Shkruan: Avni Rudaku<\/p>\n
Koncerti i k\u00ebng\u00ebtarit Armend Rexhepagiqit n\u00eb Prishtin\u00eb, n\u00eb mes t\u00eb korrikut 2025, riktheu debatin e p\u00ebrplasjet p\u00ebr elitat kulturore shqiptare n\u00eb ish-Jugosllavi dhe pabarazit\u00eb e thella e t\u00eb dikurshme strukturore fshat-qytet n\u00eb at\u00eb periudh\u00eb, si dhe transformimin e qyteteve e kryeqytetit t\u00eb Kosov\u00ebs, pas luft\u00ebs, pas vitit 1999 e k\u00ebtej, me rritjen masive t\u00eb migrimit t\u00eb brendsh\u00ebm nd\u00ebrlokal\/nd\u00ebrkomunal, nd\u00ebrqytetas dhe migrimit rural-urban dhe migrimit ditor t\u00eb pun\u00ebtor\u00ebve nga mbar\u00eb Kosova n\u00eb Prishtin\u00eb. Prishtina u b\u00eb qyteti dhe komuna me t\u00ebrheqjen m\u00eb t\u00eb madhe t\u00eb qytetar\u00ebve nga komunat e qytetet e tjera t\u00eb Kosov\u00ebs, p\u00ebr t\u00eb lindur nevoja edhe p\u00ebr nj\u00eb zgjerim t\u00eb Fush\u00eb Kosov\u00ebs, si zgjatim i Prishtin\u00ebs, nga pamund\u00ebsia edhe p\u00ebr t\u00eb bler\u00eb banesa t\u00eb shtrenjta n\u00eb lagjet vjetra e t\u00eb reja t\u00eb Prishtin\u00ebs. <\/p>\n
Madje, Prishtina ka edhe migrant\u00eb ditor\u00eb, pasi nga shum\u00eb komuna t\u00eb Kosov\u00ebs q\u00eb punojn\u00eb n\u00eb Prishtin\u00eb, udh\u00ebtojn\u00eb \u00e7do dit\u00eb p\u00ebr kthim t\u00eb s\u00ebrish\u00ebm pasdite von\u00eb n\u00eb sht\u00ebpit\u00eb e komunat e tyre prej nga vijn\u00eb, duke q\u00ebndruar vet\u00ebm brenda dit\u00ebs n\u00eb Prishtin\u00eb.<\/p>\n
Si n\u00eb Prishtin\u00eb, si n\u00eb Gjilan, Gjakov\u00eb, Pej\u00eb etj., si n\u00eb \u00e7do komun\u00eb tjet\u00ebr t\u00eb madhe, vazhdon p\u00ebrplasja n\u00eb p\u00ebrditshm\u00ebri, e koh\u00ebshtrirjes s\u00eb vendbanimit n\u00eb zon\u00ebn urbane, koh\u00ebn e ngulitjes n\u00eb zon\u00ebn e qytetit e k\u00ebshtu me radh\u00eb. P.sh., n\u00eb Gjilan, ve\u00e7an\u00ebrisht brezi m\u00eb i moshuar, pyesin nga je; a je nga Kamenica; a je moti n\u00eb Gjilan; a je Gollak apo Karadak, a mal\u00ebsor apo i rrafshit etj. Madje, ka disa t\u00eb Gjilanit q\u00eb kan\u00eb paragjykime t\u00eb habitshme p\u00ebr qytetar\u00ebt me origjin\u00eb nga Lugina e Preshev\u00ebs, apo edhe Kumanova.<\/p>\n
