{"id":72759,"date":"2021-01-24T20:25:18","date_gmt":"2021-01-24T20:25:18","guid":{"rendered":"https:\/\/radiostargjilan.com\/web\/?p=72759"},"modified":"2021-01-24T20:25:18","modified_gmt":"2021-01-24T20:25:18","slug":"thyerja-drame-psikologjike-e-personazhit-deri-ne-vetevrasje","status":"publish","type":"post","link":"https:\/\/radiostargjilan.com\/web\/thyerja-drame-psikologjike-e-personazhit-deri-ne-vetevrasje\/","title":{"rendered":"\u2018Thyerja\u2019 &#8211; dram\u00eb psikologjike e personazhit deri n\u00eb vet\u00ebvrasje"},"content":{"rendered":"<p>Jan\u00eb ca momente n\u00eb jet\u00eb kur njeriu pa fajin e tij p\u00ebrballet me t\u00eb papritura t\u00eb patjet\u00ebrsueshme, e t\u00eb patejkalueshme, q\u00eb ia ka destinuar fati apo fatkeq\u00ebsia. K\u00ebto fakte sjellin akte psikologjike tek personazhe t\u00eb caktuara, t\u00eb cil\u00ebt, ndon\u00ebse provojn\u00eb t\u00eb gjitha m\u00ebnyrat me tratativa t\u00eb vazhdueshme, nuk ia dalin ta kalojn\u00eb p\u00ebrtej &#8220;rubikonit!&#8221;<\/p>\n<p>I till\u00eb ishte personazhi kryesor\u00eb i shfaqjes s\u00eb sotme t\u00eb Trup\u00ebs Teatrale nga Teatri i Mitrovic\u00ebs, &#8220;Muharrem Qena&#8221;, teat\u00ebr ky q\u00eb \u00ebsht\u00eb prezantuar n\u00eb nat\u00ebn e dyt\u00eb t\u00eb festivalit &#8220;Talia e Flak\u00ebs&#8221; me shfaqjen &#8220;Thyerja&#8221;, t\u00eb punuar nga regjisori Agim Selimi, sipas tekstit t\u00eb autorit Abdyl Bunjaku. <\/p>\n<p>Tema e shfaqjes \u00ebsht\u00eb e natyr\u00ebs psikologjike, mbar\u00ebshtrimin e s\u00eb cil\u00ebs gjat\u00eb shthurjes s\u00eb konfliktit, publiku s&#8217;ka se si t\u00eb mos e kuptoj\u00eb q\u00eb do ta ket\u00eb punuar nj\u00eb &#8216;dor\u00eb e st\u00ebrvitur&#8217; regjisori p\u00ebr tema t\u00eb tilla, i cili, p\u00ebrmes personazheve t\u00eb tij n\u00eb shfaqje arrin t\u00eb dep\u00ebrtoj tek ndjesit\u00eb e publikut t\u00eb t\u00eb gjitha moshave e shtresave, pasi si t\u00eb tilla, edhe p\u00ebr vet publikun ato p\u00ebrjetime jan\u00eb fare t\u00eb njohura n\u00eb rastet t\u00eb shumta e t\u00eb vazhdueshme t\u00eb dhun\u00ebs sistematike psikologjike t\u00eb ushtruara nd\u00ebr vite e dekada ndaj popullit ton\u00eb n\u00eb t\u00ebr\u00ebsi, e individ\u00ebve t\u00eb shumt\u00eb n\u00eb t\u00eb shumt\u00ebn e her\u00ebve.<\/p>\n<p>Praktika e aplikimit t\u00eb &#8216;formave t\u00eb reja teatrore&#8217;, t\u00eb cilat tashm\u00eb po aplikohen gjithandej n\u00eb bot\u00eb, ishte e ve\u00e7anta e shfaqjes s\u00eb sotme t\u00eb nat\u00ebs s\u00eb dyt\u00eb t\u00eb festivalit t\u00eb dram\u00ebs, &#8220;Talia &#8230; 2021&#8221;. Me to publiku &#8216;p\u00ebrballet&#8217; q\u00eb n\u00eb hapje t\u00eb siparit t\u00eb shfaqjes &#8220;Thyerja&#8221;, ngjarja e s\u00eb cil\u00ebs nuk zhvillohet n\u00eb sken\u00ebn e destinuar p\u00ebr aktor\u00ebt tradicional, porse n\u00eb vet sall\u00ebn e parapar\u00eb p\u00ebr publikun pjes\u00ebmarr\u00ebs. <\/p>\n<p>Loja e aktor\u00ebve ishte relative me shp\u00ebrthime t\u00eb koh\u00ebpaskohshme, var\u00ebsisht nga situatat e caktuara me t\u00eb cilat p\u00ebrballen personazhet, ku spikat\u00eb paraqitja e Mirsat Feratit, sikund\u00ebr her\u00eb-her\u00eb edhe ajo e aktor\u00ebve tjer\u00eb, krahas rrjedh\u00ebs s\u00eb ngjarjes n\u00eb shfaqje.