dhe t\u00eb arritura, nj\u00eb grafik\u00eb elegante e vendosur n\u00eb akuarium e ngrir\u00eb nj\u00eb p\u00ebrshtypje nga imagjinata krijuse vendos\u00eb vepr\u00ebn n\u00eb kryevep\u00ebr q\u00eb fut\u00eb elemnete shtes\u00eb n\u00eb mes\u00eb t\u00eb demit dhe figuracionit.Bishti,pozita horizontale e demit q\u00ebndrimi n\u00eb k\u00ebmb e sh\u00ebnd\u00ebron n\u00eb nj\u00eb mit si ajo e kalit t\u00eb toj\u00ebs.
\nFg4)\u2019\u2019Porta\u2019\u2019tek e kombinuar,35x50cm,viti1999.\u00ebsht\u00eb kuptimi i temave t\u00eb nd\u00ebrtuara t\u00eb autorit n\u00eb koh\u00ebn kur\u00eb \u00a0vendi ishe n\u00eb luft\u00eb dhe si preukopim I t\u00eb gjith\u00eb krijuesve \u00a0isht\u00eb padyshim situate politike n\u00eb kosov\u00eb,dhe ndoshta dalja nga kjo gjendje p\u00ebr grafikun ishte edhe shpalosja e djenjave p\u00ebr artin duke prajtu tema t\u00eb tilla si \u2018\u2019Porta\u2019\u2019 vep\u00ebr kjo q\u00eb krijuesi kalon n\u00eb nj\u00eb faz\u00eb tjet\u00ebr artistike dhe pik\u00ebrisht kjo periudh\u00eb \u00a0e ndan\u00eb Agimin nga figuracioni n\u00eb veprat grafike.Porta \u00ebsht\u00eb sinunim i q\u00ebndres\u00ebs s\u00eb popullit ton\u00eb p\u00ebr liri edhe pavar\u00ebsi n\u00eb dukje t\u00eb par\u00eb t\u00eb len t\u00eb kuptohet si project skice p\u00ebr memorial n\u00eb hap\u00ebsit t\u00eb hapur por si vepr\u00ebr grafike luan me raportet e kontrasteve t\u00eb forta e q\u00eb m\u00eb von\u00eb ato edhe fuqizoh\u00ebn edhe m\u00eb shum\u00eb n\u00eb veprat e viteve n\u00eb vijim.sfondi I me t\u00eb zez\u00eb mbi ato t\u00eb bardha,ca forma kateror t\u00eb madh\u00ebsive t\u00eb ndryshme dhe gj\u00ebrsive t\u00eb ndryshme me nj\u00eb trek\u00ebnd\u00ebsh n\u00eb mes\u00eb simbolizon shqiponj\u00ebn,flamurin,kombin,gjakun,tok\u00ebn,viktimat,vrasjet,vuajtjet,sakrefic\u00ebn dhe mbi t\u00eb gjitha lirin\u00eb e vendit.tekstura,vijat,tonet,thjesht\u00ebsia,kubizmi e nd\u00ebrtojn vepr\u00ebn \u00a0me teknika t\u00eb kombinuara.
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\nFg3)Galeria e arteve e Kosov\u00ebs ( Arti Bash\u00ebk\u00ebkohor i Kosov\u00ebs )shtypi \u2018\u2019Velar\u2019\u2019,bergamo,itali,2000,fq192
\nFg 4) Galeria e Arteve e Kosov\u00ebs ( 125 vjetori i Lidhja Shqiptare e Prizerenit )shtypi\u2019\u2019Grafoprint\u2019\u2019,Prishtin\u00eb 2003,fq10
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\nFg 5) \u2018\u2019Pa titull\u2019\u2019tek e kombinuar,70x30cm,2008.Kryevepra e e krijuesit \u00ebsht\u00eb nj\u00ebra nd\u00ebr lidhjet me \u2018\u2019GUERNIK\u00cbN \u2018\u2019,zhdukja,maskat afrikane,materjali i drurit,kok\u00eb njeriu,uji,shtresimi I val\u00ebve t\u00eb liqenit,alpet t\u00eb sh\u00ebndruara n\u00eb minimaliz\u00ebm,struktura e p\u00ebrjetuar deri n\u00eb palc\u00eb nj\u00eb g\u00ebzim pa jet\u00eb nj\u00eb muzik\u00eb ku mbaron tingulli nj\u00eb qet\u00ebsi ku mungon\u00eb festa,ikje njerzish\u00eb,fantazma zbukuron mbr\u00ebmjen,vitet \u00a0nuk mund ta g\u00ebzojn njeruin pa u kthy te e kaluara \u00a0ajo nuk ka titull\u00eb nuk ka qmimi,toka, alpet,bora,akulli,tymi,kontrasti,sfondi,mashtrimi optik\u00eb,e zeza n\u00eb kat\u00ebror,figuracioni i mungur,portreti me form maske e shpellave n\u00eb paleolit,t\u00eb bukura n\u00eb kolorit nuk besoj q\u00eb rast\u00ebsisja e ka p\u00ebrciell\u00eb krijuesin n\u00eb k\u00ebt vep\u00ebr sespe