N\u00eb zonat urbane, si n\u00eb ish-Perandorin\u00eb Osmane, Mbret\u00ebrin\u00eb Serbe-Kroate-Sllovene e ish-Jugosllavi, p\u00ebr shkak t\u00eb mund\u00ebsive m\u00eb t\u00eb m\u00ebdha p\u00ebr arsimim, gjasat e banor\u00ebve shqiptar\u00eb t\u00eb qyteteve jan\u00eb rritur edhe p\u00ebr pun\u00ebsim n\u00eb institucionet shtet\u00ebrore, administrat\u00eb publike etj. K\u00ebto shtresa jan\u00eb integruar edhe m\u00eb mir\u00eb me gjuh\u00ebn e imponuar turke ose serbe. Jan\u00eb integruar edhe m\u00eb leht\u00eb me muzik\u00ebn multikulturore, turke, serbe e boshnjake, pasi q\u00eb ka pasur edhe koncerte n\u00eb zonat urbane, qoft\u00eb t\u00eb k\u00ebng\u00ebtar\u00ebve jugosllav\u00eb, serb\u00eb, kroat\u00eb, boshnjak\u00eb, slloven\u00eb, maqedonas, por edhe me k\u00ebng\u00ebtar\u00eb shqiptar\u00eb q\u00eb kan\u00eb marr\u00eb pjes\u00eb n\u00eb k\u00ebto koncerte jugosllave, duke krijuar edhe disa dallime n\u00eb mentalitet e preferenca politike, kulturore e muzikore p\u00ebr zhanrin e muzik\u00ebs, artin e fqinjve sllav\u00eb etj. Nacionalizmi ka qen\u00eb m\u00eb i shprehur n\u00eb zonat rurale, edhe p\u00ebr shije e preferenca muzikore t\u00eb rapsodis\u00eb, \u00e7iftelis\u00eb, k\u00ebng\u00ebve patriotike etj., p\u00ebrve\u00e7 edhe p\u00ebr shum\u00eb \u00e7\u00ebshtje t\u00eb tjera t\u00eb organizimit, mobilizimit e kryengritjes kund\u00ebr regjimeve t\u00eb huaja.<\/p>\n
P\u00ebr shkak t\u00eb migrimit masiv lokal n\u00eb Prishtin\u00eb, q\u00eb nga paslufta e k\u00ebtej, zgjerimit t\u00eb kryeqytetit, rritjes s\u00eb dend\u00ebsis\u00eb s\u00eb popullsis\u00eb, ardhjes s\u00eb banor\u00ebve t\u00eb rinj, ka shkaktuar te vendasit edhe rezistenc\u00eb politike, kulturore e sociale ndaj t\u00eb ardhurve nga zonat e tjera t\u00eb Kosov\u00ebs dhe zonat rurale, si bindja se, PDK-ja nuk mund t\u00eb fitoj\u00eb n\u00eb Prishtin\u00eb, sepse baz\u00ebn e ka n\u00eb Drenic\u00eb, nacionaliz\u00ebm, U\u00c7K, fshat etj., ndon\u00ebse Uran Ismajli me rritjen e PDK-s\u00eb n\u00eb Prishtin\u00eb, tregoi se ka edhe paragjykime p\u00ebr prishtinasit nga vet\u00eb t\u00eb tjer\u00ebt jasht\u00eb Prishtin\u00ebs. Rezistenca kulturore e sociale e prishtinasve, duke stigmatizuar klient\u00ebt n\u00eb disa bare t\u00eb Prishtin\u00ebs, bazuar vet\u00ebm n\u00eb veshje ose k\u00ebrkes\u00ebn e pijeve t\u00eb caktuara etj., gjithashtu ka nxitur gjithmon\u00eb polemika me t\u00eb drejt\u00eb. Mir\u00ebpo, koncerti i Rexhepagiqit dukej nj\u00eb p\u00ebrmbushje shpirt\u00ebrore e organizimit t\u00eb nj\u00eb ngjarjeje kulturore, me m\u00eb s\u00eb shumti prishtinas\u00eb, duke u kritikuar ve\u00e7mas m\u00ebnyra e blerjes s\u00eb biletave, me nj\u00eb sistem mjaft hermetik e t\u00eb v\u00ebshtir\u00eb, pa qasje p\u00ebr \u00e7do t\u00eb interesuar p\u00ebr t\u00eb bler\u00eb bileta.
