N\u00eb rrjedh\u00ebn e manifestimit mbar\u00ebkomb\u00ebtar kulturor “Flaka e Janarit 2021” \u00ebsht\u00eb mbajtur Tryeza letrare me tem\u00eb “Opusi Letrar i Beqir Musliut”, vepra e t\u00eb cilit u vler\u00ebsua voluminoze n\u00eb sasi dhe e ve\u00e7ant\u00eb n\u00eb cil\u00ebsi, si ajo n\u00eb dram\u00eb e publicistik\u00eb, njashtu edhe n\u00eb proz\u00eb e poezi.<\/p>\n
Pjes\u00ebmarr\u00ebs t\u00eb shumt\u00eb n\u00eb k\u00ebt\u00eb tryez\u00eb kan\u00eb ndri\u00e7uar edhe m\u00eb tej opusin shum\u00ebdimensional, kulturor e letrar t\u00eb poetit e prozatorit, publicistit e dramaturgut t\u00eb shquar Beqir Musliut, t\u00eb zhvilluar n\u00eb etapa t\u00eb ndryshme, kryesisht gjat\u00eb \u00e7erekut t\u00eb fundit t\u00eb shekullit 20-t\u00eb.<\/p>\n
Drejtoresha e Kultur\u00ebs Deniza Limani, n\u00eb fjal\u00ebn hap\u00ebse t\u00eb k\u00ebsaj tryeze, tha se: “ky veprim i DKRS-s\u00eb n\u00eb Gjilan q\u00eb k\u00ebt\u00eb vit \u00ebsht\u00eb marr\u00eb me premier\u00ebn e shfaqjes, sipas vepr\u00ebs dramatike t\u00eb Beqir Musliut, t\u00eb inskenuar nga Teatri i Qytetit t\u00eb Gjilanit, njashtu edhe kjo tryez\u00eb, jan\u00eb nisma t\u00eb mira dhe t\u00eb mbara, me t\u00eb cilat m\u00ebtohet t\u00eb vazhdohet si trend edhe vitin e ardhsh\u00ebm, me nj\u00eb tjet\u00ebr organizim t\u00eb k\u00ebtij lloji, edhe m\u00eb t\u00eb madh, n\u00eb dedikim e p\u00ebrkujtim t\u00eb figur\u00ebs dhe vepr\u00ebs s\u00eb Beqir Musliut.”<\/p>\n
Nj\u00eb p\u00ebrshkrim t\u00eb thukt\u00eb rreth interkomunikimit t\u00eb vepr\u00ebs s\u00eb autorit me bot\u00ebn e letrave n\u00eb p\u00ebrgjith\u00ebsi, e b\u00ebri publicisti Emin Azemi nga Shkupi, i cili poetin e prozatorin gjilanas e rangoi “nd\u00ebr emrat e rrall\u00eb n\u00eb letrat shqipe, i cili la trash\u00ebgimi t\u00eb pasur e komplekse krijuese, t\u00eb projektuar mbi nj\u00eb sistem autonom e autentik letrar.”<\/p>\n
Ai m\u00eb tej shtoi se Beqir Musliu “nuk ndoqi rrymimet e formimit letrar t\u00eb koh\u00ebs, por u p\u00ebrpoq t\u00eb sjell\u00eb nj\u00eb autor\u00ebsi origjinale shkrimi q\u00eb do t\u00eb bazohej n\u00eb promovimin e nj\u00eb leksiku pak a shum\u00eb atipik poetik, me nj\u00eb p\u00ebrkufizim t\u00eb avancuar kulturologjik mbi resementazimin e bot\u00ebs mitike dhe shkrirjen e saj n\u00eb nj\u00eb areal t\u00eb pasur simbolikash poetike krejt\u00ebsisht novatore, si p\u00ebr koh\u00ebn kur u krijuan, ashtu edhe p\u00ebr t\u00eb sotmen q\u00eb ende nuk po mundet ta tejkaloj\u00eb kondicionin e shprehjes dhe t\u00eb gjuh\u00ebs q\u00eb ai la si gjurm\u00eb t\u00eb pashlyera.”<\/p>\n
Studiuesi e kritiku Mehmetali Rexhepi, n\u00eb fjal\u00ebn e tij vuri theksin tek ‘Qasja kritike e Ibrahim Rugov\u00ebs p\u00ebr poetik\u00ebn e Beqir Musliut’, sipas t\u00eb cilit, “kritiku Ibrahim Rugova, me urt\u00ebsin\u00eb e parametrave shkencore, zb\u00ebrtheu, analizoi, sintetizoi, dhe konstatoi me nj\u00eb rrept\u00ebsi t\u00eb paq\u00ebndrueshme p\u00ebrb\u00ebr\u00ebsit tipik\u00eb t\u00eb poetik\u00ebs, poetik\u00ebn e abstraksionit, kategorit\u00eb e koh\u00ebs dhe t\u00eb hap\u00ebsir\u00ebs n\u00eb figuracionin metaforik, estetik\u00ebn dhe lajtmotivin e mb\u00ebshtjell\u00eb n\u00eb boshtin e togfjal\u00ebshit “Bukuria e Zez\u00eb” – E bukura dhe e zeza si dy antipode p\u00ebrjashtuese ndaj nj\u00ebra-tjetr\u00ebs, por t\u00eb ngjizura me nj\u00ebra-tjetr\u00ebn…”.<\/p>\n