origjinaliteti dominon n\u00eb veprat e grafikave t\u00eb Salihut.Piktura n\u00eb grfaik\u00eb,akuareli n\u00eb p\u00ebrjetim piktural,kompozicioni n\u00eb frym impresioniste,nuance t\u00eb ftoh\u00ebta Koka,si monedha Egjiptian,romake,e Greke n\u00eb frymzim nd\u00ebrsa stitlin e tij\u00eb original \u00a0n\u00eb past\u00ebrtin e sfondit dhe qet\u00ebsin e krijimit hap\u00ebsionor vjen nga f\u00ebmijria,vend\u00eblindja,jeta me vetminartistike.Guri,vendosja v\u00ebrtikale e nj\u00eb mendimi poetik t\u00eb veprave t\u00eb Modrianit,krijuesi e then malin me qet\u00ebsin e portretit.Valeri,e nd\u00ebrton me porta t\u00eb vendosura si plane t\u00eb munges\u00eb t\u00eb figuracionit koloristik\u00eb,e zez\u00eb e hirit,e bardhe, jan\u00eb tashm\u00eb vet\u00ebm disa nga njyrat e preferuara t\u00eb krijuesit \u00a0dhe m\u00eb shum\u00eb n\u00eb neutralitet \u00a0koloristik.p\u00ebrballja me rritj\u00ebn e kokave e gjen\u00eb artistin n\u00eb vetmi.Sy t\u00eb vegj\u00ebl hund t\u00eb zgjatur\u00eb me q\u00ebllim pa goj\u00eb \u00a0jan\u00eb tejkalim i vetmis.Artisti e gjen\u00eb edhe gjuh\u00ebn pamore me thellimin e vija n\u00eb grafik\u00eb,aty ku vija e qan\u00eb flet\u00ebn aty \u00ebsht\u00eb vepra e Salihut,bota minimale nuk\u00eb nd\u00ebrton bazamentin e krijimtaris\u00eb ajo mund\u00eb t\u00eb vendos n\u00eb rrug\u00eb t\u00eb gjat\u00eb e t\u00eb drejt.Tipografia,artistike past\u00ebrtita e p\u00ebrafron me Edvard Munch ( 1863-1944 ) ka vepra doz\u00eb t\u00eb simbolizmit n\u00eb grafik\u00eb e sidomos t\u00eb kokat e nd\u00ebrtuara t\u00eb krijuesit Salihut.Nuk fal\u00eb koka autori,ai gjykon koh\u00ebn,harres\u00ebn,njeriun me kok\u00eb t\u00eb keqe me disa fytyra,nuk jan\u00eb af\u00ebr me figuracion n\u00eb vepr\u00ebn e artistit.Estetike,poetike,madh\u00ebshtore,krenakre,magjike,unike,monedh\u00eb antike,p\u00ebrplas\u00eb t\u00eb kaluar\u00ebn me koh\u00ebn e re \u00ebsht\u00eb vetem nj\u00eb kalim nga nj\u00eb stil n\u00eb stil\u00eb t\u00eb ri q\u00eb lidh\u00eb lib\u00ebrin me kultur\u00ebn e artin e humbur\u00eb n\u00eb hap\u00ebsir\u00eb.Ngadalson koh\u00ebn n\u00eb gravurat e mureve t\u00eb flet\u00eb s\u00eb formaiti muzeal.
\n\u00a0\"\"<\/a>
\nFg5) \u2018\u2019Galeria e arteve e Kosov\u00ebs ( Bienali Nd\u00ebrkomb\u00ebtar i Vizatimit XIV )shtypi\u2019\u2019Exarte\u2019\u2019,Prishtin\u00eb,2008,fq12
\nGaleria e arteve e kosov\u00ebs ( ekspozit Agim Salihu ) shtypi\u2019\u2019Viprint\u2019\u2019,Prishtin\u00eb,2012,fq14<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

AGIM SALIHU \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0(1951-) Lindi m\u00eb 26,maj 1951 n\u00eb Prishtin\u00eb.Shkoll\u00ebn fillore dhe t\u00eb mesmen e p\u00ebrfundoi n\u00eb Prishtin\u00eb.Fakultetin e Arteve […]<\/p>\n","protected":false},"author":1,"featured_media":19439,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-19438","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/19438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=19438"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/19438\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/19439"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=19438"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=19438"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=19438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}