\nArmendi, \u00ebsht\u00eb simbol i jet\u00ebs paralele n\u00eb Kosov\u00eb, jo jugonostalgjizmit
\nArmend Rexhepagiqi, i takon m\u00eb shum\u00eb per\u00ebndimit ose shuarjes s\u00eb influenc\u00ebs jugosllave e kulturore dhe fillimit t\u00eb jet\u00ebs paralele n\u00eb Kosov\u00eb, se sa jugonostalgjizmit. <\/p>\n
Armendi rridhte nga nj\u00eb familje me sfond t\u00eb pasur arsimor dhe kulturor, ku p\u00ebrve\u00e7 babait akademik, k\u00ebndonte edhe me motr\u00ebn e tij Violet\u00ebn, por fati i tij ishte q\u00eb kishte filluar nj\u00eb karrier\u00eb n\u00eb koh\u00ebn m\u00eb t\u00eb keqe p\u00ebr shqiptar\u00ebt n\u00eb Kosov\u00eb, n\u00eb pjes\u00ebn e dyt\u00eb t\u00eb viteve t\u00eb \u201980-ta dhe lul\u00ebzimin e mb\u00ebrriti n\u00eb vitet e \u201990-ta t\u00eb shek. XX. N\u00eb linkun vijues, mund t\u00eb gjeni disa nga k\u00ebng\u00ebt e Armendit bashk\u00eb me Aid\u00ebn, n\u00eb nj\u00eb emision t\u00eb vitit 1988, n\u00eb linkun: https:\/\/www.youtube.com\/watch?v=UVgZ2weXnZo&list=RDUVgZ2weXnZo&start_radio=1<\/p>\n
Armendi m\u00eb shum\u00eb se i mbajtur n\u00eb mend p\u00ebr elit\u00ebn kulturore t\u00eb Kosov\u00ebs n\u00eb ish-Jugosllavi, mbahet n\u00eb mend p\u00ebr jet\u00ebn paralele kulturore t\u00eb Kosov\u00ebs, ve\u00e7mas n\u00eb vitet e \u201990-ta, koh\u00ebn e videoklubeve, videokasetave, VHS-ve, largimit nga RTP dhe kthimin n\u00eb produksione private si Labia etj. Aida Baraku, bashk\u00ebshortja e Armendit, nj\u00ebherazi edhe partnerja e duetit t\u00eb tij n\u00eb k\u00ebndim e tekst, ka filluar n\u00eb vitin 1985, me Akordet e Kosov\u00ebs, me grupin Rona, pastaj si soliste e n\u00eb duet me Armendin n\u00eb vitin 1988, por edhe e njohur m\u00eb shum\u00eb, m\u00eb von\u00eb, si tekstshkruese p\u00ebr k\u00ebng\u00eb t\u00eb k\u00ebng\u00ebtar\u00ebve t\u00eb ndrysh\u00ebm. Armendi me shkoll\u00eb t\u00eb ul\u00ebt muzikore, me k\u00ebng\u00eb p\u00ebr f\u00ebmij\u00eb n\u00eb festivale, me motr\u00ebn Violet\u00ebn, u njoh s\u00eb k\u00ebnduari me grupin Vivien, pastaj n\u00eb vitin 1986 n\u00eb Akordet e Kosov\u00ebs me k\u00ebng\u00ebn Teuta. Prej vitit 1992 me kaset\u00ebn \u201cKalle-kalle\u201d, me produksione private n\u00eb sistem paralel t\u00eb Kosov\u00ebs, pa TVP-n\u00eb.<\/p>\n
Armendi me Aid\u00ebn n\u00eb Jugovizija 1990
\nArmendi nga disa q\u00eb kan\u00eb kritika p\u00ebr jugonostalgji, ndoshta pavet\u00ebdijsh\u00ebm bazohen edhe n\u00eb pjes\u00ebmarrjen e Armendit e Aid\u00ebs, m\u00eb 3 mars t\u00eb vitit 1990, 1 vit pas shfuqizimit t\u00eb dhunsh\u00ebm t\u00eb autonomis\u00eb s\u00eb Kosov\u00ebs, kur shqiptar\u00ebt filluan t\u00eb b\u00ebnin nj\u00eb shtet paralel, jet\u00eb paralele, emigrim masiv, mobilizim me rezistenc\u00eb paq\u00ebsore e t\u00eb armatosur, mor\u00ebn pjes\u00ebn n\u00eb Jugovizija, nj\u00eb