P\u00ebr proz\u00ebn e Beqir Musliut foli kritiku Nexhat Rexha, i cili vec tjerash theksoi se “tek proza e autorit fuqia e metafor\u00ebs forcon nd\u00ebrdijen e lexuesit, duke vijuar me konstatimin se “vepra e Beqir Musliut \u00e7do her\u00eb q\u00eb lexohet e rilexohet, i ofron lexuesit njohjet paraprij\u00ebse t\u00eb universit, postulat n\u00eb vepr\u00ebn e tij letrare n\u00eb tri gjinit\u00eb: proz\u00eb, poezi e dram\u00eb. Ajo funksionalizon klasiken artistike me brumosje estetike, duke i dh\u00ebn\u00eb ngjyrimet e k\u00ebnaqshme t\u00ebr\u00ebsis\u00eb n\u00eb vepr\u00ebn e tij, si begatim e korrespodim n\u00eb proceset e poetik\u00ebs artistike shqiptare.”<\/p>\n
E kritiku i shquar Prof. Dr. Anton\u00eb Nik\u00eb Berisha, n\u00eb v\u00ebzhgimin e tij u fokusua tek nj\u00eb gjini specifike letrare – drama e Beqir Musliut, duke e cil\u00ebsuar at\u00eb si p\u00ebrpjekjen dhe tendenc\u00eb t\u00eb suksesshme p\u00ebr ‘kthes\u00eb
\nn\u00eb let\u00ebrsin\u00eb ton\u00eb n\u00eb p\u00ebrgjith\u00ebsi, krahas autor\u00ebve tjer\u00eb n\u00eb proz\u00eb e poezi, si Anton Pashku me veprat “Oh” e “Gof”, Azem Shkreli, Mirko Gashi, Musa Ramadani, Sabri Hamiti etj.<\/p>\n
“I nxitur nga tekstet e dram\u00ebs s\u00eb absurdit n\u00eb vecanti nga drama e Beketit, “Duke pritur Godon\u00eb”, Beqir Musliu e krijoi ato q\u00eb i quajti, libri – teat\u00ebr, (“Shtrigani i Gjel Hanit”), dhe teat\u00ebr – lib\u00ebr (“Rrakullima”).<\/p>\n
N\u00eb k\u00ebto dy v\u00ebllime me drama autori p\u00ebrdori t\u00eb thuash t\u00eb nj\u00ebjt\u00ebn qasje, t\u00eb nj\u00ebjtin koncept krijues, t\u00eb nj\u00ebjt\u00ebn strategji t\u00eb shqiptimit e t\u00eb shtjellimit, t\u00eb nj\u00ebjt\u00ebn gjuh\u00eb, po dhe personazhe q\u00eb jan\u00eb t\u00eb nj\u00ebjt\u00eb ose t\u00eb ngjash\u00ebm, jo vet\u00ebm si emra”, vijoi ai duke p\u00ebrfunduar me konstatimin se “n\u00eb k\u00ebto dy vepra gjith\u00e7ka p\u00ebrngjet n\u00eb nj\u00eb loj\u00eb t\u00eb projektuar, t\u00eb p\u00ebrfytyruar ose t\u00eb \u00ebnd\u00ebrruar!”<\/p>\n
E nikoqiri i k\u00ebsaj ngjarje Sabit Rrustemi lexoi nj\u00eb paragraf nga v\u00ebzhgimi kritik i Ibrahim Kadriut, nd\u00ebrsa Tribuna Letrare me tem\u00eb “Opusi Letrar i Beqir Musliut” \u00ebsht\u00eb p\u00ebrcjell\u00eb me prezantime artistike n\u00eb hyrje e mbyllje nga Helen\u00eb Hajdari e Xhezide Selimi, t\u00eb cilat deklamuan pjes\u00eb nga opusi i autorit dhe krijimtaria e t\u00eb tjer\u00ebve p\u00ebr opusin e autorit.<\/p>\n","protected":false},"excerpt":{"rendered":"
N\u00eb rrjedh\u00ebn e manifestimit mbar\u00ebkomb\u00ebtar kulturor “Flaka e Janarit 2021” \u00ebsht\u00eb mbajtur Tryeza letrare me tem\u00eb “Opusi Letrar i Beqir Musliut”, vepra e t\u00eb cilit u vler\u00ebsua voluminoze n\u00eb sasi dhe e ve\u00e7ant\u00eb n\u00eb cil\u00ebsi, si ajo n\u00eb dram\u00eb e publicistik\u00eb, njashtu edhe n\u00eb proz\u00eb e poezi. Pjes\u00ebmarr\u00ebs t\u00eb shumt\u00eb n\u00eb k\u00ebt\u00eb tryez\u00eb kan\u00eb ndri\u00e7uar […]<\/p>\n","protected":false},"author":1,"featured_media":72790,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":{"0":"post-72789","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-lajme"},"_links":{"self":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/72789","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/comments?post=72789"}],"version-history":[{"count":0,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/posts\/72789\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media\/72790"}],"wp:attachment":[{"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/media?parent=72789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/categories?post=72789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/radiostargjilan.com\/web\/wp-json\/wp\/v2\/tags?post=72789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}