<\/p>\n<p>Kostumografia e parapara mbase modeste porse normale me harmonin\u00eb e shfaqjes reale, nd\u00ebrsa koreografia pa shum\u00eb elemente, pothuajse e boshatisur, vjen si rrjedhoj\u00eb e rrethanave t\u00eb imponuara nga skena e loj\u00ebs n\u00eb podium. <\/p>\n<p> Muzik\u00ebs e ndri\u00e7imit,  si dy komponent\u00eb t\u00eb r\u00ebnd\u00ebsis\u00eb ve\u00e7ant\u00eb n\u00eb shfaqje, u \u00ebsht\u00eb kushtuar fare pak r\u00ebnd\u00ebsi n\u00eb k\u00ebt\u00eb rast, pasi tendenca e regjisorit duket t\u00eb ket\u00eb qen\u00eb tek p\u00ebrfshirja sa m\u00eb e madhe e v\u00ebmendjes s\u00eb publikun n\u00eb fabul\u00ebn e shfaqjes dhe dram\u00ebs s\u00eb personazheve,  n\u00eb harmoni t\u00eb plot\u00eb me natyralitetin e rast\u00ebsis\u00eb s\u00eb p\u00ebrditshm\u00ebris\u00eb s\u00eb tyre!<\/p>\n<p>Festivali i dram\u00ebs &#8220;Talia e Flak\u00ebs&#8221;, ashtu si\u00e7 \u00ebsht\u00eb parapa paraprakisht, k\u00ebt\u00eb edicion, rrjedh\u00ebn e saj po e zhvillon n\u00eb rrethana t\u00eb imponuara nga efektet e pandemis\u00eb, duke d\u00ebshmuar s\u00ebrish &#8220;besnik\u00ebrin\u00eb tradicionale&#8221; dhe &#8220;mish\u00ebrimin permanent&#8221; t\u00eb publikut gjilanas me teatrit n\u00eb p\u00ebrgjith\u00ebsi, e dram\u00ebs si zhan\u00ebr specifik n\u00eb ve\u00e7anti, ani pse n\u00eb num\u00ebr t\u00eb kufizuar. <\/p>\n<p>N\u00eb shfaqje \u00ebsht\u00eb paraqitur kasta e aktor\u00ebve t\u00eb teatrit t\u00eb konsoliduar tashm\u00eb &#8220;Muharrem Qena&#8221; nga Mitrovica, me: Eshtref Durmishi, Mirsad Ferati, Mehmet Preteni, Q\u00ebndresa Kajtazi, Agan Asllani, Fisnik Ademi, Adem Zhitopotoku, Fatmir Haliti, Artan Hetemi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jan\u00eb ca momente n\u00eb jet\u00eb kur njeriu pa fajin e tij p\u00ebrballet me t\u00eb papritura t\u00eb patjet\u00ebrsueshme, e t\u00eb patejkalueshme, q\u00eb ia ka destinuar fati apo fatkeq\u00ebsia. K\u00ebto fakte sjellin akte psikologjike tek personazhe t\u00eb caktuara, t\u00eb cil\u00ebt, ndon\u00ebse provojn\u00eb t\u00eb gjitha m\u00ebnyrat me tratativa t\u00eb vazhdueshme, nuk ia dalin ta kalojn\u00eb p\u00ebrtej &#8220;rubikonit!&#8221; I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":72760,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-72759","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/72759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=72759"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/72759\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/72760"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=72759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=72759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=72759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}