konkurs p\u00ebr k\u00ebng\u00ebn q\u00eb do t\u00eb p\u00ebrfaq\u00ebsonte Jugosllavin\u00eb n\u00eb Festivalin e K\u00ebng\u00ebs n\u00eb Eurovizion. \u00c7ifti zuri vendin e 6-t\u00eb prej 16 pjes\u00ebmarr\u00ebsve, n\u00eb gjuh\u00ebn shqipe, me k\u00ebng\u00ebn \u201cMami mami\u201d, i cili u organizua n\u00eb Zagreb t\u00eb Kroacis\u00eb. (K\u00ebtu mund t\u00eb d\u00ebgjohet e shikohet pjes\u00ebmarrja: https:\/\/www.youtube.com\/watch?v=ZgYvk2tG41o&list=RDZgYvk2tG41o&start_radio=1<\/p>\n
Ndoshta, gjykoj se i vetmi gabim publik i Armendit dhe Aid\u00ebs, ka qen\u00eb pjes\u00ebmarrja n\u00eb Jugovizija n\u00eb vitin 1990, pasi pas suprimimit t\u00eb autonomis\u00eb s\u00eb Kosov\u00ebs, \u00e7do mbetje, p\u00ebrkushtim, p\u00ebrfaq\u00ebsim eventual i Jugosllavis\u00eb nga Armendi e Aida n\u00eb Eurovizion n\u00eb rast se do t\u00eb fitonin \u00e7mimin, mbetet e diskutueshme komb\u00ebtarisht. Prej vitit 1989-1999, ka qen\u00eb dekad\u00eb e p\u00ebrpjekjes p\u00ebr ikje e distancim me \u00e7do gj\u00eb jugosllave, ndon\u00ebse gradualisht. N\u00eb rast se polici, avokati, artisti etj., ka vazhduar tutje p\u00ebr t\u00eb marr\u00eb pjes\u00eb n\u00eb institucionet jugosllave, edhe sot e k\u00ebsaj dite, fillon t\u00eb diskutohet n\u00eb aspektin moral, politik e komb\u00ebtar p\u00ebr sjelljet e tij. \u00c7do lojalitet ndaj institucioneve jugosllave, qoft\u00eb n\u00eb fush\u00ebn e siguris\u00eb, gjyq\u00ebsis\u00eb, administrat\u00ebs publike, kultur\u00ebs etj., ve\u00e7mas n\u00eb k\u00ebt\u00eb periudh\u00eb, \u00ebsht\u00eb par\u00eb me dyshim komb\u00ebtar shqiptar dhe vazhdon edhe sot e k\u00ebsaj dite. Shqiptar\u00ebt n\u00eb dekad\u00ebn 1989-1999, ndon\u00ebse jo me intensitet t\u00eb nj\u00ebjt\u00eb deri n\u00eb shp\u00ebrb\u00ebrjen m\u00eb serioze t\u00eb ish-Jugosllavis\u00eb me shpalljen e pavar\u00ebsis\u00eb nga republikat fqinje, kishin vendosur p\u00ebr t\u00eb krijuar nj\u00eb shtet t\u00eb pavarur, sistem paralel, jet\u00eb paralele, shkolla paralele, pavar\u00ebsisht n\u00ebse do t\u00eb njihej Deklarata e Republik\u00ebs s\u00eb Kosov\u00ebs \u2013 n\u00eb kuad\u00ebr t\u00eb ish-Jugosllavis\u00eb, vet\u00ebm nga Shqip\u00ebria.<\/p>\n
Edhe n\u00eb vitin e shfuqizimit t\u00eb autonomis\u00eb s\u00eb Kosov\u00ebs, n\u00eb vitin 1989, n\u00eb Jugovizija, kishte marr\u00eb pjes\u00eb n\u00eb gjuh\u00ebn shqipe, grupi Trio Rona me Fjolla, me Vlora Jonuzin, Shefqet Hoxh\u00ebn… (N\u00eb linkun vijues mund t\u00eb shihet pjes\u00ebmarrja: https:\/\/www.youtube.com\/watch?<\/p>\n
v=ZgYvk2tG41o&list=RDZgYvk2tG41o&start_radio=1 )
\nRepublika Socialiste Federative e Jugosllavis\u00eb fitoi Festivalin e K\u00ebng\u00ebs n\u00eb Eurovizion n\u00eb vitin 1989 me k\u00ebng\u00ebn \u201cRock me\u201d nga Riva, prandaj u mbajt n\u00eb Zagreb, ku mori pjes\u00eb edhe Armendi me Aida Barakun, ku n\u00eb titra sh\u00ebnohej se p\u00ebrfaq\u00ebsonin Prishtin\u00ebn, me shkurtes\u00ebn -PR. Un\u00eb do t\u00eb doja ta pyesja Armendin e Aid\u00ebn, publikisht, n\u00ebse pendohet p\u00ebr k\u00ebt\u00eb pjes\u00ebmarrje apo jo, dhe rrethanat, motivet dhe arsyet e pjes\u00ebmarrjes n\u00eb at\u00eb koh\u00eb.<\/p>\n
Jugosllavia u p\u00ebrfaq\u00ebsua n\u00eb Festivalin e K\u00ebng\u00ebs n\u00eb Eurovizion 27 her\u00eb, duke debutuar n\u00eb vitin 1961 dhe duke garuar \u00e7do vit deri n\u00eb paraqitjen e saj t\u00eb fundit n\u00eb vitin 1992, me p\u00ebrjashtim t\u00eb viteve 1977-1980 dhe 1985. Transmetuesi jugosllav pjes\u00ebmarr\u00ebs n\u00eb konkurs ishte Radio Televizioni Jugosllav (JRT), i cili zakonisht zgjidhte pjes\u00ebmarr\u00ebsin e tij me nj\u00eb finale komb\u00ebtare. Jugosllavia fitoi konkursin e vitit 1989 dhe priti at\u00eb t\u00eb vitit 1990. <\/p>\n
M\u00eb 26 janar 1977, JRT njoftoi t\u00ebrheqjen e tij nga konkursi i vitit 1977, duke p\u00ebrmendur rezultatet e ul\u00ebta. T\u00ebrheqja e tij vazhdoi deri n\u00eb vitin 1978, por JRT mbajti nj\u00eb referendum midis lexuesve t\u00eb revistave t\u00eb saj RTV n\u00ebse duhej t\u00eb kthehej n\u00eb konkursin e vitit 1979. Mbi 100,000 njer\u00ebz votuan n\u00eb favor t\u00eb kthimit n\u00eb konkurs, kund\u00ebr pak m\u00eb shum\u00eb se 2,000 vota p\u00ebr t\u00eb q\u00ebndruar jasht\u00eb konkursit. Megjithat\u00eb, JRT nuk u rikthye n\u00eb vitin 1979, pasi transmetuesi dhe t\u00eb gjitha stacionet e tij… ran\u00eb dakord unanimisht kund\u00ebr pjes\u00ebmarrjes n\u00eb Jerusalem – qyteti prit\u00ebs at\u00eb vit – pasi besonin se ishte i pushtuar n\u00eb m\u00ebnyr\u00eb t\u00eb paligjshme dhe Jugosllavia nuk kishte marr\u00ebdh\u00ebnie diplomatike me Izraelin n\u00eb at\u00eb koh\u00eb. Gjat\u00eb shp\u00ebrb\u00ebrjes s\u00eb Jugosllavis\u00eb n\u00eb vitin 1991, ish-republikat p\u00ebrb\u00ebr\u00ebse t\u00eb Kroacis\u00eb, Sllovenis\u00eb dhe Maqedonis\u00eb shpall\u00ebn shk\u00ebputjen dhe p\u00ebr k\u00ebt\u00eb arsye u t\u00ebrhoq\u00ebn nga finalja komb\u00ebtare jugosllave e vitit 1992, nd\u00ebrsa udh\u00ebheqjet e at\u00ebhershme t\u00eb Serbis\u00eb dhe Malit t\u00eb Zi ran\u00eb dakord t\u00eb ruanin nj\u00eb aleanc\u00eb t\u00eb ngusht\u00eb. (Yugoslavia in the Eurovision Song Contest. Qasur m\u00eb 21 korrik 2025 n\u00eb linkun: http:\/\/www.knowpia.com\/knowpedia\/Yugoslavia in the Eurovision Song Contest)<\/p>\n
As Turqia, sikurse Jugosllavia, nuk kishte marr\u00eb pjes\u00eb n\u00eb Eurovizionin e vitit 1979, p\u00ebr shkak t\u00eb politik\u00ebs s\u00eb vendeve myslimane anti-Izrael p\u00ebr shkak t\u00eb \u00e7\u00ebshtjes s\u00eb ndjeshme mbi Jerusalemin, qytet i shenjt\u00eb p\u00ebr tri religjionet e m\u00ebdha bot\u00ebrore dhe konfliktin me palestinez\u00ebt. Jugosllavia u ndalua t\u00eb merrte pjes\u00eb n\u00eb Eurovizion n\u00eb vitin 1992, p\u00ebr shkak t\u00eb sanksioneve t\u00eb Organizat\u00ebs s\u00eb Kombeve t\u00eb Bashkuara p\u00ebr luft\u00ebrat e dhunshme n\u00eb shp\u00ebrb\u00ebrjen e Jugosllavis\u00eb.<\/p>\n
N\u00eb t\u00eb gjitha konkurset e Jugovizij\u00ebs, fituesit ishin kryesisht nga Kroacia. Festivali i K\u00ebng\u00ebs n\u00eb Eurovizion i vitit 1991 ishte hera e fundit q\u00eb mor\u00ebn pjes\u00eb t\u00eb gjitha republikat jugosllave, dhe n\u00eb vitin 1992, p\u00ebrfaq\u00ebsuesit nga Kroacia, Sllovenia dhe Maqedonia nuk mor\u00ebn pjes\u00eb n\u00eb Festivalin e K\u00ebng\u00ebs n\u00eb Eurovizion t\u00eb Beogradit. (Po aty)<\/p>\n
Kthimi i Armendit, nga paraqitjet e rralla publike<\/p>\n
Armendi vler\u00ebsohet edhe p\u00ebr shkak t\u00eb paraqitjeve t\u00eb tij t\u00eb rralla televizive, pasi q\u00eb p\u00ebr koh\u00eb t\u00eb gjat\u00eb, bashk\u00eb me Aid\u00ebn, fare pak jan\u00eb prononcuar publikisht, me raste. Nuk kan\u00eb krijuar k\u00ebng\u00eb e videospote t\u00eb shumta, si\u00e7 b\u00ebjn\u00eb sot, shumica nga pop-k\u00ebng\u00ebtar\u00ebt e reper\u00ebt. Intervistat e tyre jan\u00eb gjithashtu me p\u00ebrgjigje ndaj p\u00ebrditshm\u00ebris\u00eb, jet\u00ebs familjare etj., me qasje feministe, demokratike, liberale, tolerante edhe ndaj LGBT-s\u00eb etj. dhe kjo i ka rritur n\u00eb vler\u00ebsim pozitiv p\u00ebrtej muzik\u00ebs q\u00eb kan\u00eb b\u00ebr\u00eb. Krijimi i pak k\u00ebng\u00ebve nga Armendi e Aida, paraqitjet m\u00eb t\u00eb rralla, e b\u00ebjn\u00eb \u00e7iftin t\u00eb t\u00ebrhequr nga jeta publike, ku konsumerizmi, komercializmi dhe klikueshm\u00ebria, mbizot\u00ebrojn\u00eb muzik\u00ebn dhe k\u00ebng\u00ebtar\u00ebt.<\/p>\n
T\u00ebrheqja e Armendit nga jeta publike p\u00ebr koh\u00eb t\u00eb gjat\u00eb, nga disa, gjithashtu interpretohet me qasjen e prishtinasve me identitet t\u00eb sforcuar urban e sheherli, kinse jeta publike \u00ebsht\u00eb \u201cuzurpuar\u201d nga katundar\u00ebt, prandaj duhet mbyllur, heshtur e strukur. Interpretimi, z\u00ebri e intonacioni i Armendit, stili i flok\u00ebve etj., n\u00eb ambientet private e gjysm\u00eb-publike, \u00ebsht\u00eb stereotipizuar e paragjykuar me t\u00eb \u201cmashkullit me feminitet t\u00eb lart\u00eb\u201d, edhe p\u00ebr shkak t\u00eb stereotipave, paragjykimeve dhe diskriminimeve gjinore e seksuale. Gjithashtu, edhe n\u00eb intervistat e tij t\u00eb pakta, Armendi e ka ndar\u00eb q\u00ebndrimin e tij p\u00ebr motivin at\u00ebror, duke dh\u00ebn\u00eb nj\u00eb p\u00ebrgjigje m\u00eb unike, kur tha se \u201ckurr\u00eb nuk ka dashur t\u00eb kishte f\u00ebmij\u00eb\u201d, duke e interpretuar munges\u00ebn e trash\u00ebgimtar\u00ebve, n\u00eb nj\u00eb m\u00ebnyr\u00eb ndryshe, si\u00e7 jemi m\u00ebsuar ta d\u00ebgjojm\u00eb nga shumica e popullsis\u00eb. Pra, edhe n\u00eb stil k\u00ebndimi, veshje, tekste, lloji i q\u00ebndrimeve n\u00eb intervistat televizive p\u00ebr shum\u00eb \u00e7\u00ebshtje si familja, dashuria, seksi etj., i ka b\u00ebr\u00eb Armendin e Aid\u00ebn, si \u00e7ift edhe m\u00eb evropian e per\u00ebndimor.<\/p>\n
Q\u00ebndrimi p\u00ebrfundimtar mbi at\u00eb q\u00eb p\u00ebrfaq\u00ebson Armendi<\/p>\n
N\u00eb secilin variant, p\u00ebr ta p\u00ebrfunduar q\u00ebndrimin rreth k\u00ebtij debati, koncerti i Armendit ishte shum\u00eb i suksessh\u00ebm, me nostalgji p\u00ebr vitet e \u201990-ta t\u00eb jet\u00ebs paralele n\u00eb Prishtin\u00eb e n\u00eb Kosov\u00eb, me nj\u00eb mbr\u00ebmje t\u00eb bukur, duke i ditur k\u00ebng\u00ebt p\u00ebrmend\u00ebsh t\u00eb k\u00ebng\u00ebtarit, e jo vet\u00ebm dominimi nga k\u00ebndimi i publikut t\u00eb teksteve nga nj\u00eb zhan\u00ebr tjet\u00ebr i rep-it e hip hop-it, me nj\u00eb nevoj\u00eb p\u00ebr t\u00eb dal\u00eb nga mbizot\u00ebrimi i k\u00ebng\u00ebve komerciale n\u00eb \u00e7do hap\u00ebsir\u00eb publike, p\u00ebrfshir\u00eb edhe k\u00ebng\u00ebt komerciale n\u00eb qendra tregtare, bar-e e klube nate. \u00cbsht\u00eb nostalgji muzikore e kulturore, e nj\u00eb periudhe kur nuk ka mundur kushdo t\u00eb b\u00ebhej k\u00ebng\u00ebtar, aktor, komedian, shkrimtar, poet, dizajner, piktor etj. <\/p>\n
Ajo koh\u00eb nuk ka t\u00eb b\u00ebj\u00eb aq me jugonostalgji, por edhe p\u00ebr periudh\u00ebn pa autotune, pa AI Voice Changer, me ma pak teknologji, ma pak konkurrenc\u00eb, ma pak kapitaliz\u00ebm, ma pak konsumeriz\u00ebm, ma pak globaliz\u00ebm, ma shum\u00eb izolim, ma shum\u00eb ndjenj\u00eb t\u00eb komunitetit, ma ma pak dend\u00ebsi t\u00eb popullat\u00ebs, ma pak vetura, ma shum\u00eb njohje t\u00eb nj\u00ebri-tjetrit dhe ndjenj\u00eb t\u00eb p\u00ebrkat\u00ebsis\u00eb sociale brenda nj\u00eb (krye)qyteti. Armendi nisjen e karrier\u00ebs muzikore e ka ve\u00e7mas n\u00eb fund t\u00eb viteve t\u00eb \u201980-ta t\u00eb shek. XX, p\u00ebr TVP-n\u00eb dhe p\u00ebr arritjen kulmore muzikore-artistike n\u00eb vitet e \u201990-ta. <\/p>\n
\u00cbsht\u00eb nostalgji p\u00ebr dekad\u00ebn e videokasetave dhe ikjen e dhunshme nga TVP-ja n\u00eb produksione private, videokaseta e VHS-a, e videoklube pa Jutjube e Spotify. Ka fare pak mbamendje p\u00ebr Armendin n\u00eb Jugovizija 1990, t\u00eb cil\u00ebn pjes\u00ebmarrje e konsideroj nga kjo koh\u00eb e larg\u00ebt, si gabim mesazhi politik p\u00ebr Jugosllavin\u00eb e Serbin\u00eb, kur para nj\u00eb viti ve\u00e7 e kishte shfuqizuar dhunsh\u00ebm autonomin\u00eb e Kosov\u00ebs dhe duhej braktisur \u00e7do gj\u00eb jugosllave e serbe, t\u00eb nj\u00eb periudhe kur ishte n\u00eb krye kryefashisti serb, Sllobodan Milloshevi\u00e7. Nd\u00ebrsa e vetmja kritik\u00eb p\u00ebr organizator\u00ebt \u00ebsht\u00eb m\u00ebnyra e shitjes s\u00eb biletave, duke selektuar me dyshim t\u00eb bazuar se, kush do t\u00eb ishte pjes\u00ebmarr\u00ebs n\u00eb at\u00eb koncert, e duhej shitur bileta p\u00ebr k\u00ebdo q\u00eb e blinte i pari, i dyti, e k\u00ebshtu me radh\u00eb. <\/p>\n
Pik\u00ebrisht pse Armendi p\u00eblqehet edhe p\u00ebrtej Prishtin\u00ebs, nuk do t\u00eb duhej q\u00eb Armendi \u201ct\u00eb merrej\u201d vet\u00ebm nga Prishtina. Armendi edhe jasht\u00eb muzik\u00ebs, p\u00ebrfaq\u00ebson nj\u00eb personalitet t\u00eb ve\u00e7ant\u00eb t\u00eb jet\u00ebs kulturore kosovare, nj\u00eb figur\u00eb publike me shum\u00eb q\u00ebndrime demokratike, liberale dhe me edukim t\u00eb ve\u00e7ant\u00eb estetik. Edhe p\u00ebr vokalin e tij, edhe p\u00ebr tekstet e tij, me p\u00ebrjashtim t\u00eb ndonj\u00eb k\u00ebnge t\u00eb koh\u00ebs m\u00eb t\u00eb fundit, m\u00eb pak t\u00eb gdhendur artistikisht, mbetet k\u00ebng\u00ebtar me vlera t\u00eb mir\u00ebfillta muzikore; i dashur p\u00ebr z\u00ebrin, timbrin, talentin, tekstin dhe disa hite q\u00eb do t\u00eb mbesin gjat\u00eb n\u00eb historin\u00eb m\u00eb t\u00eb re t\u00eb muzik\u00ebs arg\u00ebtuese urbane n\u00eb hap\u00ebsir\u00ebn shqiptare. Disa nga lirikat e tij mbi dashurin\u00eb, japin ende emocione t\u00eb forta. Dua ta shoh jo me koncertin e tij t\u00eb fundit, dhe jo vet\u00ebm n\u00eb Prishtin\u00eb, por duke e b\u00ebr\u00eb nj\u00eb tur n\u00eb mbar\u00eb qytetet shqiptare, ndon\u00ebse k\u00ebng\u00ebt e tij do t\u00eb d\u00ebgjohen gjat\u00eb tashm\u00eb edhe n\u00eb platformat online t\u00eb internetit, kudo dhe kurdo.<\/p>\n","protected":false},"excerpt":{"rendered":"
Shkruan: Avni Rudaku Koncerti i k\u00ebng\u00ebtarit Armend Rexhepagiqit n\u00eb Prishtin\u00eb, n\u00eb mes t\u00eb korrikut 2025, riktheu debatin e p\u00ebrplasjet p\u00ebr elitat kulturore shqiptare n\u00eb ish-Jugosllavi dhe pabarazit\u00eb e thella e t\u00eb dikurshme strukturore fshat-qytet n\u00eb at\u00eb periudh\u00eb, si dhe transformimin e qyteteve e kryeqytetit t\u00eb Kosov\u00ebs, pas luft\u00ebs, pas vitit 1999 e k\u00ebtej, me rritjen […]<\/p>\n","protected":false},"author":1,"featured_media":209285,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-209284","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-opinion"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/209284","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=209284"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/209284\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/209285"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=209284"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=209284"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=209284"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}